Catalog: Antiques: Regional Art (482)

Tradition Lotus shaped Chinese silk pillow Fret pattern Embroidered background with dragons and other creatures using both satin stitch and couching with gold metallic covered thread.... Some fading and some wear around the edge... roughly 8 x 14 inches A note on displaying textiles… When framing Chinese textiles….do not allow your framer to glue the textile to any kind of backing board… Instead have the textile basted (sewn) to a piece of complimentary background fabric…and the...

The 5 musicians from palace set of Girls Day Hina Dolls...the 2 musicians in the rear are are seated on stools are each 4.5 inches tall. The 3 seated on the floor are 3.5 inches tall

This unusual small triangular shaped snuff bottle 2 of the 3 sides of the piece have carefully repouse Tibetan symbols..no makers marks...a few tiny dents ...no loss. It was brought back from Tibet by a man who went on a long walkabout from Istanbul to Tibet back in the late 60's...China was not open at the time...and Tibet ..he traveled with a backpack,limited space,few small momentoes and he was picky...old pieces only... bottle is approx 1.75 inches high

This beautiful mottled gray/green color stone There is a carved with dragon which is deeply undercut so that he is suspended across the top of the stone. The ink reservoir has a matching stone cover. The ink stone is carved from a thick slab of stone, 10 inches across the back, 6+ inches back to front, and over one inch thick. It is heavy. It has been held in a private collection for about 20 years....conservatively dates from early 1800's...

This wonderful pair of lotus shoes are typical of boots from Shandong. They have a black cuff with hand-embroidered butterfly motif and the remanents of a thin pink woven band. The blue vamp is somewhat faded toward the front of the boot and has delicately embroidered butterfly on each side. The soles have worn leather heels. The inside silk lining is bright pink and in very good condition.

This old Japanese hand made sack (basket,bag) was made by a rural farmer or fisherman out of cotton cording. Handle holes were worked into the upper band which would have allowed for the changing of worn out handles. There is obvious wear and fading from use and age. The bag measures almost 11 x 15 inches It is Wonderful old ethnographic example of rural Japanese textile folk art

This small embroidered wallet style purse would have been used by a traditional Han Chinese woman to carry coins during the Qing dynasty. There are pockets on each side of the purse. And the all satin stitched embroidery is also on each side of the wallet.

This elaborate antique embroidery panel is from Gujrat India and would have been used as a dowery quilt. It is backed with soft aged (now muted) cotton fabric, leaving a 4 inch border surrounding the embroidery. The gold and silver metallic threads are also somewhat subdued and blended giving the panel a soft and somewhat muted appearance which is very pleasing...

A properly dressed Chinese woman would wear a pair of leggings to cover her lower legs from the bottom of her skirt to the top of her lotus shoes. The leggings would be tied into place with a hand woven sash made specifically for that purpose. These lotus shoe accessories are now rare and very hard to find. See my listing TC236 and ZTC233. This pair of leggings are purple satin weave fabric with ribbon and silk embroidered trim at the cuffs. There is some ares of fade on the basic fabric.

This lovely antique Indo Persian box is covered with silver and bronze elaborate damascene work on the top and 4 sides. The box lid is slightly domed and the inside is lined with wood. Made in what was Persia, now Bidar India, this box dates to the early part of the 19th century, and is an fine example of Damascene metal work. In excellent condition, the box is 6.5 inches x 3.5 inches x 2 inches high...

A Chinese doctor would use this stoneware clay pillow to support the wrist while taking the pulse of a patient.

The pillow was made using slab construction and all the surfaces are decorated with a star pattern and covered with a traditional glaze. There is a tiny vent hole on the bottom to facilitate firing. It measures 4.5x3 x 1.5 inches and is covered with traditional green glaze...

This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.

Mask measures approx 8 inches high and 6 inches wide

This open hanging letter box is covered with beautifully detailed scenes painted in shades of gold on black lacquer. Late 1800's ...small chip at edge of scallop top right side ( last pic)

This adult female puppet is clothed in traditional Thai costume with a open shirt. All parts are hand-carved, tied and strung together, which gives the puppeteer lots of choices of movement. The face has eyes which can open and close independent of each other and the mouth can also be opened and closed. Head to toe, she measures is 21 inches tall and with the strings the total lenght is 34 inches...

These 6 antique Chinese needlework implements were brought to the US by the American Baptist missionary Rebecca Cloud-Stewart. They range in size from 3-6 inches long...

This antique pair of earrings are from the Miao Chinese Ethnic minority. For me the shape and thick "wires" add to the design of the earring...some groups of the Miao purposely expanded the size of the ear lobe holes to accomadate... I prefer to keep things in their original condition. I have used these in my "favorites" display case... the earring spann 2 inches x 2 inches x .5 inches. Assumbed to be low grade silver which was typically used in old China...

This is a traditional Chinese pack saddle which were used throughout China for carrying various sacks of grains and goods. The front is carved foo dogs and there is a key carved decoration around the border. It is unusual to find this type saddle with the painted black lacquered finish. This one was probably owned by a wealthy family and used only for special events...

This unusual Japanese lacquer clam shell is from Wakasa, a center for exceptional lacquer craftsmanship which began during the Edo period. At that time the lacquerers of the Obama clan, near Wakasa Bay, began decorating their work with designs depicting elements of the ocean floor, For techniques, the Wakasa craftsmen developed a process of repeated lacquer coatings of several colors and rubbing down the lacquer coated surface...

Two Standing Ladies in Waiting for palace display and one lady seated for tea service. Standing ladies are 5.5 inches tall and the one seated is 3.5 tall

This absolutely charming pair of baby booties is from the late Qing dynasty. They are made of silk satin ivory colored fabric and have a large satin stitched butterfly on each side. The front of the booties have an appliqued butterfly with tassles and pompoms. They are in pristine condition with the exception of the one missing pompom on one bootie.

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This finely carved small 3 hole flower (plant) antique Ikebana type vase was sourced in China but design quality is very Japanese...Deeply carved dark dense,finely grained hardwood, possibly walnut, or zitan...feels wonderfully smooth...approximately 5.5 inches x 5.5 inches x 1.5 inches....

The face of this Japanese Boy's Day Doll, musha ningyo, would certainly scare away any demons...strands of his unkept hair tends to drift across the face, and his costume is elaborately detailed. Without the stand he is 11 inches tall...the stand adds another 2 inches to the height.

Condition excellant with the exception of a couple of small surface paint chips on face reveal white undercoat (clears shown in pictures)

This Miao woman's jacket has hand embroiled detail collar, front lapel, and sleeve bands...background fabric of the body of the jacket feels like rayon but maybe silk...sleeves are heavy cotton... there is small hole 1/2 inch (looks like cigarette) on the back left side roughly 2-3 inches from hem... this jacket will fit a small woman... this style of woman's jacket is from the shidong area of Tia jiang...

This face-sized antique mask of a shaman or Buddhist priest is from Tibet. The hand carving is both delicate and simple, with chisel marks showing on the back of the mask.

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

Carved from Rosewood, on one side, this Chinese toggle has a wooded scene with a horse and pair of deer. On the reverse side is the symbol for longevity. Toggle is 1.5 inches x 1.25 inches

This small strand of Buddhist prayer beads would have been kept in a pocket or looped on a belt. Bought in China from a Tibetan, the strand of tiny dark beads is broken up with coral beads to assist in counting. The 3 fabric triangles, from departed monks robes, are amulets containing various protective prayers. When used for ritual prayers, the fabric talisman would be held in the closed fist while the fingers count the beads...

This old Chinese Ethnic Minority inro is carved from animal horn and has 2 compartments. Each side is carved with a floral motif that is bordered with a key design. These symbols are especially meaningful to the Miao ethnic culture. The inro was worn suspended from the belt by a braided cord. It is a attractive ethnographic relic for the tribal arts collector. Condition is very good and the piece measures approximately 3.5" X 2

This baby carrier panel is a lovely old piece. Embroidered with a very intricate flowing pattern using silk floss and wrapped thread and satin stitch techniques. This piece is bordered with hand-loomed fabric. The back of the piece has recently been replaced. Condition is good 19" x 21.5

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This is a Tibetan Ritual Celestial Crown also know as a Diadem or Ringga. It is worn by a necromancer or oracle during rituals. The "crown" consists of 5 separate paintings on paper and each painting is backed with thin cardboard for stiffness. The sections are connected with string. When worn, the crown is tied around the head with string. The sections are painted with the five Dhayani, celestial Buddhas, each painted with his traditional color and gesture...

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet.

The Tibetan Buddhists used the gau as a prayer shrine usually placed on a special shelf in the home along with any other religious relics o...

nice old one...brass corners for stability... probably owned and used by storekeeper

This ingenious antique Chinese sundial can be carried in the pocket. When needed, the cover is removed, the pointer is raised and held in place by the notch in the raised semi circle arm. Direction is established by the small compass on one side of the pointer. The small fixed circular dial on the other side of the pointer uses Chinese characters. I was told this was used by Feng Shui practitioners...Though bought in mainland China, the combination of Roman numerals and Chinese characters...Ho...

This is one of a pair of wooden (not papermache) chinoiserie footed plates made for export. The central medallion Japanese scene is classic and the rim has ornate panels of individual woman in various poises. Each side has handle shaped and painted as an ivy leaf.

On the black lacquered back is the rement of a very old label. Plate is 10.75 inches at the widest point. Sourced from an old estate in the US, Chinoiserie of this detail and quality are rare, probably Edo Period between 1840-185...

This intricate floral embroidery panel may have been part of a larger piece which probably predates the carved frame that now houses the panel. The background silk is a rich dark brown and the ornate floral display can be positioned either horizontally or vertically. During the framing process, sometime between 1900-1920, The fragment was glued to a cardboard backing...where it remains today... 10.5 inches x 23 inches includes frame

This small sitting Buddha dates to the 16th century...The cast metal is somewhat deteriorated as would be expected. The names and borders of the countries of southeast Asia have changed and moved over the centuries which makes naming specific country of origin somewhat difficult....Thailand,Burma,Siam... This is a wonderful artifact of Southeast Asian religious culture. 4 inches tall...

This lacquer serving tray from Burma (now called Myanmar) depicts has a central medallion with a mythical Burmese creature, a chinthei, surrounded with 12 individual vignettes depicting children and other creatures. The tray is 19 x 11 inches with a rim 3/4 inches high. The top surface is somewhat dulled from age and exposure.

This Indonesian container would have been carried by a man using the handmade string as a shoulder strap. The "purse" was hand carved out of a local hardwood and both the top and bottom have decorative details.

The container sits stably on it base but can also be hung on the wall as an interesting sculpture artifact.

Approximately 9 inches high, 7.5 inches across and 4 inches deep.

Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.

This traditional Chinese antique tea container was made from bamboo. The outside has a carved rib design and was lacquered black. This tea caddy would have been used regularly by family and friends during the Qing dynasty. The inside lid is stamped with the manufacturers information.

The tea caddy is 10 inches tall and shows patinated wear marks and chips in the lacquer surface which would be expected on a piece of this age.

This antique traditional tribal dagger was made and used by the Manding people who are indigenous to the Western Sudan region of Africa. The dagger is 10 inches long and has a leather covered pommel. The blade is dulled and rusted with a small bend at the tip. The original matching scabbard has traditionally woven worked leather decoration with belt loop and tassel.

This blanket shaped Miao ethnic minority baby carrier is from Jian He and is a good example of the whorl pattern which was so significant to the Chinese Minority. Made from hand-loomed plant fibers (maybe cotton, maybe bast fibers) the surface is heavily decorated with appliques edged with chain stitching. This carrier is in good condition showing a minimum of wear and dirt and it 80+ years old

Possibly made from an old kimono, this sweet drawstring purse charming painted and appliqued scenes of trees, rocks and flowers going around the body of the purse. The bottom shows a country gentleman sitting on a rock under a tree enjoying the mountain view. overall condition is very good, however the fabric sleeve for the drawstring is deteriorated. Purse measures 7" across bottom

This ancient "Boat Money", also called Lat money, is similar to Tiger Tongues and from the same area: Lan Chang Kingdom of Southeast Asia (Thailand & Laos today, back then Siam). Instead of the bumps seen on Tiger Tongues, boat money has a depression in the top and looks more like a boat, hence the name. Boat money was first issued in the 16th century. In 1707, Lan Chang divided into the two kingdoms of Luang Prabang and Vientiane. Both adopted the lat currency and continued to issue such in...

This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival. In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also.

Gaus like this were commonly used by the Tibetans living inside China and those livi...

This Korean brush would have been used for painting and/or large calligraphy. The handle is an old horn of rich brown tones and a soft matte patina from use. The bristles are long and soft and show some ink residue close to the ferrule. It is a wonderful brush to hold

Out of Mongolia, this old leather tobacco pouch was made with a large button for hanging, long leather tassels, home made interesting decorative leather ornamentation...and hanging hook for removing old tobacco from pipe... Clearly old and well used: the leather is still playable. Great example of ethnographic folk art

This charming pair of old Chinese lotus shoes were made from a sturdy cotton fabric and embroidered with cotton thread. The lack of silk matterials would indicate that the maker/wearer was probably from a less afluent family. The soles indicate are well worn but the vamps are in very good condition.

This well worn pair of Woman's Lotus shoes for bound feet are from the later part of the Qing Dynasty about 1870-1880. The vamp fabric is red cotton with a matching floral embroidery pattern on each side. The delicate hand stitching detail clearly shows the pride taken by the owner/maker. The soles are short of the toe vamp which was done to give the wearer a more floating and sensual appearance when walking.

This knife sheath would be hung from the woven shoulder strap by the hill tribe hunter. This one was brought back from the border region by a friend. Now heavily patinated with use and age, it was beautifully hand made many years ago and was both light weight and serviceable. It is a wonderful artifact of an age and culture that is rapidly disappearing.

This old Chinese container would have been used by a poor farmer or fisherman to carry his lunch, and tea while he was off working for the day. The main container has 2 sections and there is an additional rimmed tray which fits just inside below the tightly fitted lid. All 3 pieces are made from very tightly woven from 2 different types of plant materials.

Roughly 9 inches x 9 inches x 4 inches, with a richly patinated surface, this container is a wonderful ethnographic artifact from anot...

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes

Old wooden Phurba...nicely aged patina from handling and use... Faces topped with diadems, 3 side "blade"section has carved scroll design almost 11 inches long high. Alternative spelling...phurpa,phurbha, Pronunciation: Fur-bah The Phurba is a special triple sided Tibetan ritual dagger or stake, patterned after an ancient Vedic tool. Originated as a stake that tethered sacrificial animals. It is used ritually to create stability and areas of protected space, often staked into the gro...

This Meiji period Japanese netsuke is hand carved and represents a mask of Okame aka Ko-omote the young girl of the Noh theater. Material appears to be ivory.

An ornate painting of gold plant and leaf decoration swirl around and across the top of this Meiji period Japanese black lacquer 3 tier box. The bottom tier has a deep foot. The container measures 9 inches in diameter and is 11 inches tall. there are several small nicks in the inside lip/rim of the top box but these do not show in the outside...

This old pair of Chinese shoes were made for a small child. Appliqued onto the red cotton background fabric are bits of trim and cotton fabric which give the appearance of a cats face. Gold thread is used in a couching embroidery stitch for the design on the both sides of each shoe.

Needles were a valued woman's sewing tool and were carefully secured in a special case hanging from the belt. This Chinese silver needle case has 6 sides, each with a delicate repousse floral design. The bottom is weighted with a small turquoise and larger amber bead.

Antique Chinese summer court hat complete with red silk tassels which extend down from the finial to cover the hat. Officials would use their "court" hat for non-formal ceremonies or daily businesses. The finial would be added to the hat during formal court ceremonies held by the Emperor. This translucent blue finial indicates that the owner was a third rank official. condition...not good...silk exterior is very dirty...the rim is worn and damaged and the interior wool faded and has a few ...