Catalog: Antiques: Regional Art (482)

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes.

Suspended from a small leather belt loop, this old Mongolian pipe pouch has trekked a long way. This ethnographic relic was clearly hand-made, with a simple closure of leather thongs tied into a traditional knot, and a few beads add a decorative element. For pipe cleaning, there is added piece of twisted metal wire decorated with green thread. Approx 12" long and about 3" at the widest point. It is a relic from a nomadic ethnic culture and its condition.....

This traditional antique basket purse was made and used by the men of the tiny island of Balika,Indonesia. The patina shows both the age and the wear pattern. This is one of a pair of "old purses" which were brought back to the US by an Anthropology intern who spent a summer studying and documenting the lives of the islanders in 1980. The condition is very good and the piece measures 16" high by 12" wide and 4"

The cabinet is dark brown lacquer possibly over-painted. There are mother of pearl inlay of very old Chinese calligraphy characters on the doors and drawer front... with no translation available. There is a copper/bronze decorative latch on the cabinet doors. This cabinet would have been used in a prayer niche and would have held religious objects 32 x 13 x 7 inches.

This Indo-Persian antique silver repousse lidded container box was probably intended for cosmetics. The elaborate design work is flawless and the attention to detail were hallmarks of luxury items made during the late 19th century in both India and Persia. There are 2 makers marks and some scratches on the bottom of the box. See picture

The box is 3.5 inches in diameter and is 1.5 inches high

This well used pair of Chinese woman's Lotus shoes for bound feet has embroidered satin stitch floral motif on both sides of the toe. The soles have nice stitch detail

This traditional small leather purse would have been used as an ornament and hung from a belt by a Tibetan woman during festival. It is heavily decorated with silver metal, turquoise and coral beads. This is an old one and is in excellent condition.

After hand-weaving their home spun yarn, the Miao women of Na Dan would use contrasting thread colors to create an intricate embroidery of geometric patterns on their precious baby carriers. These pieces were highly prized, used primarily for festival, and were handed down through succeeding generations.

The pouch at the top of the tassel most likely contains various herbs to bring health and good fortune to the baby...

This old Chinese hand made carpenters tool would have been used as a snapline just as the western metal chalk box and line are used today. Such tools were often hand made and passed from father to son for generations. This particular one has a small antler for a plumbob.

Manchu women never practiced foot-binding. However, during the Qing dynasty, they did wear pedestal aka platform shoes, hoping to give the appearance of smaller feet. These shoes would give the woman a more careful walk which was perceived as dainty and more sensual. In addition, the tips of the shoes would appear to peak out from under the robes, giving the foot more dainty appearance. These shoes are embroidered on both sides with a floral motif...

This Meiji period Japanese netsuke is hand carved and represents a mask of Okame aka Ko-omote the young girl of the Noh theater. Material appears to be ivory.

He is charming...well detailed leaning on a pillows ...a few nicks and bruises to the finish as to be expected at this age...roughly 4 inches tall and 6 inches wide...

This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...roughly 3.75 x 3.5 inches

This is one of 2 hexagonal shaped tea cannisters which I have listed separately. This one has an incised spring scene of two young birds and a butterfly on one side. The other side has 2 sentences from the famous Tang dynasty poem by Lu Tong. The bamboo has darkened considerably with age...

Out of Mongolia, this old leather tobacco pouch was made with a large button for hanging, long leather tassels, home made interesting decorative leather ornamentation...and hanging hook for removing old tobacco from pipe... Clearly old and well used: the leather is still playable. Great example of ethnographic folk art

Bamboo Vests were used as undershirts under silk garments. They served the duel purpose of allowing some air circulation and protected the silk garments from body oils. These vest were fragile and they have become very rare and hard to find. They were made with small pieces of bamboo which are literally strung together to form a garment. This bamboo vest is a particularly nice one...

This beautiful mottled gray/green color stone There is a carved with dragon which is deeply undercut so that he is suspended across the top of the stone. The ink reservoir has a matching stone cover. The ink stone is carved from a thick slab of stone, 10 inches across the back, 6+ inches back to front, and over one inch thick. It is heavy. It has been held in a private collection for about 20 years....conservatively dates from early 1800's...

Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.

According to the estate, this spoon was brought back from the Philippine Islands. It was reserved for use by a person of tribal importance, referred to as a "prestige spoon". Approx 7.75 inches tall, nice shape, feels good in the hand..bowl has crack which cannot be seen in the photo...nice ethnographic artifact

This antique iron candle holder was sourced from Shanxi province China. From a peasants home, it could be set on a table or hung on a wall. It is an interesting ethnographic folk art relic.

This heavy wooden pillow was hand carved from a block of hard wood. A relic of the Qing dynasty during the 1800's, it would have been used more as a head rest, i.e. supporting the back of the neck so that the hair style remained undisturbed. It is carved into a series of graceful curved forms and the finish has a wonderful pattern of wear and patina. 11.5 inches x 4 x 3.25 weight 2 lbs

The face of this Japanese Boy's Day Doll, musha ningyo, would certainly scare away any demons...strands of his unkept hair tends to drift across the face, and his costume is elaborately detailed. Without the stand he is 11 inches tall...the stand adds another 2 inches to the height.

Condition excellant with the exception of a couple of small surface paint chips on face reveal white undercoat (clears shown in pictures)

This lovely hand carved old wooden loom pulley comes with is own custom made stand.

This pair of earmuffs are kept together with a silk ribbon. Worn to protect the ears in winter, the outer side has delicate embroidered flower motif, and the inside is slightly padded and has ear pockets which slip of the ears.

The saddle seat is Leather and decorated with small tuffs of wool yarn and strips of flat metal (presumed low grade silver) which are embed into the leather in an ornate geometric design.

I replaced the tie which secured the front of the seat to the metal saddle tree...the original cord was literally falling apart...Limited research indicates this saddle was from Rajastan India.

This antique pipe has burl wood bowl with silver filling (one ring missing) and a horn mouthpiece which has obviously been well used. There are a few short residual threads from what was probably originally a tassel. It is a wonderful ethnographic relic of folk art.

These Chinese long wooden bobbins were used for winding thread for routine sewing chores. As a household tool, used by generations of women within the family, they were hand carved and painted with the continious use in mind. Inside each bobbin there is a small bead which freely moves back and forth and acts as a noise maker when the bobbin is in motion...or falling to the floor.

Wonderful patina on this old tray from the Philippines. Woven from bamboo strips, this tray is approx 30 inches in diameter.

Possibly made from an old kimono, this sweet drawstring purse charming painted and appliqued scenes of trees, rocks and flowers going around the body of the purse. The bottom shows a country gentleman sitting on a rock under a tree enjoying the mountain view. overall condition is very good, however the fabric sleeve for the drawstring is deteriorated. Purse measures 7" across bottom

This traditional tribal comb would be worn for festival by Yao ethnic minority woman of Southern China. The comb was carved from sections of bone which are held together with a twining technique. The bone sections are tatooed with traditional Yao design pattern. The comb alone is 5.5 inches long and 3 inches wide. The combined length with the pompom and tassels is almost 12 inches long.

This small Japanese case was most likely used for eyeglasses by a wealthy woman. The fine cloisonne work on both sides has slightly differed medallion patterns. Bird one one side butterfly on the other...There is s small sing (with lose on the bird side towards the edge...and the ding goes through to the inside of the case...piece is priced considering the damage...

During the Qing Dynasty, Chinese court gentlemen and ladies used elaborate hair styles. To assist in these construction of the "hairdo's", they used a wire form was covered with a mesh fabric. This particular "cap" was used to cover a bun of hair on the center of the head. The silver flat "hairpin" was used to hold the cap in place by pushing it through one side hole, between the hair bun and the scalp and through the other side hole. The inside of the cape clearly shows its age and use.

For festivals including her wedding, a Yao girl of marriageable age would wear the traditional "celestial crown" clipped to her hair on the top of her head. This traditional ornament was common among the Yao of Laos, Thailand and China's Yunnan Province. Upon reaching puberty, the Yao girl would be expected to make her own crown following traditional patterns and methods of her local region...

Large Chinese embroidery panel with all over pattern of multiple assorted butterflies...wedgewood blue silk crape fabric surrounded with embroidered border...entire piece is lined with red cotton fabric... measure roughly 27 x 80 inches

This old Chinese necklace is from either the Dong or Miao minority group. The central medallion is domed on the front and flat on the back. The weight of the medallion indicates that it is hollow. It depicts a minority style dragon from minority legend. With the assortment of items dangling, the necklace is reminiscent of a chatelaine.

the central medallion diameter is just over 4 inches and from the top of the medallion to the bottom of the longest drop is approx 7 inches...

This box would have been used to display sacred Buddhist Sutra or text book. The importance of the contents is indicated by the viewing windows on front, back, top and sides of the box. The exterior of the box is covered with black lacquer and over-painted with gold. It is painted red on the inside.

There is some minimal paint loss, which is to be expected in a piece of this age. 24 inches(60 cm) long 5 inches (12 cm) high