This is a child kimono worn in the Taisho era. As for this, thin silk expresses a pattern in Shibori. Thin cotton is in this for thermal insulation inside. This does not have a stain and damage. The state is very good. Size 78cm x 70cm (30.7 "x 27.5")

Bandori is the local term in the Shonai area for woven straw and indigo fabric back-pads.It is approximately 80+ years of age, dating to the late Meiji Period. Size is 40" long.

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field...

This is a beautiful old Japanese maru obi with the design throughout on front and back. It is the kind of obi that we no longer see them produced. The white area is rich white satin and is whiter than shown in the photos. 12-1/4" wide x 154" long. Early 1900.

A fine embroidery depicting a group of chickens. Embroideries, known as shishu in Japanese, were done on various fabrics and clothing. It was only later during the late 19th century that embroideries were appreciated for their artistic quality and were often framed or mounted on scrolls. The embroidery on the back contains an inscription which reads: Present ( or gift) September of the tenth year of Taisho (1921) (Presented by) the Imperial government of Japan...

Antique Japanese kimono, made of silk and printed with a design of shells decorated with flowers and mist. The large shells float on an intricate design of small chrysanthemums on a purple ground. Beautiful yellow tones with details in burgundy, green, white and black. Lined with white and yellow cotton with sleeves that are lined in red silk.

Taisho Period (early 20th century)

Dimensions: 58" high x 49" wide

Antique Japanese bandori, peasant's woven back pad for carrying heavy loads. Woven of re purposed cotton cloth, this bandori is outfitted with shoulder straps and is folded on the bottom for extra padding. The back pad is made of cotton from two different textile: a brown striped cotton and light blue and white pattern on cotton. A bandori is made specially for the person carrying the load so it is beautifully unique in it's materials and construction...

Indigo dyed cotton wrapping cloth, furoshiki, from late Meiji Era. The family crest stencil dyed (katazome) into the corner is "anzu-botan" (apricot-peony). L.133cm (52.25") x W.130cm (51").

Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of 13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long...

Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.

The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk...

Antique hakama (trousers) worn by a Noh theatre actor. Decorated all over with a design of gold dragons and lattice work on a dark blue ground. Traditional squared form with pleating and wide white cotton ties. These hakama would have been part of the Noh theatre ôguchi (costume).

Age: Taisho Period (early 20th century)

Dimensions: 44" high x 33" wide

Beautiful Kyoto Nishijin silk obi, decorated with flowers, ribbons and mirrors. Gold is genuine and used in two different methods; strips of gilt paper (machine cut) and gold leaf wrapped around the silk threads. Some gold leaf are natually missing from the strips of paper - this did not show up in most photos (see enlargement photo). This obi looks older (clean) than shown in the photos. Circa 1920-1940. Dimensions: 12 3/4" x 170"

Early 1900 Japanese silk fukusa featuring a turtle and a crane. Techniques used to create this wonderful fukusa are sumi-e hand painting, yuzen resist dying, some embroidery, and gold foil couching. On the reverse is red rinzu silk with crane and mons motif. Two original tassels are still intact at the bottom. There is a small cluster of tiny gray spots by the crane, see last photo. Otherwise, in very good condition/excellent, it measures 25” wide x 27” high.

Baby's juban (under kimono) handwoven of hemp whose wefts are hand-plied but warps are machine-spun. It is dyed with benibana (safflower). In good condition. Late 19th to early 20th century. W:33cm, L:62cm

Girl's kimono made of hamp, made in Ohmi region in Shiga prefecture, and it is called Ohmi-jofu. It has kasuri pattern, whose motifs are phoenix, cloud and flower. Warps are machine-spun and wefts are hand-plied. Red cloth inside is silk. Meiji period (1868~1912) In excellent condition. W:97cm, L:107cm

Very nice old Maru Japanese Obi in excellent condition. Neutral colors throughout the delicate weave of repeat scenes of cart

It is Indigo dye silk shibori Pattern of impressive and charming sparrow kimono textile of the Taisho era.As for the change of the color of a white part, the paste which I used for dyeing changed.It has a few thin stains. However, The stain does not stand out.It is no damage. size:150cm x 121cm (59.0" x 47.6")

Thick cotton, Katazome stencil dye, aizome Japanese indigo dye with beni flowers. 70 1/2" x 13". The width changes to 12 1/2 after 39 1/2" where the fabric is torn. One 1/2" round stain (at 20 inches from torn end). Weakened at the seam (visible in some area from reverse side).