Catalog: Antiques: Regional Art (482)

This is the 3rd of 4 small individual antique Chinese carvings which I am listing separately. This one looks like Shou Lao the Chinese god of longevity, who was often represented along with the immortals. Each has a peg on the bottom which fits into the own homemade stand

This wonderful pair of lotus shoes are typical of boots from Shandong. They have a black cuff with hand-embroidered butterfly motif and the remanents of a thin pink woven band. The blue vamp is somewhat faded toward the front of the boot and has delicately embroidered butterfly on each side. The soles have worn leather heels. The inside silk lining is bright pink and in very good condition.

This is a pair of old chinese handmade boots which were brought back to the US by an American missionary. In China, it was a woman's responsibility to make shoes for the entire family. This pair was made of cotton fabric, using traditional Chinese techniques. Being slightly padded, they were probably for winter use. They are in excellent condition...an authentic and interesting artifact of old China.

This rare antique Chinese Child's hat has it all From the Yi Chinese Ethnic Minority... Each surface is decorated with intricate hand embroidery and several silver ornaments

This Chinese Door of Hope doll, along with several others, was brought back to the US during the 1920's by the American Baptist Missionary, Rebecca Cloud-Stewart. On one of her many trips back to the US to visit family and friends, she brought the collection of dolls as samples to sell and raise money for the Door of Hope orphanage. After many years in China, Miss Stewart returned permenently to her home in Georgia...

This old Chinese stoneware ceramic pipe bowl (smoke chamber) would have been placed onto the smoking pipe to allow for a small piece of opium to be smoked. The tiny opening at the top would allow the smoke to be drawn into the stoneware chamber and cooled before being inhaled by the smoker.

The piece has 2 different makers marks which are clearly stamped into each side of the clay underside of bottom hole.

The variety and types of embroidery stitches on this antique Chinese hat are old typically Miao minority. Probably done by dotting grandmother. The silver ornaments, the butterfly, the bubbles are symbolic of the Miao myth regarding the birth of the human race. The hat shows some dirt but is otherwise in good condition.

This plain pot metal vessel was used to contain hair oil during the reign of Chinese Emperor Daoquang about 1850. Standing about 6 inches high and 3.5 inches diameter at the widest point, a woman would dip her comb into the oil before combing her hair. I do have an identical matched pair of these but am selling them separately.

This short sword and matching scabbard from Bhutan is elaborately decorated. The knife handle or sword hilt has a leather cover which is detail with silver reposse and a coral bead. The wooden scabbard is covered with leather and is decorated with an elaborate silver reposse dragon. The knife blade is has a series of added symbols. The belt loop is also decorated with a series of silver objects...

During the Qing Dynasty, hair combs like this were commonly used. The structure is bone and the tines are of wood. A few tines have gone missing with age and use. The comb is about 5 inches x 2 inches.

Carved out of Bamboo this Buddha is 13.5 inches high,5 inches wide and 4 inches deep. He is a wonderfully carved example of folk art tradition with very gentle countenance.

the woman of many Chinese Ethnic Minority groups did not cut their hair. It was often worn on the top of the head in a bun,and sometimes intertwined with lengths of an ancestors hair for added protection from evil spirits.

The hair was often (especially for festivals) decorated with added silver ornaments and/or hairpins.

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This ethnographic artifact is a seated ancestor female figure carved from goat's horn. It is from one of the Indonesian Islands by one of the indigenous Dayak tribes.

The horn is in good condition with no chips or losses and stands approximately 6 inches tall.

This is a page from the rare Burmese Buddhist Sutra manuscript called the the KAMMAVACA. The pages of these religious sutras were made from a thin strip of bamboo covered with cloth (frequently monks robes) which was thickly coated with red lacquer and gold leaf decoration. Lacquer from tamarind seed was used for the square black lettered text which is in the now extinct Burmese religious script of Pali...

This blanket shaped Miao ethnic minority baby carrier is from Jian He and is a good example of the whorl pattern which was so significant to the Chinese Minority. Made from hand-loomed plant fibers (maybe cotton, maybe bast fibers) the surface is heavily decorated with appliques edged with chain stitching. This carrier is in good condition showing a minimum of wear and dirt and it 80+ years old

Very fine small cloisonne tray dates to late 19th century Qing Dynasty. Made for export conforming with McKinley Tariff Act requirements 1890-1914..Tray has very ornate cloisonne enamel design Measures 3 inches x 3 inches x .7 inches high

This small purse was made by Miao girl to be given to "boyfriend"...If he accepts and wears the purse on his belt...he favors her. The embroidery stitch is called Daiz but westerners know it as Peking knot aka forbidden stitch. 5.5 x 3 excellant condition

Carved from animal horn this eyeglass case dates to the Qing Dynasty. What appears to be the original cord allows the case to be hung on a belt...The original toggle was replaced sometime (probably in the 50's) with current blue toggle...

This is an old Chinese inkstone has hand carved ox with head turned toward the natural "dragon's eye" moon. There are some chips along the edges of the ink stone and areas of natural inclusions. It is a very fine grain quality stone, dating to the early 1800's and measures 6 x 4.5 inches, and a bit over .5 inches thick.

This small antique Chinese wooden storage container was used for calligraphy implements. Inksticks would have been held in the rear center compartment. Calligraphy brushes would have been held upright on the right and left side compartments. Seals or chops would have been stored in the lidded section. Originally painted with black lacquer, this piece has great age and wear patina.

The Tibetan leather flint pouch (aka strike a light) is properly known as a "mechag" (me = fire , chag = iron) or fire iron. This Tibetan flint pouch is decorated with ornate silver and bronze ornamentation with an inset red bead which appears to be a replacement for the original bead. The pouch would have been secured to the wears belt with the attached leather strap...

This assortment of cosmetic brushes along with the small container was originally part of a large cosmetic set which would have been commissioned for the a wealthy Japanese bridal trousseaux. Many layers of the rich black roiro-nuri lacquer was applied and polished to achieve the deep lusterious tone. The brushes are accented with a 2 and 3 tone golden floral motif. None of the brushes show any signs of use...

This small Chinese inro style container would have been worn suspended from the wearer's belt. It was hand carved from wood and detailed on each side with delicate decorative carvings of birds, flowers and a phoenix.

The piece is 2.5 inches high and 2 inches at the widest point. Because of its small size and shape, it was most likely used as an opium container. The inside has been carefully cleaned to avoid dog encounters at the airports.

this is a large antique hand-made pair of earrings of low grade silver, lots of filigree work...Though obviously not wearable for most Westerners, the make a wonderful ethnographic, tribal arts display.

This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...roughly 3x 4 inches

An artifact of past Chinese Culture, this old Abacus has hand made beads of what appears to be clay, specifically stoneware. The frame is a dark hardwood, probably walnut. It is approx 5 long.

this old wooden storage box was clearly made in a folk art tradition by or for a lower ranking individual, possibly a traveling scribe, or low ranking official. Fully opened, it has compartments for brushes, ink sticks, chops and seals, etc. The numerous splotches of old ink stains on the outside of the box indicate extensive use, under not the tidiest of circumstances. Sourced in southern China year back, it is the only box of this style that I have ever seen...

Tibetan snuff bottle with wood body, with decorative silver base and shoulders. The silver work shows a bird with elaborate wing feathers and thin handles on either side of the bottle. The stopper lid is capped with coral and the spoon is also silver. The condition is very good. Bottle measures 3" x 2"

This home made traditional (old fashioned) would have been hung on furniture door pulls for added decoration in Han Chinese home...full lenght is 30 inches...upper disc is 2 inches diameter 3 dimensional ball ia 3 inches diameter...made from fine silk fabric scrapes

Spectacles were only affordable for the very wealthy in China during the 1800's. The lenses were ground from crystal of various shades. Because of the cost, if a lens or frames were broken the remaining pieces would be refitted into a replacement set...as happened with this pair of antique Chinese eyeglasses. The vestiges of the original fitting remain on the left lens.

For centuries, before there was electricity, throughout Asia, Puppetry Arts were a popular form of traveling entertainment... A platform with a cloth screen, lit from the back by candlelight, provided the stage.... The shadow images were black against the white "background". Hence, the puppets had a minimum of color and only the necessary intricate cut outs for personality as they were sometimes presented to the audience with the "handlers" after a performance...

This tall bamboo incense holder is elaborately carved with a bird attacking a snake. The birds wings are out-stretched and spread around the container and the bird is being cheered on by a much smaller rooster. The carving is deep and detailed.

The holder is 12 inches tall and 4 inches in diameter and has a deep mahogany brown patina.

This pair of black silk lotus shoes date to the late Qing Dynasty. Back then, a woman's job was to make shoes for the members of her family. This woman was from a financially comfortable family with servants to do other household chores. Making this pair for herself, she choose a black silk satin fabric for the vamp and made an elegantly sloping sole which would accommodate separate inter changeable heels to be attached...

During the Qing dynasty, an essential part of the Chinese woman's costume was the doodoo, which was worn covering the chest. This one is fine silk with lovely embroidery and is lined with traditional blue silk. It measures 16 inches across and 17 inches high. excellant condition

This is a beautifully detailed Japanese lacquer screen with exceptional quality Maki-e work used to highlight the details. The front depicts a landscape shore scene, complete with a crab stretching upward, a monkey after the fruit in the tree, and the makers signature. The rear has 3 cranes in flight.

Excellent condition, no loses. 7 inches high and 9.5 wide including the stand.