Nepalese Middle Hills Mask with a Third Eye. 10.75 inches, 27.5 cm.

Antique Indian Kangra School miniature painting of Annapoorani Amman. A scene where Annapurna (the goddess of Nourishment and a manifestation of Parvati) seated on a throne, gives food to her consort, Shiva. The story goes that Shiva challenged the need for all materialistic things including food. Parvati, in order to prove to Shiva that food was essential (especially to his followers) disappeared, creating a state of famine. Humans and gods suffered...

Fine Nepalese Mask of a Rare Type with Pigments. 10.5 inches, 26.75 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Four-armed sword wielding Virabhadra is a manifestation of Shiva. In this form, he decapitated the demigod Daksha who had insulted him, but in doing so, he interrupted the demigod's sacrifice by which all beings are created. Virabhadra later revived Daksha by replacing his head with that of a goat, thus ensuring the demigod survived and the continuance of creation...

An Mughal Indian Brass Water Flask, Surai. The elegant vessel with a screw top. Heavily cast and with turned decoration. Deccan, N India 19thc. Height: 11 3/4" (29.8 cm). Condition; very good, has been polished.

Nepalese stone carving of a four armed Lord Vishnu, standing atop a lotus pedestal, holding in his hands a conch shell, a discus, a lotus blossom, and a mace. From Newar, Kathmandu Valley.

Malla period 16th century

Dimensions: 3 1/4" w x 1 1/2" h x 5 1/4" h

Lovely antique copper pot with ornate reposse silver decoration from Tibet. Probably used for butter tea...Roughly 13 inches high...heavy gauge copper with a few minor surface dents commensurate with age...Rare and gorgeous

Antique Islamic silver-inlaid Bidri vase, 18th century, Deccan, Mughal India. The vase is made of cast body and has an elegant water chestnut shape. It has an elongated flaring neck with a flange collar and is raised on a spreading ring foot...

This antique Dhokra depicts a large fish being ridden by 2 women and is probably representing some tribal legend or myth. Dhokras were made by the Kondh tribe of the state of Orissa India. The Dhokra, or small sculptures, were made as toys, ritual objects as well as gifts and talismans. They were much a part of tribal craftsmanship and culture during the 1700's and 1800's. Dhokras were made from a clay base with a net-like pattern and then cast in bronze using the lost wax technique...

17th Century Tibetan Sakyamuni Thangka, 32 x 24.25 inches, 81 x 61.5 cm. This thankga was in an exhibition at the University of Texas Art Museum.

Strap made of a piece of thick leather, and cast silver and brass ornaments with turquoise.
Beautiful typical Sino-Tibetan craftsmanship including the face and hands of Kirtimukha ("face of glory").
This kind of strap was mainly used to attach a big knife.
This belt strap has obviously been repaired and remade (see pix). The turquoise have been replaced by an other old one; the silver and brass pieces are at least 19th C...

Very unusual small 1910s Tibetan thangka painted on a buffalo horn plaque with mineral pigments and depicting Bhavachakra - a symbolic representation of samsara - the cycle of repeated birth, mundane existence and dying again without the beginning or the end. The pig, rooster and snake in the hub of the wheel represent “the three poisons” - ignorance, attachment and anger...

Early 19th century Indian painting, Rajasthan, Mewar or Bundi, illustration of hell punishments, 21x17cm, gouache on paper, mounted, can be viewed in central London and shipped worldwide.

Large Indian carved sculpture of Rama, colours and gold paint on wood, undated, estimated to be early 20th century separate bow and arrow, approx 95x50 cm, missing a finger from each hand. Can be viewed in central London, buyer arranges transport.

19th century very small Indian bronze votive sculpture of seated Ganesha with his trunk to its left, and holding the elephant goad and battle-ax (parasu) in his rear hands, and sweetmeats in both front hands. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship...

Early 19th century Sino-Tibetan thangka depicting Agni on his mount - a ram, and holding a pot of water in one hand and rosary beads in the other. Very uncommon image: Agni was initially the God of fire in Hinduism (see the pit of flames that the ram is running on), but was incorporated into Buddhism as one of the twelve Devas (guardian deities found in or around Buddhist shrines) and is considered to be the guardian of the Southeast. Inscribed with 5 characters on the back (see detail)...

Watercolour over pencil on paper showing camels and figures, domed buildings on the horizon. Unsigned, in the style of David Roberts Location unidentified. Undated, estimated to be late 19 th century. 36x26 cm

A massive corner stone sculpture carved in greyish schist, Gandhara, c. 400-600 AD.

Interesting Pilaster from a corner with two reliefs, on it, candelabra with Buddha and bodhisattva and lying bulls on both sides at the top.

Size: c. 51 cm. tall and c. 22-23 cm. wide. Verry deep as well and almost triangular in shape.

Condition: F-VF, basically intact and almost fully covered with sandy encrustations - uncleaned...