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In our opinion this is the best Iga Vase, we have ever seen. Massive and intentionally distorted Vase of wonderful native Iga clay. The vase is 3300 g heavy and has a height of 8,1'' and a width of 7,1'', which is very tall for an antique Iga vase.
The vase was made between 1800 - 1850 during the later Edo Period and is in good antique condition. No repairs. Only an untimportant chip on the bottom caused during the process of firing. The vase comes with an old wooden box...
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If you are looking for incomparable chawans for your collection, let me introduce you this rare piece: Toujin-bue (Chinese flute) shaped tea bowl made of fine, refined clay with a high content of iron oxide. The rim has cut in the shape of a hissen (fudearai - brush washing vessel), a shape very popular in the mid 17th century and found on shigaraki and hagi tea bowls in the Kobori Enshu style. The clay shows few impurities...
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Half cylinder shaped (Hanzutsu) tea bowl, thrown from light, coarse Mino clay, with very little inclusions a clay found on earlier Shino bowls. The walls are cut with a potters knife.
The bowl has been covered fully (with the exception of the foot ring) first with an iron bearing engobe (oniita) and after the decoration had been incised with the typical ash and feldspar glaze inside and outside creating the nezumi-shino glaze...
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We present a rare medium sized Tenmoku tea bowl with partrige feather mottles (Chinese: 'Zhegu Ban'), made during the Southern Song Dynasty (1127-1279) or earlier. Looking inside this Tenmoku chawan is like glazing deep into the cosmos. There one can understand the meaning of microcosm and ask whether one is looking inward or outward; probably both...
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Striking antique Siam mid to late 19th. century Ayutthaya Kampheng head of Buddha Sakyamuni (The Awakened One). His face with serene expression, closed eyes, aquiline nose, smiling lips and elongated earlobes with earrings.
The head is hollow inside and mounted on a wood base. It has a weight of almost 6 kg. No repairs, good condition.
Size incl. wood base: 49 cm height x 23 cm width x 23 cm length.
Shipping included
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Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.
In the style of Ao-Kuro bowls this bowl was covered with a green copper oxide glaze...
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We like to present you this Korean Hori Mishima tea bowl for the Japanese Tea ceremony, made in the late 16th/early 17th century.
It is a low wan shaped tea bowl. Its expertly thrown body with its lower part was trimmed with a potters knife and shaped into the typical Korean bamboo node foot, creating a chirimen (crepe de chine) effect at the bottom. The bowl is decorated on the inside with an incised fish bone pattern and stamped flowers, both filled with a white engobe...
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What a rare and impressive Chawan, made during the mid Edo Period (1603-1868) - Seto-Karatsu Kutsu Chawan with a wonderful shape and a vivid Seto glaze, which which partly looks like the glaze of Chinese Song-Dynasty Tenmoku tea bowls. Really one of a kind.
It has no chips, cracks or repairs and comes with an old Japanese wooden box. The inside of the lid bares the appraisal of the first Mashimizu Zoroku 初代 真清水蔵六 (1822-1877)...
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Extremely rare: Korean Amamori Chawan of Choson (Yi) Dynasty (1392-1910). Wan shaped tea bowl, thrown from light, refined clay, with very little iron oxide, covered with a white feldspatic glaze with fine crackles and pin holes including the small foot.
Through many years of use the tea has seeped through the holes and crack to discolour the white clay body underneath, creating an effect called amamory - rain leak. The effect is especially strong along the rim...
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Wonderful and large Chinese Medicine Bronze Buddha, mounted on an aesthetic wooden custom stand with the effect as if it was pending above the stand...
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It is commonly said that beauty is in the eye of the beholder, yet, in the real world, there seems to be a fair amount of congruity about what people consider beautiful, with most arguments about particular instances being about degree, not direction. This chawan is pure beauty - no matter from which angle you look at it.
Slightly distorted cylinder shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay in the early Edo Period around 1620...
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Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.
The bowl was covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl...
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Magnificent Nezumi-Shino Chawan with a true wabi sabi aesthetic form and a thick feldsparic glaze on a classic background of Nezumi-Shino — an art form dating back to the Momoyama period of Japan that was revived in the mid-1900s by legendary potter Arakawa Toyozo and others.
The tea bowl was made of little reddish, coarse, unrefined Mino clay and the expertly thrown body was trimmed with a potter's knife in its lower part.
With such glaze and form, this Chawan is one o...
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This is pure antique Edo: Wan-shaped tea bowl made of dark, iron oxide bearing, sandy Karatsu clay. The thinly thrown body is covered with the typical white, feldspatic Shino type glaze. It differs from the Mino Shino glaze by being glossier due to a higher ash content.
Under the glaze a line was applied in iron oxide resembling the skin of a whale (kawakujira). Just the foot ring and its immediate surrounding was left unglazed. The glaze has a beautiful fine crazing.
This e...
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We are glad to offer you a rare and stunning Kosobe-yaki Chawan with a beautiful hand painting of pines and cranes, under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares. Finding such a delicate Chawan in such good condition from the Edo period is exceedingly rare. It comes with a shiho-san wooden box.
On the bottom is...
Impressive Japanese Kyo-yaki Chawan, hand molded by legendary Nin'ami Dohachi during the Edo Period. His signature is written on the bottom of the chawan.
It comes with an older wooden box. Size: 7,5 cm height x 14,8 cm in diameter.
Chawans of Nin’ami Dohachi are exhibited in the most important museums, for example the British Museum.
Nin’ami Dohachi II ( 仁阿弥道八 - born Takahashi Mitsutoki; 1783-1855) worked in Awata until he set up a kiln in Fushi...
Japanese Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333). Highlight is big golden Foo Dog which was added by a former owner as a kind of Kintsugi to close a damage on the inside surface. Such typ of Kintsugi is definitely rare.
You can also find traces of the famous kai-yu glaze on this excavated piece, which makes it to a true historic-cultural highlight.
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This chawan will make your eyes shine with its beauty. Wonderful distorted Suhama-gata (shoreline type) Chawan of Arita ware with finest golden lines of a real high class kintsugi. Different shades of purple make this Chawan from the Meiji Period (1868-1912) to a truely incomparable piece of art.
No chips or cracks.
Size: 6,5 x1 2,5 cm
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Arita ware:
Located in western Saga prefecture, Arita is the original home of Japanese...