Catalog: Antiques: Regional Art (482)

Antique Chinese silk satin stitch embroidery with Embroidered with hanging tassels and ornaments everywhere...This was a hat for the bride...out of my private collection...

Beautifully carved powder horn from Chinese Miao ethnic minority over 90 years old from Guizhou Province. The underside of the horn is full of old writing. Unfortunately, no one can read the old writing. Around the turn of the century the forests around the Miao villages were full of game and the men would frequently hunt for game to provide family meals. Unfortunately, most of the game has diminished and many of the hunting skills are forgotten.

This Korean brush would have been used for painting and/or large calligraphy. The handle is an old horn of rich brown tones and a soft matte patina from use. The bristles are long and soft and show some ink residue close to the ferrule. It is a wonderful brush to hold

This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face...

This is woodblock is carved on both sides so that it was used to print 2 different pages of a Tibetan Sutra book. ...Age and use are obvious and there are a few nicks and bruises but no serious loss... A true ethnographic relic measures 14 inches x 3 inches x 7/8th inch...

This fine antique large betel nut container from Burma is painted with a traditional ornate "yun" incised lacquer design called “yok-thei”. There are tiny dancers swirling through an intricate background of vine vegetation. High sided cylindrical betel boxes called "kun-it" were used to store betel leaves and other ingredients. The deep lid fits snugly to keep the contents fresh.

Unfortunately, this container is missing the original tray insert...

Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large beads, set in silver bezels. The original leather strap shows lots of wear.

These ceremonial hooks have become hard to obtain...

This Hagoita depicts the princess in the Kabuke play Musume Dojo-Ji. This paddle is a wonderful example of the folk art of Japanese folded fabric into deeply sculptured relief. Though rarely used now, the paddles today are valued as an ornament that is believed to bring good luck.

Unfortunately, though in otherwise excellant condition this Meiji period princess has lost some of the foil pedals from her headdress.

This antique Mongolian belt evokes the image of Mongolian horseman galloping across the plains... The chain is heavily patinated from age and use. The deeply doomed central medallion retains the original stained dark finish and highlighted gold (unknown source) on the border and central decoration. This piece is heavy... the central medallion is 6+ inches across,3.5 inches wide, and 3+ inches deep.

This old Tibetan pouch would have been worn for festival both for decoration and coins...it is not a flint strike...clearly it has been used (probably passed from generation to generation)...decorated with coral and turquoise...a few metal enhavcements are missiog...

Made of iron, this antique Japanese mobile candle stand, known as a teshoku, dates from the Edo period. So typical of the old Japanese ethnographic objects, the design of this single candle holder is totally simple and wonderfully functional. With a lighted candle, this candlestand could be easily carried about the house by use of long very gently curved handle. When set in down, the placement of the 3 legs makes it very stable to minimize chances of it being accidentally knocked over...

This is a page from the rare Burmese Buddhist Sutra manuscript called the the KAMMAVACA. The pages of these religious sutras were made from a thin strip of bamboo covered with cloth (frequently monks robes) which was thickly coated with red lacquer and gold leaf decoration. Lacquer from tamarind seed was used for the square black lettered text which is in the now extinct Burmese religious script of Pali...

Two Standing Ladies in Waiting for palace display and one lady seated for tea service. Standing ladies are 5.5 inches tall and the one seated is 3.5 tall

This old Chinese Ethnic Minority inro is carved from animal horn and has 2 compartments. Each side is carved with a floral motif that is bordered with a key design. These symbols are especially meaningful to the Miao ethnic culture. The inro was worn suspended from the belt by a braided cord. It is a attractive ethnographic relic for the tribal arts collector. Condition is very good and the piece measures approximately 3.5" X 2

Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.

Possibly made from an old kimono, this sweet drawstring purse charming painted and appliqued scenes of trees, rocks and flowers going around the body of the purse. The bottom shows a country gentleman sitting on a rock under a tree enjoying the mountain view. overall condition is very good, however the fabric sleeve for the drawstring is deteriorated. Purse measures 7" across bottom

This heavy wooden pillow was hand carved from a block of hard wood. A relic of the Qing dynasty during the 1800's, it would have been used more as a head rest, i.e. supporting the back of the neck so that the hair style remained undisturbed. It is carved into a series of graceful curved forms and the finish has a wonderful pattern of wear and patina. 11.5 inches x 4 x 3.25 weight 2 lbs

This Korean antique is a hand carved woodblock which would have been used to print a repeating decorative design pattern onto a textile. It is very old, and well worn with great patina.

This traditional small leather purse would have been used as an ornament and hung from a belt by a Tibetan woman during festival. It is heavily decorated with silver metal, turquoise and coral beads. This is an old one and is in excellent condition.

This charming adult female Door of Hope doll is 11 inches tall. Her face is somewhat darkened with age and the lower fronts of her trouser legs are faded from sunlight. She has all of her original clothing layers. Her top tunic is a bit dirty in the front and has a small tear at the rear of the right sleeve. Yet, even with these "condition problems" she retains the quiet beauty which has made the door of hope dolls such a collectors treasure.

This antique Chinese hat would have been worn by a child and probably made and embroidered by a grandparent. This hat is old and has unusual silver ornaments in the front. Condition is pristine with the exception that the large round silver ornament decoration is missing 2 small prongs, and the silk ribbon bordering the extension of the wind cover for protecting the back of the childs neck also has some deterioration areas.

This antique sutra book is from Tibet... more pages than I want to count, original paper, writings and covers... size 6 inches x 2 x 1.5

This small embroidered wallet style purse would have been used by a traditional Han Chinese woman to carry coins during the Qing dynasty. There are pockets on each side of the purse. And the all satin stitched embroidery is also on each side of the wallet.

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of Mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple...

This Japanese tooled leather tobacco pouch (tabakoire) is embossed with a large dragon swirling about the back and front. The metal clasp is decorated with a coiled dragon. Attached to the pouch by 2 rows of 5 chains is a wooden netsuke (manjui) wooden netsuke with metal dragon. The inside of the pouch has 2 sections and the interior leather is tools with a flower motif.

Floral embroidery in several shades of blue silk thread decorate this white silk sleeve band. Mostly embroidered with satin stitch, there is a rose embroidered with peking knots and high-lighted with gold couching. There is some slight discoloration on the white silk border which could easily be avoided in framing. Embroidered area measures 4" x 16 full panel measures 7" x 32

This pair of black silk lotus shoes date to the late Qing Dynasty. Back then, a woman's job was to make shoes for the members of her family. This woman was from a financially comfortable family with servants to do other household chores. Making this pair for herself, she choose a black silk satin fabric for the vamp and made an elegantly sloping sole which would accommodate separate inter changeable heels to be attached...

This antique Japanese Marquetry box is a good example of the meticulous craftsmanship and attention to detail that marked the Japanese Meiji Period. The sides of the lid have scalloped opening which ease the removal opening of the box which was probably designed for glove storage. 10.5 x 3.5 x 3.75 inches

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

Carved from Rosewood, on one side, this Chinese toggle has a wooded scene with a horse and pair of deer. On the reverse side is the symbol for longevity. Toggle is 1.5 inches x 1.25 inches

During the Qing dynasty, carved wood blocks were used to produce the ancestor portraits which decorated the homes of many Chinese families. The Chinese translation of the term "ancestor Portraits" can be misleading to Westerners. These were not portraits of the particular family's ancestors. They were portraits of various Chinese officials, emperor, empress, etc. for whom the family wished to show respect and or allegiance...

This small strand of Buddhist prayer beads would have been kept in a pocket or looped on a belt. Bought in China from a Tibetan, the strand of tiny dark beads is broken up with coral beads to assist in counting. The 3 fabric triangles, from departed monks robes, are amulets containing various protective prayers. When used for ritual prayers, the fabric talisman would be held in the closed fist while the fingers count the beads...

Very rare, this oceanic artifact was brought back by from New Guinea by a pilot sometime in the 1950's. The dog teeth and boar tusks are held together by hand twisted stings woven and interlaced tightly around the widest ends.

A bride of the Yi Chinese Ethnic Minority in Yunnan Province, would have worn the "cock" hat for her wedding day. The hat is made using layers of cotton fabric with a stiffiner between the layers to maintain the shape. Using colorful cotton thread, hat was extravagantly hand embroidered. A few traditional silver ornaments including the bubble, flower and butterfly were added.

Now, it is the very lucky Yi girl who can use her great grandmother's bridal hat for her own wedding. These hats a...

This 18th century Samurai stirrup has intricate overall floral pattern with inlaid silver wire which is somewhat obscured by tarnish. The raised footpad is red Lacquer and has wear mark in the toe area. There is a small break (and hole) in near the rim of the foot pad, which are commsurate with age and use of a Japanese warriors stirrup.

These Chinese woman's Lotus shoes are from Shanxi province and are from the mid 1800's. In Chinese culture, to have, wear or use something from an ancestor (parent, grandparent,etc) was considered as a talisman and gave an element of protection to the user. This pair of lotus shoes was passed to a younger generation whose embroidery skills were, well, not as advanced as the original maker. But clearly the child left her mark on the shoes with the added embroidery of the birds etc.