Matching pair of early 19th century altar size Sino-Tibetan thangkas depicting Buddha Shakyamuni and Tsongkhapa, respectively. It is unusual to have a set. Historical Buddha is shown emanating rays of golden light, his right hand in bhumisparsha (earth-touching) mudra, his left hand holding an alms bowl, rich offerings in front of his lotus throne...

Rare 19th century Sino-Tibetan thangka depicting eight armed Goddess Maha Pratisara seated on a lotus throne and holding various weapons, with Boddhisattva Manjushri depicted above her. Pratisara is one of the Five Pancha Rakshas - a group of five female deities that are the personifications of five early Buddhist sutras...

Early 19th century Tibetan thangka depicting Buddha Amitabha surrounded by his eight manifestations. Amitabha is the Buddha of Infinite Light and presides over Sukhavati (the Western Paradise). Beautifully painted with natural mineral pigments on cotton, wonderful tranquil face, original silk mounts, original silk gauze cloth protecting the painting from light and wear (can be seen bunched up for the purpose of photography on top of the mounts on Enlargement 2)...

Early 19th century Tibetan thangka depicting historical Buddha Shakyamuni emanating rays of golden light, his right hand in bhumisparsha (earth-touching) mudra, his left hand holding an alms bowl. Central figure is surrounded by 18 of Buddha’s original disciples (2 of them are standing holding kakhara - long staff with rattle to scare off insects, and thus prevent the carrier from stepping on them) with additional figures of Boddhidharma and Budai...

A Tibetan silver and mother of pearl conch formed as a central Buddhistic portrait. It is unusual in its style and is a beautifully embossed and attractive item. Age: 19 C. size: 10 cm x 9 cm. condition: very good indeed, no restoration, a slight abrasion to the edge of the pearl shell

Chinese 19th century hand painted on cotton table display set. One large centre panel and twelve smaller. Contained in hand painted paper folder. Undated, estimated to be late 19th century. Diameter of large cloth 20 inches. Can be viewed in central London and shipped worldwide.

Asian low table. Mother of pearl inlay on maroon and black laquer, brass bound edges. Very minor restauration to chipped legs. 475 mm square top, 80mm high. Undated, estimated to be late 19th century or earlier. Can be viewed in central London and collected. Buyer arranges own transport from central London.

Two Tibetan stem platters for ritual offerings, made from hardwood with metal sheet. The center decorated with a wheel, one of the eight Buddhist Symbols. Torma are cone shaped ritual food offerings sculpted in a variety of shapes and sizes, mostly made of flour and butter. Condition: traces of usage, one piece with an old repair (was broken in two). Dimension: diameter: c. 19 cm, height: 6 cm and 7.3 cm, weight: 1200 g.

Antique Indian hardwood figure carving. Mounted on a custom high-quality iron stand for display. The female figure is in a dancing pose, with elaborate headdress and garb. Mounted on a High grade custom iron stand.

18th Century

Dimensions w/ stand: 18" high x 6 3/4" wide x 4 1/2" deep

Dimensions w/o stand: 16 3/4" high x 5 1/2" wide x 2 3/4" deep

An interesting and rare bronze shrine or figure, depicting a Deity, likely Vishnu, seated on a Throne with a large construction at his back, with a Lion mask on top. Cobra hood over his head. South India, ca. 18th. century.

Size: 19 cm.

Condition: Choice, smoothly polished front, the back with an fine very old brown patina.

Ex. Old Danish Collection of Indian bronzes figures of the Hindu, Jain and Buddhist religions, aquired from ca. 1955 to 1990s.

Originally, this graceful sculpture may have stood at the doorway of a palace or temple as a warning to all malicious spirits not to enter. The tradition of lions guarding doors and gates is ancient and common to a great variety of cultures, including the Egyptians, Assyrians, Romans, and Chinese. There is a strong Chinese influence in this piece, suggesting open relations between the two cultures.

18th Century - Rajputana, India

Dimensions: 16 1/2" x 5 7/8" x 11 5/8"

Hand written Nepalese manuscript. Undated estimated to be 17/18th century or earlier. Anointing marks on cover, one illustration, 70 sides of text, each 20x 7.5 cm. No loose pages. Can be viewed in central London and shipped worldwide.

Hand painted on cotton mounted on wood with metal bound corners, metal hanging ring, decorated paper on reverse. Undated, estimated to be late 19th century or earlier. 35 x 35 cm. Can be viewed in central London and shipped worldwide.

This unusual small triangular shaped snuff bottle 2 of the 3 sides of the piece have carefully repouse Tibetan symbols..no makers marks...a few tiny dents ...no loss. It was brought back from Tibet by a man who went on a long walkabout from Istanbul to Tibet back in the late 60's...China was not open at the time...and Tibet ..he traveled with a backpack,limited space,few small momentoes and he was picky...old pieces only... bottle is approx 1.75 inches high

THANGKA

Tibetan Buddhist thangka painting on silk and cotton fabric mounted as a portable scroll for the monk who visit the villages and use it for telling Buddhist doctrine or Buddha's biography to the people. 18th century. Rare valued piece with calm and mercy. The condition is as seen. (lack of a rod, but attached with a gut for hanging) approx...

Finely cast small statue of Krishna depicted, according to tradition, as a mischievous boy, reclining and stealing the butter ball. Krishna is wearing a diadem, at the back of which is a loop suggesting that this statue was originally used as a pendant. Bronze, with with partly encrusted reddish green patina, with traces off ritual material. Nepal, 17th century. Length: 4.9 cm. height: 4.3 cm. Very good condition.

Very old anthropomorphic statue of a deity protecting a household, staying on a circular base, with an expressive face and hands in praying posture. Eroded wood, age patina. Nepal, 19th century. Height: 33.3 cm. The statue is nicely mounted on a custom stand. Collected in the early seventies in the Himalayan region.

Four-armed sword wielding Virabhadra is a manifestation of Shiva. In this form, he decapitated the demigod Daksha who had insulted him, but in doing so, he interrupted the demigod's sacrifice by which all beings are created. Virabhadra later revived Daksha by replacing his head with that of a goat, thus ensuring the demigod survived and the continuance of creation...