9" 19th century Kakiemon plates, slightly rounded, with blue flower baskets over blue underglaze. There are blue sprays on the undersides, each bears a Fuku mark.

Condition: Excellent, no chips, hairlines or repairs.

A Japanese Imari Plater from 19th Century. Approximate diameter 47 cm. Decorated with drawing of people and scenery. In good condition. Free shipping with insurance.

A petal formed Kakiemon porcelain bowl 6.5" in diameter, 2.5" high on a footed rim. Enameled in iron red, green, blue and gold over blue underglaze are bijins and flowering trees. Ex-Christie's

Condition: Excellent, with no chips, hairlines or repairs.

A rare large vase by Kanzan Denshichi decorated with a hermitage in the hills and a poem extolling the beauty of summers first rain by Kanzan Denshichi enclosed in the original signed wooden box bearing the Shountei seal, dating it between 1871 and 1890. It is 34 cm (13-1/2 inches) tall and in excellent condition.
Kanzan Denshichi (1821-1890) was born in the ceramic-producing area of Seto...

Important Japanese Arita Charger with complex glazes, featuring a performance of Okina by a Noh actor set into an extraordinary design. Okina was traditionally performed for a royal audience. This piece was most likely made for royalty or aristocracy. There are many interesting motifs and intricate patterns in this wonderful work of art. Different from Noh and Kyogen, Okina is a performing art patterned after an ancient ritualistic ceremony...

Ca. early 1800s

In the style of Okuda Eisen, possibly made in Kyoto at one of the Kiyomizu Kilns. One of a set of five or ten used for individual servings of sweets or other items in a tea ceremony context. Made from porcelain with thick overglaze green enamel and rapidly painted floral designs in red enamel. This style was popular in Kyoto in the late 1700s and 1800s, and was revived again in the 1900s...

Japanese Antique Gold Enamel Kinrande Bowl made by XII Eiraku Zengoro (1823–1896) with Phoenix Motif and Exquisite Gold Kintsugi Repair The bowl has a cobalt blue signature of the potter translated as "Made by Eiraku in Great Japan" XII Eiraku Zengoro (1823–1896) belongs to one of the most influential Kutani pottery family in Kyoto in 19 century. He became the head of the family in 1843 at the age of 20 with the name Wazen after retirement of his father Hozen...

A rare Arita zhadou form sake cup warmer. These unusually shaped vessels following the form of zhadou, Chinese lays jar, were used for the warming of sake cups, and as flower vases. The form of these cup warmers seem to follow Chinese Song precedents, an example of the Japanese preference for more classical Chinese forms, rather than later Ming and Qing examples, which characteristically have much wider openings...

A sometsuke dish of twelve sided dodecagonal form painted in a refined Kakiemon style. The rim border is divided into six fan shaped panels decorated with three sets of alternating floral compositions featuring respectively Bamboo, take, Peonies and rocks, botan, and shibagaki Brushwood fences. The centre painted with Cherry trees and a formal balustrades. The reverse is decorated with a Kraak style pattern of strapwork divisions and stylised flowers...

A Kutani “Yoshidaya Revival” dish, early 19th century.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the site's remote location, but his wares emulate the earlier Kutani wares in a variety of ways...

A nagazara or long dish dating to the late 18th or early 19th century with a central motif of a Chinese style landscape framed by a pattern of spirals and flower-heads, Asters or Chrysanthemums a deconstructed version of a contemporary Chinese Qing dynasty pattern (see Diana Cargo etc). a staple of the Chinese export trade to South East Asia, produced both at Jingdezhen and at provincial kilns in South China...

A fine quality Kameyama-yaki auspicious Peach form, momogata, bowl delicately and painstakingly painted in the Chinese Literati style with Sansui scene for which the Kameyama kiln was renowned. The reverse decorated with auspicious Lotus motifs to the reverse and a small seal mark for the Kameyama kiln. A similar moulded dish with sprig decoration to the rim is in the Metropolitan Museum of Art New York (Accession number 93.3.453 and there dated 1820)...

A nagazara of conventional rectangular form with compressed indented corners decorated in underglaze blue with a Chinese style landscape featuring a small viewing pavilion on a bridge. The reverse decorated with a stylised peony and a “classic” comb border to the footring, This dish was produced at the Nabeshima fief’s official kiln at Okawachi in Arita for the Shogun in the late Edo period c.1820-60. The dish measures 20.8cm long and is 11cm wide...

This elegant Edo Period Japanese Antique Imari Porcelain Mukozuke Cup was made about 200 years ago Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century. Size Width 3.9in ( 9.9cm ) Length 3.9in ( 9.9cm ) Height 2.4in ( 6.1cm ) Weight 4.23oz ( 120g) Condition Overall good. Used.

A porcelain dish from the Nagasaki area, so not strictly “Ko Imari”, meticulously painted with an elaborate Leiwen border and a stylised Chinese style landscape in a light blue gosu. The reverse painted with three Lotus flowers with trailing Acanthus type scrolls in a contrasting dark blue gosu with a seal for the Kameyama kiln...

A very unusual octagonal dish in new style enamels dating to around the year 1800, featuring three figures, the main of which is a figure wearing a buttoned jacket and perhaps a klapmut style hat with distinctive slops, which identifies him as a seaman, rather than the more usual merchant; see last image no 6 a late 18th century print of a Sailor in “slops”...

Decorated with a carp diving in waterweed executed in typically thick and strongly hued enamels. The back similarly decorated with oysters and weed, the centre with a large Kutani mark.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the ...

A good Nabeshima dish from the Nabeshima clan’s Okawachi kiln of oval boat shaped form, perhaps inspired by the boat shaped ingots, sychee or yuanbao, and decorated with an auspicious pattern of a pair of Goldfish swimming amongst water weeds. This particular pattern and shape belongs to a group of wares that were approved by the Shogun Ieharu in 1774 and were produced throughout the late Edo period for the consumption of the Shogunate. (See Nabeshima Porcelain for the Shogunate). The last off...