Catalog: Antiques: Regional Art (482)

These 3 collars were originally the collar portion and were sewn to a lower section to forming a child's pinafore... Home spun yarns intricately hand woven with hand embroidered details... sold either separately or together as a collection

Old wooden Phurba...nicely aged patina from handling and use... Faces topped with diadems, 3 side "blade"section has carved scroll design almost 11 inches long high. Alternative spelling...phurpa,phurbha, Pronunciation: Fur-bah The Phurba is a special triple sided Tibetan ritual dagger or stake, patterned after an ancient Vedic tool. Originated as a stake that tethered sacrificial animals...

This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.

The outer box is 7 inches in diameter and 4 inches high...

Sourced from southern China, this ethnic minority tobacco container has a hinged lid and "belt clip". I suspect that it is Yi minority.

This antique hat from Afghanistan is heavily decorated with variety of old Middle Eastern coins.

This Japanese 3 panel screen has carved wood frame and lower panels. The upper panels have decoration of carved birds, and eagle and fauna carved from either died bone or natural colored shell. The hinges are double swing so that the panels can be arranged in various positions... opened out the screen is 17 inches across and 14 inches high.

the woman of many Chinese Ethnic Minority groups did not cut their hair. It was often worn on the top of the head in a bun,and sometimes intertwined with lengths of an ancestors hair for added protection from evil spirits.

The hair was often (especially for festivals) decorated with added silver ornaments and/or hairpins.

This Chinese antique wood carving was possibly part of an architectural structure or possibly from a piece of furniture. The wood is approximately 1.3 inches thick and retains much of the original finish though it is obviously worn in some areas. The tradition carvings of 2 dragons chasing the pearl is very well done. The piece is about 5 inches high and 17 inches long.

There are a total of eight different signs, each with a different "saying" having to do with well wishes. Each "plaque" sign has a different saying...due to the age of the calligraphy, translations have not been possible.

Each sign inlayed with MOP flakes and is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

Asian buffalo Horn with Silver over copper mounts with turquoise stones... This type of drinking horn was a common household item used throughout Mongolia...each family member had his (or her) own drinking horn and they were kept on a wooden rack which was made for that purpose... Condition 2 beads missing...silver is worn through in several area,exposing copper base...which is commensurate with normal use and aging

This antique Chinese lock has a nicely patinated surface and is is working order. Measures 3.8 inches across.

This antique pair of earrings are from the Miao Chinese Ethnic minority. For me the shape and thick "wires" add to the design of the earring...some groups of the Miao purposely expanded the size of the ear lobe holes to accomadate... I prefer to keep things in their original condition. I have used these in my "favorites" display case... the earring spann 2 inches x 2 inches x .5 inches. Assumbed to be low grade silver which was typically used in old China...

This large Tea Caddy is made from a hollow Bamboo section. The cannister lid fits tightly in order to keep the tea fresh. This style caddy would have been used by a Chinese family of modest circumstances during the Qing Dynasty.

Great patina, darkened with age...a handsome piece that stands 10 inches high and 4 inches in diameter.

This is a wonderful Qing Dynasty child's hat from Shui minority group in the Rong Jiang area. It is traditional looking Chinese cap style made with silk fabric and silk split thread embroidery, and top knot. This hat is over 100 years old, and has wonderfully soft patina, and shows some wear. Truely charming

This ancient "Boat Money", also called Lat money, is similar to Tiger Tongues and from the same area: Lan Chang Kingdom of Southeast Asia (Thailand & Laos today, back then Siam). Instead of the bumps seen on Tiger Tongues, boat money has a depression in the top and looks more like a boat, hence the name. Boat money was first issued in the 16th century. In 1707, Lan Chang divided into the two kingdoms of Luang Prabang and Vientiane...

This pair of sleeve bands is made of black cotton satin weave fabric with very delicately stitched floral motif embroidery. Each panel measures 6" x 26" with embroidered area measuring 3" x 9"

This antique pair of Chinese lotus shoes were worn by a woman in He Bei Province during the end of the 1800's. Small bits of Leather are nailed to the heals because the women of that time liked the sound of the heal hitting the floor as they walked. A delicate floral motif was carefully embroidered to both sides of each shoe.

there are no rips and no tears but clearly these shoes were worn numerous times.

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

Many Chinese would "grind" a day's supply of ink in advance and store the liquid ink in a metal "inkbox". According to the calligraphy on the top of this inkbox, it was a gift in the year of the goat, to a medical inspector upon completion of his 3rd year of work in Yuncheng city, Shanxi province. The inkbox is 3 inches in diameter and has an dried ink in the bottom and a built in inkstone inside the lid.

This charming pair of lotus shoes are from northern China and date to the late Qing Dynasty. The delicately embroidered flower goes across the toe of each shoe and the wide ornate woven band forms a cuff around the top of each shoe.

This Korean brush would have been used for painting and/or large calligraphy. The handle is an old horn of rich brown tones and a soft matte patina from use. The bristles are long and soft and show some ink residue close to the ferrule. It is a wonderful brush to hold

This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...roughly 3x 4 inches

He is charming...well detailed leaning on a pillows ...a few nicks and bruises to the finish as to be expected at this age...roughly 4 inches tall and 6 inches wide...

This fine antique large betel nut container from Burma is painted with a traditional ornate "yun" incised lacquer design called “yok-thei”. There are tiny dancers swirling through an intricate background of vine vegetation. High sided cylindrical betel boxes called "kun-it" were used to store betel leaves and other ingredients. The deep lid fits snugly to keep the contents fresh.

Unfortunately, this container is missing the original tray insert...

Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.

This Japanese red lacquered wooden serving platter or tray is 13 inches in diameter. It is carved as a bream, which is the Japanese fish symbol for the "bounty of the sea". There are several layers of different colors of red lacquer which heighten the fluid appearence of the fish. The surface is slightly dulled with use and age, the charger is in wonderful condition.

Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large beads, set in silver bezels. The original leather strap shows lots of wear.

These ceremonial hooks have become hard to obtain...

Small embroidery with central floral motif using seed stitch, on traditional dark blue silk fabric. May have been used on garment as inside pocket. Approx 6.5 inches on each side.

During the Qing dynasty, carved wood blocks were used to produce the ancestor portraits which decorated the homes of many Chinese families. The Chinese translation of the term "ancestor Portraits" can be misleading to Westerners. These were not portraits of the particular family's ancestors. They were portraits of various Chinese officials, emperor, empress, etc. for whom the family wished to show respect and or allegiance...

Sourced from an old estate, this pair of lotus shoes came with a hand written tag/label sewn to the back of one heel and a red paper the shape of the inner sole place inside on of the shoes. The paper is at the point flaking and disintegrating and the writing is in old Chinese and no longer readable. Because of the "tag and label, I suspect that these shoes were presented as a "gift" to a Western missionary, teacher or friend...

This finely carved small 3 hole flower (plant) antique Ikebana type vase was sourced in China but design quality is very Japanese...Deeply carved dark dense,finely grained hardwood, possibly walnut, or zitan...feels wonderfully smooth...approximately 5.5 inches x 5.5 inches x 1.5 inches....

This elaborate beaded breastplate would have been worn for festivals by a wealthy Tibetan woman. The main section has 3 ornate silver and turquoise ornaments surrounded by a raised beaded coil which is bordered with cowrie shells. The neckline rolled and padded.

It is 13 inches across at the widest point and can be tied around the neck using the attached fabric ties. As is obvious in the pictures, there are a couple areas of lose on the turquoise ornaments.

Bamboo Vests were used as undershirts under silk garments. They served the duel purpose of allowing some air circulation and protected the silk garments from body oils. These vest were fragile and they have become very rare and hard to find. They were made with small pieces of bamboo which are literally strung together to form a garment. This bamboo vest is a particularly nice one...

Beautifully patterned horn chop with its horn seal box. The remenants of red ink indicate that this seal was used for official documents. The box has a slide top which closes tightly.

This Chinese ethnic minority hair comb was hand carved with scalloped edge detail on both sides. Many ethnic minority women would save the hair from ancestors and add it to their own hair for additional bulk...some groups would add bits of wool also to make the hair appear thicker. Combs were used both for combing and for hair ornaments. Carved from walnut wood and 9 inches long at the bottom

This traditional antique Chinese brushpot is made from bamboo, and is deeply carved with upper and lower scenes. The brush pot measures 11 inches tall. Surface cracks do not go through to the inside of the pot.

This large Yi Minority Hair Comb would have been worn for most probably a wedding or other important festival. the comb was hand carved wood and covered with silver decoration...so only the wood tines are visible. 8 inches wide, 2.5 inches deep and 6+ inches high not including the chain and end pins...

Ornate small pair of Japanese Girls Day display Emperor and Empress Dolls 4 inches tall... complete with hat, headress, fan etc...

Being of both simple and elegant design, this small religious shrine is so typical of Japanese aesthetics. It is made from Cedar wood and dated on the back as "Showa, 2nd year, March 17. Approximately 5" high and 3" wide.

This charming pair of old Chinese lotus shoes were made from a sturdy cotton fabric and embroidered with cotton thread. The lack of silk matterials would indicate that the maker/wearer was probably from a less afluent family. The soles indicate are well worn but the vamps are in very good condition.

This antique traditional Chinese pocket size opium scale comes in its original wooden case. Dating to the Qing Dynasty, the case contains all the original implements needed to weight gold and other precious metals and/or opium: a brass pan, a weight, and an ivory balance beam marked with 2 different weight calibration gauges. The wood case measures roughly 7 inches long and the ivory beam is 6 inches long.

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes

This old drum from Nepal was used for festival and carried in parades. The man would use the left hand to hold the drum by the handmade ropes across the back of the drum. He would use the right hand to strike the drum skin. The chains and metal bits hanging from the bottom would add an extra "jangle" sound while drum moving. Clearly made as folk art instrument, the drum is somewhat out of round and about 18" at the widest diameter.

Delicately carved with a floral motif, is horn was used to give domestic animals medicine. It is Chinese ethnic minority probably from Inner Mongolia. Horn is about 6" long and has small chip at the end of the bowl. It is a wonderful ethnographic piece for the tribal arts collector

This traditional small leather purse would have been used as an ornament and hung from a belt by a Tibetan woman during festival. It is heavily decorated with silver metal, turquoise and coral beads. This is an old one and is in excellent condition.

This antique Tibetan purse would have been used as a costume ornament during festival. It is decorated with silver and bronze fittings and coral and turquoise stones. Passed from generation to generation, and used extensively, this piece shows it age. Such purses would have held precious coins and the occasional flint but would not be considered as a Tibetan "strike a light" because of the lack of the striker plate.

This Chinese lady's purse was made with silk satin fabric and hand embroidered with silk thread using a satin embroidery stitch. The edges are bound with carefully aligned silk threads. Each side opens to a separate storage compartment and there is a third compartment which is accessed from the top of the purse.

Made and used during the late Qing Dynasty, the quality of the materials and workmanship clearly show that this purse was used by a woman of means...

Diameter approximately 2.75 inches, this antique chinese mirror may have originally had silvered surface on reflective side...brought to the US 1920-1930 by missionary Rebecca Cloud-Stewart..deterioration of metal surfaces as expected.

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

In China, collars where made separately from the robe or garment...

This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival. In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also.

Gaus like this were commonly used by the Tibetans living inside China and those livi...

Made by a woman of somewhat limited means, this pair of lotus shoes date to the late Qing Dynasty. The vamp has a contrast of lavender and purple cotton fabric. Each toe is decorated with a delicate floral embroidery. There is a round heal attached to the sole... The shoes measure 5 inches. They show a minimal amount of wear...

This Chinese ethnic child's hat has wrapped thread embroidery technique which was used by the Miao the Miao minority. The set of silver ornaments across the from are Buddha images. the The ornament in the back is a stylized butterfly of Miao Legend...the dangle of bells at the back is to scare off evil spirits who would attack the child from the rear..This hat is old and in surprisingly good condition

This 19th Century traditional Han Chinese robe would have been used for winter wear. It uses dark black satin weave silk fabric, and has very wide cuffs with floral embroidery and the shape is trimmed out with a floral silk ribbon. The coat has its original buttons and fabric loop closures...and has original lining. Excellent condition

The metal bowl of this traditional old bronze Chinese spoon is heavily patinated from extensive use and was probably used for heating maybe opium.

Young serene standing Buddha on elaborate lotus stand. Buddha shows wear to gilding from age and handling exposing black lacquer under coat. late Meiji 1900-1920 Buddha is 9 inches and stand adds another 2.5 for total height of 11.5 inches

This antique lamp was sourced from an old Buddhist Temple in Mongolia. It would have been used as a light source, commonly using fat but also occasionally using oil for fuel. The surfaces are rusted and corroded from centuries of use and weather, which gives the piece character and shows it to be an ethnographic artifact of cultures past and passing. Approx 8 inches wide across the rim of the base and approx 12 inches high. Weight is approx 4.5 lbs

This charming Japanese netsuke has the face of Noh theatre character surrounded with intricate basket weave pattern. It is signed under the chin dimensions 2.5 x 2 x 1 inch

this matching pair of Turkomen Yomud tent bags, aka chuval, are out of my private collection...beautiful condition Sumak weave on bag faces plain woven canvas backs 39 x 17 inches (not including fringe)

This old Chinese ethnic minority needle case is hand carved with geometric marking from end to end. Needle cases were essential tools for all indigenous cultures and frequently became important objects of decorated folk art.