Catalog: Antiques: Regional Art: Asian (436)

A wonderful modelled Kuro Raku tea bowl covered with a beautiful black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and writing haiku...

Wonderful white Raku Chawan with a barley seen notched foot and highly sophisticated form. It was made in the Kaei Era 4, which is the year 1851 during the Japanese Edo Period...

We like to offer a rare antique Tako-Tsubo Akashi Vase, made 120 years ago during the Japanese Meiji Period (1868-1912). This vase is designed to imitate a 'TAKO-TSUBO', an traditional octopus trap. Sculptures of two octopuses are incorporated into the vase.

Akashi ware (明石焼) is pottery and porcelain mainly made in Akashi City, Hyogo Prefecture. Somewhere between 1615–24, the official kiln of Ogasawara Tadamasa, the lord of the Akashi Castle, was established...

Very precious Korean Celadon Bowl with foliate (petal) design, refined with finest Kintsugi gold. One of the most beautiful Korean bowls we have ever seen. It was made around 1850, which is also written as an authentification on the wooden box.

Size: 6cm height x 20cm in diameter.

A wonderful mid Edo Period (1603-1868) Hiragata Ao-Oribe Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside.

The tea bowl is in fine antique condition with no cracks or repairs and comes with a very good Japanese wooden box.

Size: 6 cm height x 15 cm in diameter.

Early Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi. Such 17th century Shino tea bowls without cracks and repairs are very rare.

It is in perfect antique condition and comes with Gomotsu-bukuro (Shifuku) and a lacquered wooden box with corner protections.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time...

After selling one of the oldest Chinese Tenmoku Tea Bowls (Please refer to our stock # 0250) which came with the first tea from China to Japan we are proud to offer you another more than 1000 year old Chinese tea bowl...

An ancient Chinese Tang Dynasty (618-907) tea bowl, dating to around 850-900 AD and excavated in the Luoyang area.

This charming bowl is well balanced and has traces of its excavation inside (please see last photo). The piece is coloured with an attractive sancai glaze of green and orange which stands out vibrantly against the ivory cream slip...

The beautiful Thai Bronze Buddha statue completely captures his upper body. The Buddha's face is delicate and simply beautiful! His lips are pursed together and his eyes are downcast in deep meditation. It dates back to the late Ayutthaya Kingdom in the 18th century. A lovely piece with excellent detail and patina...

High class Ohi Chawan made by the 8th generation Ohi Chozaemon (1851-1927) 120 years ago and is done in a style known as 'ameyu' or candy glazing. It comes with its originally signed and sealed wooden box.

The glazing is a wonderful example of ameyu and, in fact, approximates the color of a caramel candied-apple.

The interesting color scheme and glossy sheen make it an attractive backdrop for a frothy bowl of dark green matcha...

What an amazing statue: early 18th century Tibetan Maitreya Buddha made of high class purple bronze, very impressing with 40 cm (15,8'') height and a almost 11 kg.

Smooth surface, wonderful and exquisite carving. Very fine antique condition with no repairs...

An eye-catching combination of brown-black colors and old expertly applied gold repairs on a classic Japanese E-Karatsu tea bowl dating from the middle of the Edo-Period (1603-1868).

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Pure Aka-Raku Chawan by the 9th generation Raku Ryonyu (Raku Kichizaemon IX) 楽了入 (9代 楽吉左衛門) enclosed in its originally signed and sealed wooden box and made around the beginning of 19th century about 200 years ago during the Edo era.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Ryonyu was the second...

Outstanding Ohi Chawan from the early stage of the Meiji Era (1868-1912) with a rarely seen octopus and coral sculpture on it. The outer earthy amber glaze harmonises wonderfully with the colourful interior landscape of the bowl. A firework of colours running into each other...

Japanese Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333). Highlight is the inside design with a Japanese Koi image which was added by a former owner as a kind of Kintsugi to close a damage on the inside surface. Such typ of Kintsugi is definitely rare.

You can also find traces of the famous kai-yu glaze on this excavated piece.

At the beginning of ...

Important and extremely rare Mid Edo Period Narumi Oribe Mizusashi (fresh water container) in perfect antique condition with no cracks or repairs and with its original lid. It is almost impossible to find such an old and valuable Oribe Mizusashi - so take your chance. It comes with a very good Japanese wooden box.

Narumi Oribe ware is comprised of white and red (reddish brown) clays. The white clays are glazed with green glaze. The red (reddish brown) clays are decorated with white...

We are proud to offer you a really rare antique piece of art and one of a kind: wonderful Echizen Chawan from the Momoyama Era (安土桃山時代 Azuchi Momoyama jidai; 1573–1603) without any crack, damage or repair.

There is no similar item on the antique market.

Echizen ware (called Echizen yaki in Japanese) is a type of pottery produced in the town of Echizen, Fukui prefecture. This traditional handicraft comes from one of the Six Ancient Kilns of Japan which along w...

Antique Amitayus Bronze Buddha, 150 years old from North India.

The Buddha of immeasurable life

Amitayus is considered the giver of a long life and in Buddhismus embodies a crowned and dignified Buddha from the lotus family.

He is depicted meditating on the lotus seat and holding his hands in the gesture of equanimity. In many depictions he holds an ambrosia vase in his hands filled with the nectar of longevity and immortality. This gives him the venerability and maj...

Stunning Chinese Buddha Head made of natural stone, late Qing Dynasty (1626-1911). It comes on a custom made natural stone stand and has a total weight of 18,8 KG.

The Buddha Head is in great antique condition. The natural stone base has a small flaking at the back left, which is hardly visible.

Size: 37 cm height x 20 x 20

Extraordinary Vajradhara Buddha Bronze Statue from Nepal. It was made in the late 19th cent. and decorated with the rare color mixture of gold and Jade green.

Great antique condition with no flaws.

Vajradhara is considered to be one of the original Buddhas, he is represented with a bell and vajra, his arms are crossed over his chest. The Asiatic symbolizes the union of opposites (Unio mystica = removes suffering for those who experience it). So the vajra (male) goes to th...

Very fine Tibetan Bronze Buddha Vajrasattva on wooden pedestal, 17th. century or older.

The right hand holding a vajra vertical in front of his heart center, the lowered left holding a bell. Seated in dhyana-asana. Powerful body and meek facial expression. Wearing a multi-leaved crown as well as the jewelry and clothes of an enlightened Buddhist Bodhisattva. The bell was separately casted. Bottom covered with consecration plate. Slight signs of age. From a private German collectio...

Antique 17th century Tibet Bronze Amoghasiddhi Buddha Statue, mounted on wooden stand. The statue is hollow inside and in good antique condition with some expected traces of aging.

Amoghasiddhi is one of a group of five Buddhas that embody five distinct types of wisdom and are thus sometimes called the 'Five Wisdom Buddhas.' Of the five, who are believed to occupy the four cardinal directions and an immovable central direction, Amog...

Pure Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its originally signed and sealed wooden box and made around the end of 19th century about 120-130 years ago.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Apart from being expertly formed, this piece has the added distinction of be...

Magnificent Nezumi-Shino Chawan with a true wabi sabi aesthetic form and a thick feldsparic glaze on a classic background of Nezumi-Shino — an art form dating back to the Momoyama period of Japan that was revived in the mid-1900s by legendary potter Arakawa Toyozo and others.

The tea bowl was made of little reddish, coarse, unrefined Mino clay and the expertly thrown body was trimmed with a potter's knife in its lower part.

With such glaze and form, this Chawan is one o...

This is absolutely rare:

Late Momoyama Period Wan-shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro Oribe bowls this bowl was covered with a black glaze. Three windows on the side were left unglazed and were decorated with a combination of checkers and dots between parallel vertical lines - a decoration usually known from v...

Heavily distorted shoe shaped (kutsu) Chawan from the early 17th century with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

Two 'windows' on two sides have been left unglazed. One has a very rare decoration with hanging persimmons (hoshikaki) scratched into the engobe and the other has a often seen fence painted u...

We present a rare medium sized Tenmoku tea bowl with partrige feather mottles (Chinese: 'Zhegu Ban'), made during the Southern Song Dynasty (1127-1279) or earlier. Looking inside this Tenmoku chawan is like glazing deep into the cosmos. There one can understand the meaning of microcosm and ask whether one is looking inward or outward; probably both.

The deep rounded sides of this elegantly potted tenmoku chawan are rising from a short straight foot to a lipped rim, covered overall...

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze. On the other...

Splendid Kuro Raku Chawan by one of the most important potters of all time, the 3rd Raku Donyu also known as Nonko. It was made around 1650 and was named 'chidori' which means 'a thousand birds' or 'plover'.

It is in great antique condition and has one of the best and finest Kintsugi gold repair landscapes I have ever seen. You can still find the tong mark on the bowl - please look at picture number 9 and 4.

Born the eldest son of Jôkei. He is also known as Nonkô, later...

One of a kind! Very rare and unique Seto Chawan from the Meiji Period (1868-1912) which combines a unique mosaic pattern glaze on the outside with an artistic Neriage/Nerikomi technique on the inside. There is a signature of the potter inside the foot.

Nerikomi (練り込み , lit. "kneading") is an artistic technique for creating Japanese pottery in multiple colors of clay. The technique is also called neriage (練上げ), although this term also refers to the throwing of multipl...

A large Japanese Ko-Tamba (Tanba) Vase/Tsubo decorated with a splashed and dripped deep-green glaze pooling towards the foot on a dark-brownish body.

It was made in the Momoyama Period 16th century or earlier. This impressive vase is a wonderful example of a so called Shiji-ko vase, which means 'vase with four ears'.

Great antique condition.

Tanbayaki has been produced in the village of Tachikui, Hyogo pref. for over 800 years. Although counted as one of the an...

We are glad to offer you a rare and stunning Kosobe-yaki Chawan with a beautiful hand painting of pines and cranes, under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares. Finding such a delicate Chawan in such good condition from the Edo period is exceedingly rare. It comes with a shiho-san wooden box.

On the bottom is...

This chawan will make your eyes shine with its beauty. Wonderful distorted Suhama-gata (shoreline type) Chawan of Arita ware with finest golden lines of a real high class kintsugi. Different shades of purple make this Chawan from the Meiji Period (1868-1912) to a truely incomparable piece of art.

No chips or cracks.

Size: 6,5 x1 2,5 cm

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Arita ware:

Located in western Saga prefecture, Arita is the original home of Japanese...

A very aesthetically pleasing Japanese high-quality and mystic Raku Chawan with a rarely seen jade green glaze.

Iridescent green and white tinges rise up like some deep space cloud on the meteoric surface of this sugi-nari shaped (Cedar shape) chawan. It dates back to the early stage of the 20th century (Meiji Period). This exceptional bowl is part of our family collection since the 1940ies. The extraordinary beauty of this bowl enhances every collection.

No chips, cracks ...

Japanese Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333). Highlight is big golden Foo Dog which was added by a former owner as a kind of Kintsugi to close a damage on the inside surface. Such typ of Kintsugi is definitely rare.

You can also find traces of the famous kai-yu glaze on this excavated piece, which makes it to a true historic-cultural highlight.

Stunning Japanese golden Tenmoku Chawan of Kyo Yaki. The brown pottery is covered with a gorgeous gold glaze and shows a wonderful crazing. It dates back to the later Meiji Period (1868-1912) and is in greatest antique condition with no chips or cracks.

Kyo-yaki is a type of Japanese pottery. It is a generic name given to pottery made in Kyoto, such as Awataguchi-yaki (Awataguchi pottery) and Omuro-yaki (Omuro pottery). Most Kyo-yaki ceramics are made with an overglaze painting tech...

Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.

The bowl was partly covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl. On the other half it is decorated with two oxcart wheels. This beautiful Chawan was made in the 19th century during the Edo Pe...

A wonderful modelled Aka Raku tea bowl covered with a red and black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and writing haiku. His Aka (red) Raku ware...

Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its originally signed and sealed wooden box.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Apart from being expertly formed and bestowed with symbolic imagery, this piece has the added distinction of being created by Raku XI Keinyu, the...

Slightly distorted shoe shaped - Kutsugata tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay during the Edo Period (1603-1868). The expertly thrown body was trimmed with a potter's knife in its lower part.

In the style of Oribe-Kuro bowls the bowl was covered with a black glaze which was not achieved by hikidashi (pulling the red hot bowl from the kiln) but by adding cobalt the the iron oxide glaze.

A window on the side was left unglazed and was deco...

Perfectly shaped Ko-Seto Chawan dating back to the mid Edo Period (1603-1868). The expertly thrown body is covered with the typical white, feldspatic Shino type glaze. It differs from the Mino Shino glaze by being glossier due to a higher ash content

The importance of this sublime tea bowl is underlined by the fact that it was equipped with a tailor made double box and by the fact that the box bears the attestation of a tea master who judged that this bowl was made during the Edo Pe...

Slightly distorted cylinder shaped (hanzutsu) tea bowl made of fine, light, unrefined Mino clay, containining a little iron oxide. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immediate surrounding was left unglazed. The decoration was scratched into the ...

Unusual Japanese Edo Period (1603-1868) Mino-Yaki Tea Bowl, rough and wild with a Chinese Tang Dynasty reminding Sancai green glaze and a splendid wabi-sabi atmosphere.

It has very aesthetically pleasing natural inborn kiln cracks, very heavy (0,5 kg) and ready for use for the tea ceremony. This tea bowl is a delight to hold in the hand

Great antique condition with no repairs.

Size: 7,3 cm height x 13,5 cm in diameter.

Wonderful Japanese Kutani Celadon statue of Sen no Rikyū (千利休, 1522 – April 21, 1591), the mastermind of chanoyu, the Japanese Way of Tea. It was made during the Meiji Period (1868 - 1912) by an unknown artist of Kutani. There is his seal. The statue has a fine Celadon crazing with no cracks or repairs.

Size: 19 cm height x 18 cm width

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Sen no Rikyū (千利休, 1522 – April 21, 1591), also known simply as Rikyū, is considered the histor...

Exceptional and very important Edo period chawan by legendary master potter Hirasawa Kuro (1772-1840), a famous Samurai and potter who produced tea ceremony ware for the Tokugawa clan in Nagoya. His work is rare and mostly exhibited in Japanese museums.

The bowl comes with the original silk shifuku and its antique fitted lacquered box.  It does present a couple of aesthetic repairs and a very fine hairline running from the mouth rim, but that is not unusual for that kind of fragil...

From our collection of unique Japanese Tea Bowls we present you another rare piece of art: a Japanese Wan-Nari Chawan with Urushi lacquer, shaped in wabi-sabi tradition in the 19th century (late Edo Period 1603-1868). Wan Nari (椀形) Chawan are quite rare and a fine addition to any collection of Japanese Chawan. It is the only one we were able to acquire in the 20th century.

No chips or cracks.

Size: 7,5 cm height x 16,5 cm in diameter.

A late 16th.century Azushi-Momoyama Period (1573–1600) vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.

The vase is decorated with kanji letters. It is written, that this vase is a tribute to the art which was made during the great Einin-Era.

A similar vase - but made during the Kamakura Period - was also part of our collection (item number 0083) and is sold al...

On behalf of a Dutch collector

One of a kind. Wonderful and important Chinese Hawksbill Tortoise Tenmoku Chawan from the Jizhou kiln of Southern Sung. It has a wonderful crazing and still vivid colours. The tea bowl was part of the collection of Dr. Walther von Krenner, one of the best connaisseurs of Asian Art in the world and writer of several books on Chinese and Japanese ceramics.

It comes with a tailor made Japanese wooden box from a former owner. The Hakogaki reads: ...

On behalf of a Dutch collector

Here is another stunning chawan, a Nogime (hare's fur) Tenmoku tea bowl from the Jian Kilns - made in the Southern Song era (Chinese: 南宋; 1127–1279). Such tea bowls were one of the first tea bowls in Japan, which came together with the first tea from China.

Little refined iron bearing clay, with iron oxide, thrown into the typical tenmoku shape. The bowl was tilted a little in the sagger so the flat pool of glaze inside is a little til...

Sublime ceramic Kannon statue of old Kutani-yaki made by one of the greatest potters, Aoki Mokubei. The statue is 200 years old and in great antique condition with only a small repair on the right hand with transparent lacquer and only one! tiny spot with peeling of glaze. The all over glaze is spectacular.

Aoki Mokubei (1767-1833 ) was born in the Gion district of Kyoto as Aoki Sahei. From childhood, he was a disciple of the well known artist and Confucianist Kou Fuyou, who had a...

This is a unicum! We like to offer you one of the highlights of our collection. A very fine and aesthetically pleasing Karatsu Tea Bowl from the early stage of the Edo Period (1603-1868).

It has one of the most beautiful Kintsugi repairs we have ever seen. A mixture of lacquer and gold powder showing a traditional Karakusa pattern. There is no comparable bowl - a real unicum.

The 'kara' of Karakusa means 'China', while 'kusa' means 'plant'. The Karakusa pattern came to J...

We like to offer you a sophisticated Hagi Chawan, made during the early Meiji Era (1868-1912), perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl so valuable and outstanding.

It comes with a good Japanese wooden box.

Size: 8,2 cm height x 12,9 cm in diameter.

A magnificent Kuro Oribe Chawan of larger size and wonderful shape, made during the end of the Edo period (1615-1868). This kind of shoe-shaped bowl is called kutsu-chawan. It is a design often found in Oribe ware, which presents some of the most free forms and decorations in the world of tea potteries.

The bowl is in great condition, considered its age. It will be shipped in a high class and fitted wooden box.

Size: 7,3 cm hight x 14 cm in diameter.

A real piece of art: Shino-Oribe Tea Bowl from the early Edo Period (around 1620, early 17th century). It is a shoe shaped Kutsugata Chawan covered with a whitish Shino-Oribe glaze over an iron oxide engobe in two quarter sections, where a triangle has been scratched into the dark engobe. The other two opposite quarters show a decoration of two squares in the style of mimasu - three squares.

The roughly cut foot ring and its surrounding show the typical little refined Mino clay. Th...

We continue our presentation of Ohi chawan (Ohi tea bowls) with yet another sublime vessel, a true eye-catcher made at the end of the Meiji Period around 1910. It's a unique Ohi Chawan which seems to be a kuro Raku bowl, but it isn't. With its sophisticated shape and its mesmerizing play of predator pattern inside its outstanding.

Ohi ware is indeed closely related to Raku; the first Ohi potter was the son of Raku III, Donyu, and apprenticed to the fourth Raku master, Ichinyu. In Ka...

We like to present you this Korean Hori Mishima tea bowl for the Japanese Tea ceremony, made in the late 16th/early 17th century.

It is a low wan shaped tea bowl. Its expertly thrown body with its lower part was trimmed with a potters knife and shaped into the typical Korean bamboo node foot, creating a chirimen (crepe de chine) effect at the bottom. The bowl is decorated on the inside with an incised fish bone pattern and stamped flowers, both filled with a white engobe. On the out...

Here is magnificent example of the beauty of Raku ware, a pottery tradition born more than 400 years ago in the ancient Japanese capital of Kyoto, from the collaboration between great tea master Sen Rikyu (1522-1591) and a potter named Chojiro ( - 1592), the forebear of the great Raku family of potters.

Sublime half cylinder shaped (Hanzutsu) tea bowl with a rounded brim, in the typical hand built style of the Raku family. The body is fully covered with a white engobe before the red...

Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style - referring to the heavy influence from Korean forms and glazing - this exquisite late Momoyama/early Edo period (1590-1620) Karatsu-ware tea bowl is really rare.

Regular formed wan shaped, showing fine finger marks from throwing. The iron bearing clay remained unglazed at the footring and its surrounding area, which ...

Here is a really rare example of Ko-Agano-yaki from the early Edo Period (1600-1630) with a fine Kintsugi gold repair: regular wan shaped Ko-Agano tea bowl, showing very fine slightfinger marks from throwing.

The foot ring has been cut with a potters knife on a hand wheel. A glaze of rice straw ash has been poured with a laddle, while the potter held the bowl at the unglazed foot. Its unglazed finger marks show a fine, little iron bearing clay of a brownish color. The foot ring is ...

What a great Chawan! Wan shaped tea bowl made of light, refined and soft Mino clay, which contains a little iron oxide. The fastly but expertly thrown body inside and outside, with the exception of the bottom (including the finely thrown foot ring) is covered with a transparent ash glaze, which turned to yellow due to the iron oxide in the clay.

In 5 areas of the tea bowl are highlights in green copper oxide in the tradition of the Mino Ki-Seto. The chawan shows a lot of fantastic t...