Catalog: Antiques: Regional Art (482)

This pair of Chinese lotus shoes were made by a woman of limited finances. She bought what materials were needed for the vamp and supplemented with the use of rough home spun fabric scraps to cover the shaped heals and soles. The limited amount of expensive gold couching threads outlining the floral embroidery pattern on each side of the shoes indicates that this pair of lotus shoes would have used only for special occasions...

These 3 bobbins aka thread holders would have been used in China when hand sewing was the major activity of the women of the house. Each bobbin was individually carved and each has a small ball which moves freely within the carved slot. Either individually or as a group, they are nice ethnographic artifacts of the Chinese culture during the Qing dynasty.

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

Lovely silk embroidered rondel cut from an antique 19th century Chinese robe. Intricate satin stitch depict 2 figures in the center surrounded by gold bouillon tread used for couching background. Diameter is approximately 8.75 inches ...Piece is in very good condition...no rips no tears

This 19th Century traditional Han Chinese robe would have been used for winter wear. It uses dark black satin weave silk fabric, and has very wide cuffs with floral embroidery and the shape is trimmed out with a floral silk ribbon. The coat has its original buttons and fabric loop closures...and has original lining. Excellent condition

This is a charming old cloisonne teapot from the later part of the Qing Dynasty in China. During this time period the traditions and culture of tea making and drinking had evolved to include the appreciation of tea articles as art objects in addition to their utilitarian purposes. This well crafted miniture teapot would have been sought after for its sculptural form.

Each side of the body of the teapot has a different floral motif with a background pattern of clouds traditional Ruyi...

Rare Japanese antique box. Body of box has treebark finish. The top has 2 very fine lacquerware pieces depicting cranes and irises. The keyhole escheon is floral shaped and is incised. Sorry, no key, condition is very good. 10.5 x 3.5 x 2.5

Tibetan Buddhist monks Hand made folded paper with text and amulets. one side mostly with text and amulets on lower section. other side drawn amulet drawings with text This piece was from a collection gathered in Tibet in the late 60's..aged conservatively from the 1800's

This antique toggle was sourced from China. I suspect that was originally from Tibet. The carved circular markings on bottom of 2 of the sides of the toggle are more typical of the ethnic minorities.

Toggle is almost 2 inches long and .5 inches x .5 inches.

This Qing Dynasty enamel box is from the late 1800's and was made for export...The bottom has incised stamp of China as required by McKinley Tariff Act. The box is silver over copper with an intricate enamel scene on the top and all four sides. The quality of the enamel work is very good. The interior of the box is lined with wood...Box measures 5.75 x 3.75 x 1.75 inches

This Japanese 3 panel screen has carved wood frame and lower panels. The upper panels have decoration of carved birds, and eagle and fauna carved from either died bone or natural colored shell. The hinges are double swing so that the panels can be arranged in various positions... opened out the screen is 17 inches across and 14 inches high.

This Chinese pinafore style garment would have been worn by a small girl child of the Dong ethnic minority in Shui Kou. Fabric is handwoven from cotton fiber, hand stitched with intricate decorative applique work and hand woven snowflake pattern ribbon accents the border. No rips, no tears, and no holes...but this piece is old and has been worn and is a bit "dirty".... and still has its original ties. It is 14 inches wide and 21 inches long...great ethnographic textile for framing.

This traditional antique basket purse was made and used by the men of the tiny island of Balika,Indonesia. The patina shows both the age and the wear pattern. This is one of a pair of "old purses" which were brought back to the US by an Anthropology intern who spent a summer studying and documenting the lives of the islanders in 1980. The condition is very good and the piece measures 16" high by 12" wide and 4"

Obvious hand carved, this antique Sarinda is missing the tuning pegs, and the animal skin covering...wonderful patina...This is rare collectors ethnographic piece, and looks great hanging on a wall.

24 x 9 x 7 inches...hand carved from one solid piece of wood.

The "Sarinda" musical instrument was used for centuries in various countries in Central Asia, primarily in Rajasthan (Northern India), Pakistan, Nepal, Afghanistan, and Baluchistan...

This old Chinese Ethnic Minority inro is carved from animal horn and has 2 compartments. Each side is carved with a floral motif that is bordered with a key design. These symbols are especially meaningful to the Miao ethnic culture. The inro was worn suspended from the belt by a braided cord. It is a attractive ethnographic relic for the tribal arts collector. Condition is very good and the piece measures approximately 3.5" X 2

This antique Chinese small wooden tobacco container would have been looped on a belt. It is probably ethnic minority, and hand carved by its intended user. Such folk art artifacts are now rare and hard to find on the market.

Measures 3 inches tall, and comes with original hand twisted cord, and is in very good condition

Traditional Chinese rural style pillow of bamboo. This pillow would be stored with legs folded under during the day. Good condition 16"x4" by 5" high with legs extended.

Made of iron, this antique Japanese mobile candle stand, known as a teshoku, dates from the Edo period. So typical of the old Japanese ethnographic objects, the design of this single candle holder is totally simple and wonderfully functional. With a lighted candle, this candlestand could be easily carried about the house by use of long very gently curved handle. When set in down, the placement of the 3 legs makes it very stable to minimize chances of it being accidentally knocked over...

The cabinet is dark brown lacquer possibly over-painted. There are mother of pearl inlay of very old Chinese calligraphy characters on the doors and drawer front... with no translation available. There is a copper/bronze decorative latch on the cabinet doors. This cabinet would have been used in a prayer niche and would have held religious objects 32 x 13 x 7 inches.

This Japanese hibachi is made from a single piece of Kiri wood, aka paulownia. A design of thick raised gold lacquer, aka Makie depicts Botan peony plant with added colors of pink and green for definition of flower and a single leaf. Hibachi comes with the original copper insert and the condition is very good. A couple of hard to find scratches and tiny (pinheadsize) dents on the top rim. Hibachi dates from late Meiji period. The size is approx 6.5" diameter x 6” high

This lacquer serving tray from Burma (now called Myanmar) depicts has a central medallion with a mythical Burmese creature, a chinthei, surrounded with 12 individual vignettes depicting children and other creatures. The tray is 19 x 11 inches with a rim 3/4 inches high. The top surface is somewhat dulled from age and exposure.

This is one of 2 hexagonal shaped tea cannisters which I have listed separately. This one has an incised spring scene of two young birds and a butterfly on one side. The other side has 2 sentences from the famous Tang dynasty poem by Lu Tong. The bamboo has darkened considerably with age...

This antique Chinese circular lidded container was made from a single valuable horn. It is a tribute to both the horn and the skill of the craftsman. Horn can be cut, and carved, but it is not a flexible material. According to my Chinese friends, the thinner and more translucent the horn, the more it is valued. The cross-section of an ox (buffalo)horn is oval, but a Yak horn is circular. This is a prized horn. Approx 4" high and 2.5" diameter.

The variety and types of embroidery stitches on this antique Chinese hat are old typically Miao minority. Probably done by dotting grandmother. The silver ornaments, the butterfly, the bubbles are symbolic of the Miao myth regarding the birth of the human race. The hat shows some dirt but is otherwise in good condition.

This ethnographic artifact is a seated ancestor female figure carved from goat's horn. It is from one of the Indonesian Islands by one of the indigenous Dayak tribes.

The horn is in good condition with no chips or losses and stands approximately 6 inches tall.

Antique Chinese silk satin stitch embroidery with Embroidered with hanging tassels and ornaments everywhere...This was a hat for the bride...out of my private collection...

This lovely set of 5 antique Japanese blue and white porcelain sake cups was made for export during the McKinley Tariff Act of 1890-1914 which required that the name of the country of origin appear in writing on each piece of pottery or porcelain imported into the country. Each cup has the makers name on the bottom as well as the country of origin. they are in excellant condition.

This old wooden dragon was hand carved with an expressive face and large black eyes. He balances nicely with his tail on a short pedestal. Gripping his prized pineapple in his paws, he licks it with his tongue, clearly relishing the sweet taste. The pineapple has a short hollow plug on top to provide for an incense stick.

The name Zhang Feng Chao is carved on the underside of the pedestal. This old dragon is a wonderful example of an old Chinese folk art artifact...

This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.

Woven from wide bamboo strips, this lidded container was used for storing tobacco. Basket weaving was a traditional folk art throughout southeast Asia and most rural families relied on their own basketry skills to provide themselves with life's necessities.

This slightly miss-shaped container stands 8 inches tall and has the charm and patina which comes only with repeated use and age.

Silver Japanese hinged cigarette case, made for export to the US... Excellent pierced work forms different kenji on front and rear of box.

In 1881 Kintarō Hattori opened a watch and jewelry shop called "K. Hattori" in the Ginza area of Tokyo, Japan. Eleven years later, in 1892, he began to produce clocks under the name Seikosha (精工舎), meaning roughly "House of Exquisite Workmanship" The beginnings of the Seiko watch company...

This small Japanese case was most likely used for eyeglasses by a wealthy woman. The fine cloisonne work on both sides has slightly differed medallion patterns. Bird one one side butterfly on the other...There is s small sing (with lose on the bird side towards the edge...and the ding goes through to the inside of the case...piece is priced considering the damage...

This Indonesian container would have been carried by a man using the handmade string as a shoulder strap. The "purse" was hand carved out of a local hardwood and both the top and bottom have decorative details.

The container sits stably on it base but can also be hung on the wall as an interesting sculpture artifact.

Approximately 9 inches high, 7.5 inches across and 4 inches deep.

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This rare antique Chinese Child's hat has it all From the Yi Chinese Ethnic Minority... Each surface is decorated with intricate hand embroidery and several silver ornaments

This round inkstone was carved out of a naturally occurring layered stone...both the bottom and cover viewed from the side show the striation of the stone.The covered has a pond design etched with raised koi fish. It is really lovely. The inkstone is just over 4 inches in diameter and .8 inches in height.

This old Indo-Persian Bronze bowl has ornate repousse pattern and is heavily patinated with use and age. The upper rim edge has a few small chips from ages past. The bowl is 4.5 inches in diameter and about 2.3 inches high. The bowl is an artifact from the early 1800'S.

These antique Razors were brought back from China by the Baptist Missionary Rebecca Cloud Stewart. The blades are rusty but they are still sharp. One has a wood handle and the other has a horn handle.

This is a charming traditional Chinese child's "wind hat" so called because of the protection the hat gives to the back of the neck. The silk threads of the satin stitched embroidery depict lots of flowers and butterflies. Hat is in good condition

This antique type of metal work was common in Nepal during the 1800's and into the early 1900's. The birds beak is carved from bone which is dyed to color. The "jewels" are colored glass i.e. enamel drops of orange, turquoise and dark brown. Beak to tail tip the bird measures 3.5 inches and stands 2 inches high. Very good condition with one "jewel" missing on the side.

After hand-weaving their home spun yarn, the Miao women of Na Dan would use contrasting thread colors to create an intricate embroidery of geometric patterns on their precious baby carriers. These pieces were highly prized, used primarily for festival, and were handed down through succeeding generations.

The pouch at the top of the tassel most likely contains various herbs to bring health and good fortune to the baby...

For centuries, before there was electricity, throughout Asia, Puppetry Arts were a popular form of traveling entertainment... A platform with a cloth screen, lit from the back by candlelight, provided the stage.... The shadow images were black against the white "background". Hence, the puppets had a minimum of color and only the necessary intricate cut outs for personality as they were sometimes presented to the audience with the "handlers" after a performance...

According to my Miao friends, these coin purses were often made by a girl as a gift to a prospective boyfriend...and depending on where and how he wore the purse, it would indicate his feeling for her... they can be sold separately or in multiples 1 piece  $175 plus shipping  2 pieces $325 plus shipping 3 pieces $450 plus shipping 4 pieces $525 plus shipping

This antique traditional Chinese pocket size opium scale comes in its original wooden case. Dating to the Qing Dynasty, the case contains all the original implements needed to weight gold and other precious metals and/or opium: a brass pan, a weight, and an ivory balance beam marked with 2 different weight calibration gauges. The wood case measures roughly 7 inches long and the ivory beam is 6 inches long.

This rare ceremonial Chinese "lock" necklace is Hmong ethnic minority. Made from pure bouillon silver, it over weighs 4.5 lbs. The Hmong Ethnic Minority group range from southern China into Northern Thailand. This piece was sourced out of China to a dealer sometime between 1920-1930. In both Chinese and ethnic minority cultures, the lock necklace acts as a talisman and symbolically "protects" the wearer from ill fortune, much as a lock on a piece of furniture will protect the contents inside...

This rare Qing Dynasty mirror folds flat for storage and traveling. The hand-carved wooden frame depicts bamboo stalks, and the mirror cover carving depicts an iris plant in full bloom. The cover drops forward and down thru the legs to the rear where it acts as a back support while the mirror is in use. Protected by a rear wood panel, the original silvered glass mirror does show its age...

By the latter part of the 19th century the ruling Qings were obsessed with every last detail of dress. This antique top grain leather fan case could only have been owned by very wealthy Chinese woman.

This unusual small triangular shaped snuff bottle 2 of the 3 sides of the piece have carefully repouse Tibetan symbols..no makers marks...a few tiny dents ...no loss. It was brought back from Tibet by a man who went on a long walkabout from Istanbul to Tibet back in the late 60's...China was not open at the time...and Tibet ..he traveled with a backpack,limited space,few small momentoes and he was picky...old pieces only... bottle is approx 1.75 inches high

This absolutely charming pair of baby booties is from the late Qing dynasty. They are made of silk satin ivory colored fabric and have a large satin stitched butterfly on each side. The front of the booties have an appliqued butterfly with tassles and pompoms. They are in pristine condition with the exception of the one missing pompom on one bootie.

According to many Indians, this old juicer would also doubled as a pasta maker. With the carved animal heads on each side, and great aged patina, it makes an interesting sculptural artifact of India's culture.

Measures 12 high, 10 inches wide and 6 inches deep.

This antique Chinese wooden carved pedestal stand with attached mirror dates is from the late Qing dynasty. This piece of furniture would have sat on a dresser or chest. The carving is high quality and begins at the base...

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes

This large Yi Minority Hair Comb would have been worn for most probably a wedding or other important festival. the comb was hand carved wood and covered with silver decoration...so only the wood tines are visible. 8 inches wide, 2.5 inches deep and 6+ inches high not including the chain and end pins...

Traditional Manchu style Qing Dynasty embroidered silk vest..Original drop buttons and loop closures... stunning ...fits small woman...a few hard to find light stains.

This antique small iron mortar fits easily into the closed hand was used for grinding medicinal herbs. The pestle is attached with a hand made chain. Sourced from Maharasha, India...great aged patina.

This is a traditional Chinese pack saddle which were used throughout China for carrying various sacks of grains and goods. The front is carved foo dogs and there is a key carved decoration around the border. It is unusual to find this type saddle with the painted black lacquered finish. This one was probably owned by a wealthy family and used only for special events. The finish is worn off as the straps from the packs and sacks have worn off the finish across the areas where they would have ...

This set of 4 matching Chinese toggles were hand carved from animal bone, probably the vertebra. Each side is carved with an identical design which continues around the side. They are well aged and show both wear and usage. As artifacts from the folk art culture, they were probably carved by the person who intended to use them to secure his personal items. Each piece is approx 1 inch in diameter and .5 inches thick.

Finely carved and once elaborately painted, this antique figure was probably from a small shrine. Clearly used and handled over the years, piece still has some areas of original paint. Some residual of an inked signature on bottom. carving may be of a monk or other religious figure. Stands about 2 inches high.

Nice old traditional Chinese opium scale with travel case. The measuring stick is ivory and marked to indicate weights. Approximately 13 inches long, this piece is obviously old and shows signs of use but is in good condition.

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each