Very nice example of Meiji Period (1868-1912) Nezumi Shino Ware Chawan for Tea Ceremony. Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes. Size Diameter 12cm Height 7cm Weight 375g Condition Overall good. No chips, no cracks.

Rare Antique Japanese Shino bowl Chawan Old Shino Pottery for Tea Ceremony made during Meiji Period (1868-1912) Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes. Size Diameter 12.3cm Height 6.4cm Condition Overall good. No chips, no cracks. Supplied with wooden box

A jewel-like miniature ‘Imperial’ Satsuma vase, of baluster form with elephant head handles. One side is decorated with flowering lotus, the other with a gourd vine. The base has the signature Hogetsu beneath a blue Shimizu mon.

Approximately 9.7cm high. Perfect condition...

Edo Period (1603-1868) Japanese Antique Kuro Raku Tachi-Zuru Tsutsu Chawan for Tea Ceremony Wabi Sabi Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Height 10.3cm Width 10.2cm Weight 325g Condition Overall good considering the age, no cracks, no chips. The seal of the potter is stamped at the bottom.

Rare Nakamura Donen (1876-1937) Mishima Ware Chawan Bowl with Gold Repair Kintsugi. Nakamura Donen was a famous potter during Meiji-Taisho periods who worked in different styles such as Raku and Mishima. He has a lot of Korean influence in his works as he studied the pottery in Korea. Size Width 11.5cm Height 8.6cm Condition Overall good, the bowl the some repair with gold. Please see the images for details. Supplied with old wooden box.

Very rare Edo Period (1603-1868) Japanese Antique Hohin Teapot for Sencha/Gyokuro with wonderful Wabi Sabi atmosphere Size Length 10.5cm Width 8.5cm Height 6cm Weight 190g Condition Overall good There are minor chips and lack of glaze Please see the photos for reference

Very Rare Antique Pottery Bowl with Kenzan Signature made by Kiyomizu Shichibei (1818–1891). Shichibei Kiyomizu was born in Kyoto in 1818 as the eldest son Takejiro of the second generation Rokubei Kiyomizu (1790-1860). Instead of taking over the family title, he founded his own kiln by 1839 with the name Kiyomizu Shichibei. It is not clear what was the reason behind that but it is known that Takejiro was a heavy drinker and was not allowed to use the same family name. His works are ofte...

Meiji period (1868-1912) Antique Japanese Pink Raku Ware Tea Bowl Chawan with Poetry. The bowl bears Ryosen mark which can be attributed to Ryōsen-ji Buddhist temple in the city of Shimoda, Japan...

An attractive globular Satsuma vase by Hosai, late 19th century. The vase is decorated with three family crests, including the Paulownia of the Toyotomi clan, the Hollyhock leaves of the Tokugawa shoguns and the cross of the Shimazu clan who ruled over Satsuma, Ōsumi and Hyūga.

Within the foot-rim can be found the gold mark ‘Satsuma Hosai’ and a Shimazu mon in white enamel...

Rare Antique Japanese Kashiki Bowl for used ceremony of Meiji Period made by Rokubei Kiyomizu IV (1848-1920). The seal of the potter is stamped on the bottom. Rokubei Kiyomizu IV belongs to one of the most influential Kiyomizu family of potters. He was born in 1848 as the eldest son of Rokubei Kiyomizu III. He got his family title and the name Rokubei IV in 1883 when he joined the Toyukai artists’ association. He co-established the Kyoto Ceramic Research Institute in 1895...

Very nice example of rare Meiji period (1868-1912) Antique Inuyama pottery Teabowl of unusual design with many scholars. Inuyama pottery is a traditional ware of Aichi Prefecture which dates back to Edo period. Size Width / 4.914 inch ( 12.6cm ) 5.031 inch ( 12.9cm ) Height / 2.808 inch ( 7.2cm ) Total Weight / 275 g Condition : There is a repair of gold kinnaoshi technique.

Antique Japanese Katakuchi of Old Karatsu Ware near the end of 19th century (about 120-130 years ago). Karatsu ware is one of most desired pottery type in Japan based in Karatsu, Saga Prefecture since 15th century. It is made from high in iron clay often decorated with an iron-based underglaze, giving an earthy and natural feeling to the fired items. Dia. 4.3"(11.0cm) x Height 3.2"(8.2cm) Condition Good. No chips, No cracks. Supplied with the box

Featuring rich earthy tones and intricate hand-drawn stencil designs of passion flowers resting on a string of vines, this bowl would be perfect for displaying an ikebana flower arrangement. A kintsugi (gold) repair attest to the age and care that went into maintaining this piece through generations. The label on the lid of the box reads “e-Seto Karatsumon O-wan” indicating a large Seto bowl with arabesque hand drawings (絵瀬戸 唐草文 大鉢)...

In our opinion this is the best Iga Vase, we have ever seen. Massive and intentionally distorted Vase of wonderful native Iga clay. The vase is 3300 g heavy and has a height of 8,1'' and a width of 7,1'', which is very tall for an antique Iga vase.

The vase was made between 1800 - 1850 during the later Edo Period and is in good antique condition. No repairs. Only an untimportant chip on the bottom caused during the process of firing. The vase comes with an old wooden box...

This is a are Banko teapot in pristine condition. This sea creature pattern is one of the most collectible ever created by the Banko factory.It has some history written on the underside that the buyer can remove or leave.

This rare and interesting ceramic work was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875). In fact, if you look closely at the attached images, you will see her finger imprints clearly preserved in the molded clay.

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

Dating from early-to-mid Edo the shape of this unique Karatsu piece is referred to as a “takadai-zara” in Japanese, or high-footed serving platter. Modeled on similar Korean pieces from the early Joseon Dynasty, the platter was made using coarse, unrefined clay with high iron oxide content. The clay which forms the bowl shows impurities, intentional pitting, and small stones peeking through the clay making for an interesting ceramic landscape...

A large, and heavy, Stick Stand, ( for holding walking sticks and umbrellas), profusely decorated, in Satsuma style, with a panapoly of historical scenes enclosed within elaborately enamelled textile (?) patterns and surmounted by a large coiled dragon amongst stylized clouds. This item was made in Japan for export to Europe or America during the late 19th or early 20th Century. Condition: there are chips to the rim, some cracks around the base and losses to the head and claws of the dragon...

A 13th.century ko seto Kamakura vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.

The box was added by our gallery 20 years ago. It was made by a tomobako artist, and there is written 'ko seto kamakura vase' if my memory does not fool me. The vase is decorated with kanji letters.

Marked on the bottom ( maybe a kiln mark ).

It is in good condition...

A fine kikugata mukuzuke moulded dish in the form of an asymmetric Chrysanthemum bloom with central motif of a single Chrysanthemum leaf richly enamelled in green and blue enamels with gilding. The rim decorated with a dark brown iron temmoku style glaze. The dish measures 18.5cm in length, 14cm wide and stands 4cm high. The dish is in excellent condition with no cracks, chips or restoration. Shipping at Cost.

An elegant Kyo-yaki wine ewer of traditional form decorated in gilt outlined enamels with weeping cherry Shidarezakura and brocade bands to the cover and rim. The ewer measures approximately 5 inches or 13cm in height and is approximately 16cm in width from the tip of the spout to the furthest point of the handle. Dating late Edo circa 1850. The ewer is in overall good condition some minute frits to the spout. Shipping at Cost

A set of five ceramic tea cups with box used to serve sencha produced by Otagaki Rengetsu (1791-1875). The cups are in the form of lotus leaves and the exterior of the cups contain an inscription by Rengetsu, which generally translates: The willows, not in its disarrayed form, the branches not touching, yet branching out into the world. Age: Late 19th century. Size: diameter 2.3" height 1.5"

An Edo period Oribe sake bottle of simple but full proportions and with classically Japanese Zen decoration - austerely yet sensitively placed grass and blooms decoration in iron oxide on the softly crackled opaque off-white glaze ever so slightly scorched in the kiln on two sides where the body is almost slightly exposed and oxidized to a buff tone at those points. The cut foot also glazed save for a crescent reserve around the center where the warm gray body is exposed. The rim and neck glazed...

A decorative Temmoku glazed bowl with a raised decoration of a Dragon and Lingzhi. Most probably Japanese and probably from the seventeenth or eighteenth century. There is an incised signature to the piece which could give final clarity to the educated among us. Diameter : 13,2 cm. H : 6,8 cm. Condition : Perfect

A perfectly potted body, a very beautiful Ge crackled glaze with an old original copper rim band to the rim. Most likely Japanese and probably from the seventeenth or eighteenth century. A simple graceful beauty. H : 7,9 cm. Condition : Perfect

This a Japanese pottery bowl, probably from 17th century or earlier, used for drinking tea (matcha bowl ) in very good condition, free shipping for now 08 X'mas

This a Japanese or chinese stoneware bowl, probably from 17th century or earlier for tea drinking, just like the Matcha Bowl

White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map. Banko Yaki had previously been made in the early Edo Period in Kyoto. Takegawa Chikusai's work was bequeathed to the Yokkaichi Museum's permanent collection, so this is an extremely rare opportunity for you to own a masterpie...

Sake flask from Tamba kilns in Hyogo Prefecture, early-mid Meiji Era. Characteristic reddish-brown glaze with black ladle drips around the neck. H. 24cm, Dia. 13cm.

Seto ware kneading bowl, or "konebachi" used in most Japanese households of the period. Characteristic warm yellow seto glaze with seiji (green) ladle drips to add accent to the rim. Height 15cm x Dia. 26.5cm. Minor glaze cracking inside the bowl.

Toushin (wick) zara (plate) held a small amount of oil with a coiled wick, and was usually set in some sort of lamp arrangement. These were used until the advent of glass and other lamps. This example of fine folk pottery is from central Japan, likely Mino ware, produced during the Edo (1600-1868) Era. The top side has a warm yellow glaze, and the underside is unglazed. H. 1.5cm (0.6") Dia.10cm (4".)

A rich black glaze covers this Kasama-yaki jar from the late 19th C. It is in the shape of a "natsume," a tea powder caddy used in the tea ceremony. H.21.5cm (8.5") Body Dia.16cm (6.25".) Kasama wares currently do not enjoy the fame of pots from nearby Mashiko. But Kasama, in neighboring Ibaraki Prefecture about 30 minutes away by car, preceeded Mashiko in being a ceramic production center by nearly a century, and had a hand in training the early Mashiko potters. Though most Kasama wares were, ...

An antique flask much like a tokkuri used for transporting sake, the "abura" (oil) "dokkuri" (flask) was used to transport oil products. H.27cm (10.5"), Body Dia.16cm (6.25".) This one is from the old Echigo (present-day Niigata Prefecture) which had stores of oil used for heating and lighting that were shipped up the Japan Sea coast north to Hokkaido. This example is wonderfully pitted with oil over a white glaze, produced at one of the no longer existent folk kilns of the Echigo region. It's u...

A late Edo - early Meiji tokkuri (sake flask) from the Hokuriku (central west coast) of Japan. H.24cm (9.5",) Body Dia. 16cm (6.25".) Probably fired in one of the no longer existent kilns of what is now Niigata Prefecture, this tokkuri has a rich yellowish-brown glaze which has experienced a nice crazing over time. Although from central Japan, the glaze and somewhat refined shape are reminiscent of Yatsushiro ware from Kumamoto in Kyushu. It is a folk piece, but at the same time has a wonderful ...

Sake Flask, "tokkuri," Meiji Era (1868-1912) from Mashiko, Tochigi Prefecture. H.10", Body Dia.6". This early Mashiko ware shows the "tobi kanna" technique of chatter marking around the body. In Meiji-era Mashiko, this patterned flask was called a "matsu-kawa-tokkuri" (pine-skin-tokkuri.) A rich, dark brown glaze decorates the neck. Similar wares were also produced around the same time in Fukushima Prefecture. Today, chatter marked wares, such as plates from Onta (Oita Prefecture) are the proba...

This water jar, "mizugame," stands 60cm (23.5") high with a mouth diameter of 55cm (21.5".) The rich brown glaze is decorated front and back with freely poured ladle splashes of black slip. A band of 5 incised lines runs about 7cm below the rim of the jar. The decoration is similar to Tamba wares at first glance, but a look at the unglazed bottom reveals not the red clay of Tamba, but a yellowish-light brown clay from Seto or elsewhere. Water Jars like this one were a standard object outside of...