Brown banko ware teapot, Japan, late Meiji / early Showa. Unglazed, with the exception of the rim and the top of the handle hooks, some gilt to the molded decoration of a dragon and a lion dog. All handmade, with thumb marks to base and rim of lid. Height including lid "4 ½ / 11.5 cm. Condition: no bamboo handle, otherwise fine.

With the purchase of the lease on the Nymphenburg factory by Albert Baumi in 1887 the factory started to re-produce figures that had been originally made in the 18th century. This figure of a Turk, originally modeled by Bustelli, is one of those. Like many of the 18th century figures this one is not decorated with colors. 4 ¾ inches (12 cm) tall and 5 ¼ inches (13.5 cm) across the base...

A blue and white parian pitcher with raised oak leaves and acorns and a “branch” handle and spout. The oak portions in white against a textured blue painted ground. Marked on the underside with the U.S. Pottery Company ribbon mark with “No. 16.” and the number 12. This mark used in the 1850’s. 8 5/8 inches tall and 6 ¾ inches across handle and spout.

Condition: no chips or repairs, but a crack in the base of the handle.

2 piece printed and hand colored Mason’s ironstone strainer dish c. 1840 A twelve sided shallow strainer that sits on a twelve sided bowl. The strainer form in delft is sometimes referred to as a cress bowl or a strawberry bowl. It’s possible that this one was meant to hold ice in the bottom as well as catch the water running off the fruit in the strainer. Decorated with a transfer of an exotic bird sitting on a branch with large blossoms and leaves...

Dinner plate in Sevres pattern but probably Minton c. 1850

A soft paste porcelain dinner plate unmarked, but probably Minton. In the “feuille de choux” pattern with hand painted flowers, blue accents and heavy gilding. These knock offs of 18th century Sevres were popular from the mid 19th century (c.1850) onwards and Minton made many of the very good ones. 9 ½ inches (24 cm) diameter.

Condition: no chips, cracks, hairlines or repairs...

Three plates with orange ground lip, transfer border on the edge of the well and the center hand painted with different complex bouquets of wild flowers. All have the Royal Worcester mark on the bottom with the date of 1877 below. Also, the number 9522/A (?) is written in overglaze enamel. The plates are 9 inches (23 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Some gilding wear on the edges and minor scratches.

Staffordshire Figure of Cobbler Woman, one of a pair. This one dates to mid 19th C. and is particularly desirable because it is painted in the round. Good condition with crazing, no discernible damage. Dimension: 6 1/2" h

A Doulton Burslem Hand Painted Cabinet Plate with a Bird in the Center Reserve. Registration number 97183 for 1888. Excellent condition. See also 591A

Majolica grape and vine pitcher with a pewter lid with a leaf motif, most likely for serving wine outdoors circa 1880s. It is 8-1/2" tall and hand painted in brown, blue and green colors. It is unmarked except for what looks like a 70 painted onto the bottom. Majolica is an antique form of pottery, with a great revival of interest in the 19thC...

La Rochelle fayence plate from the late 18th century. Charmingly naïve decoration of a pheasant in a landscape, the border with a twig of pears (?). The back with spur marks near the rim, a sign of age. Diameter: "9 ¾/ 24.5 cm. Condition: fine, with decorative crackling of the glaze and some burst bubbles caused in firing.

Fayence plate from northern France, c 1800. The well with carnelion, tulip and peony surrounded by some other flowers, all in manganese and yellow. Diameter " 9 ½ / 24 cm. Condition: wobbly base, otherwise fine. The back with spur marks near the rim, a sign of age.

A pretty leaf shaped serving dish by Royal Copenhagen. Panted decoration of flowers, the twig handle with a rose and a forget-me-not flower in relief – the same as the handles used in the famous Flora Danica service. Impressed mark 2 and S, and the three waves of the manufacture in the version used around 1890. Length "7 1/5 / 18.5 cm. Condition: damage to the petals of the little forget-me-not flower.

An attractive Victorian period china jardiniere, c1880s. It has a repeating somewhat Art Nouveau floral motif, the flowers look a bit like poppies or anemones, all in blue transferware with occasional splashes of gold. It measures 5-3/4" in height and the opening measures just over 5" across (opening only, does not include the wavy rim). Although it is unmarked, which happened more frequently before 1891, it is almost certainly English in origin...

A hand painted Limoges large roses centerpiece or fruit bowl dated 1903. This wonderfully handpainted 10-3/8" across bowl stands 4" high and 8-1/2" deep, it has a handle on one side, and the painting is of very high quality for a painted blank. Typical in this era, china painting was very popular and some very talented pieces were produced by home amateurs...

1840's English flow blue 9.5" plate, Scinde pattern Marked "Oriental Stone", it was made by J. & G Alcock.

Baluster vase with Flambé glaze in red, green and black, where the lighter parts are crackeled and the black is close to mirror black. San-Yang Kai-Tai or transmutation glazed, representing the change of seasons, from winter into spring. China, early 20th century, Republic period. The vase was purchased in Brussels in the 90's from an old Chinese couple who brought it to Europe when they left China in their youth. Height "7 ¼ / 18.5 cm...

A Minton wild strawberries A2625 hand painted berry or fruit bowl dated 1866. This Victorian beauty measures 9-3/8" across and it features finely handpainted leaves, flowers and wild strawberries all in high relief. This bowl is similar to other antique Minton patterns however we haven't definitively identified it. It has the impressed MINTON mark (used from 1862-71, later MINTONS) and a date cypher resembling that used for 1866...

Alt Wien / Old Vienna dish or plate – originally a stand for a vase or small tureen – with sparse decoration of stylized little tulips within a dark red border. The modern-looking design is a deceiver: the shape of the Royal Vienna Porcelain factory underglaze blue shield mark on the base shows a production date in the Empire period around 1800. Diameter "9 ½ / 24 cm. Condition: two small spots of glaze wear to the center, from the foot rim of vase or tureen.