This is antique Indigo dye Stripe cotton sashiko boro noragi textile of the Meiji era(1868-1912). It is boro cotton and patchwork of very beautiful indigo dyeing. All this sashiko stitches are made by hand. I can enjoy it with the both sides. It is very rare textile. This is textile made in the japan Seto Inland Sea district.I recommend it to collection of you. size:114cm x 113cm (44.9" x 44.5") Box.G

It is the Katazome cotton cloth which this was made for Edo period and was dyed on the basis of a natural indigo plant. As for this, cotton is spun by hand and is slightly thick. This has three places of repair, but does not stand out. This does not have a stain. Size 117.5cm x 34cm (46.2 “ x 13.8 “)ek1

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time...

This is Folk art boro Leather haori of the indigo dye rare of the Edo era. The change of the color and a leather wrinkle are very charming. It has the change of a stain and the color and a small hole. However, It is a good state. I recommend this to collection of you. size:102cm x 135cm (40.2" x 53.1")

I will recommend this kimono to your antique collection. Japanese antique natural indigo dye silk yuzen Hand drawn dyed & embroidery kimono of the Edo period of Pheasant's couple and flowers pattern. Indigo dye me in the Edo period Silk kimono is very rare. That embroidery is very precise and beautiful, made with advanced technology. There is discoloration on the back, but there is no damage, it is a good condition. The lining of the kimono is red silk in the Edo period. There...

Furoshiki (wrapping cloth) with bold and nice family crest design which are katazome (stencil-resist-dye). It is made of hand-spun cotton and vegetable indigo dyed. In good condition but has two mending patches and a few breaks. 19th century. 130cm x 126cm

This is a Japanese antique indigo dy sakiori noragi hanten of paper, Hemp, cotton. It is an item from the Edo to Meiji era. This item was made in Sado region of Japan. It is a wonderful sakiori noragi haten, which is woven with very finely twisted indigo dye, hemp yarn and paper twist. The rubbing of the thread due to use has a warm touch. And the indigo dye lumps seem to look into the very beautiful sea. It does not stain or damage...

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns...

Japanese antique handspun & natural indigo dyeing cotton shirakage shibori (Tie-dye)kimono meij era(1868-1912). It is rare in the pattern of kemari(japanese ball game) on willow. Kemari (Japanese: kemari) is a ball game that was popular in Japan during the Heian Period. Kemari has been revived in modern times. There are thin stains and small damage...

Antique Japanese light orange chirimen silk kimono, with beautiful floral and linear designs woven in the fabric. It is heavily embroidered with bright and beautiful flowers of many kinds, colorful leaves, twisting striped ribbons in thick gold and silver thread, and shibori accents.The upper interior is lined in white silk. Early 20th century Size: 66" height, 51" width

A beautiful hand painted Uchikake kimono with pine trees and rocks in sumi-e black ink (dye) style, a symbol of winter, New Year and the longevity. The fabric is Shioze silk (thicker than regular silk), not shiney as satin silk. Very well preserved; no stains. It is evenly discolored to a creamy color and still wearable. Circa, late Meiji to early Showa, 1900 to 1940.

Dimensions: 51 inches (sleeve to sleeve) x 71 inches long

This is very rare Shibori Kimono produced in Akita Asamai area for Edo period. This is dyed with a natural indigo plant carefully. As for this, a pattern is Eba-gara. Three carps swim in the water like a brick. In the Hanada-colored ground, three bold carps and waterweeds with the force are expressed in indigo dyeing Shibori. This cotton is spun by hand...

This is a Japanese antique natural indigo dye cotton Excellent with rubbed and faded jacket of Indigo dye boro noragi patched and syonai-sashiko stitch Meiji (1868-1912). This noragi can enjoy both sides. Since this drifting object has been used and washed many times, it rubs well, and the indigo-dyed fading and the rubbing of cotton are very beautiful. Do patchwork and remake it to your favorite Boronoragi and enjoy...

This is a Japanese antique indigo dye cotton Boro noragi old Farmclothes Thick of patched and sashiko stitch Meiji (1868-1912). This noragi can enjoy both sides. size: Length 86cm (33.8inch) sleeve to sleeve126cm (49.6inch)

This a rare yosegire patchwork kimono is original from the Edo period. The safflower-dyed board pattern is cherry blossoms. The safflower dyeing on the sleeves and waist is a pattern of squeezing, butterflies and waves. The hem has a very impressive ichimatsu and goose pattern. Very high tech shibori and stencil dye. All are dyed with natural dyes. There are some stains, but they are not noticeable. There is one small hole. it is in very good condition. Recommended for your collection...

This is a Japanese antique Very rare tstsugaki indigo dye & yuzen dye jyofu big maku textile. It is a very rare item of multicolored Yuzen-colored linen with a mark made in 1824 in the Edo period. The good texture of this wonderful jōfu makes the best use of the good technique of Yuzen dyeing. This is a design of a cherry blossom viewing party, "shichifukujin" (7 gods) get together under cherry blossom trees and enjoy eating and drinking . shichifukujin is a very auspicious and traditi...

There is no visible image of God in the Japanese Shinto religion. For this reason, people naturally find the spirit of God in their surroundings. From the ancient times, God was said to dwell in pine trees and as a result, we find many Meiji fukusa today that are decorated with pine trees. Many of them have their roots in Noh play...

This is Japanese meiji zanshi weave noragi hanten textile. It does not have a stain and damage and is in a very good state.Zanshi, or kuzuito, is cloth that is woven from threads either leftover from home production of yarn making, or from broken threads that were purchased from local commercial weavers. size:92cm x 123cm (36.2" x 48.4")

This is indigo dye fireman's shirushi hanten at the Meiji era.(1870~1910) It is tsutsugaki in the indigo dye cotton. Shirushi hanten of this length is very valuable. It is a very impressive motif. There is a little repair mark. However, the state is very good. It is touch of the cotton of a warm indigo dye. It is a wonderful, beautiful excellent article. Please add to your collection.

Two pairs of fireman's gloves made of cotton and hand-stitched sashiko. Long ones are used but in good condition. Short one look almost new. The second half of the 19th century. Long gloves L:40cm, W:17cm. Short gloves L:24cm, W:14cm

This is Nobori-Paper used in a house in the Edo era. The pattern of this Nobori-Paper is Shoki. Shoki is an old Chinese soldier. This is made with paper. The rim of this Nobori-Paper is protected in hemp thread.� This is hardly left now. Most of left flags are textiles. This has many stains, damage, but there is value for a document very much. Size 223cmx 116cm (87.7 �g x 45.6 �g))

This is Japanese Antique Indigo dye shirushi Hanten coat Maiji. It is thick indigo dye cotton. The lining is very good katazome.It is a hand-spun cotton that is very soft to the touch. It is indigo of nature. It is an impressive motif. There is a little stain. However, there is no damage. The family crest on the back is patchwork.It is very good. Please enjoy putting on the shirushi hanten coat. size:length 88cm (34.6inch) / Cuff to cuff, across the back: 117cm ( 46.1inch)

This is traditional Bugaku- clothes of the Edo era. This is the form that is traditional in silk twill fabrics. It has two extremely small holes. There are no stain and damage. The pattern is Ganryo- dyeing. It can be hardly exhibited at the market. Size 193cm x 186cm (75.9 "x 73.2")

This is a child kimono worn in the Taisho era. As for this, thin silk expresses a pattern in Shibori. Thin cotton is in this for thermal insulation inside. This does not have a stain and damage. The state is very good. Size 78cm x 70cm (30.7 "x 27.5")

Japanese antique natural indigo dye hand-spun Thick hemp long Roll katazome. is no damage and it is in very good condition. Size: Length:964cm / 379.52inches Width: 34cm / 13.3inches

It is a Japanese antique komebukuro bag. It is a komebukuro bag sewn together with indigo dye Omi Kasuri jyoufu and European chintz. It does not stain and has two small holes. There is damage on the bottom.The inside has light stains from aging. 　　 size:: Length 22cm / 8.66inch Width 42cm / 16.5cm

This is Rikushakukanban-kimono used in the Tohoku district for Edo period. This is dyed with the natural indigo plant which thick hemp has good. The cannabis fiber is spun by hand in this respect. As for this, a big folding fan and rope are expressed in Tsutsugaki. And the rope expressed in Tsutsugaki is active fantastically. A big folding fan and the active rope are very impressive...

Antique Japanese tsutsugaki (paste resist) cotton horse cover, bold design of large red characters on either side and white stripes on dark indigo ground in center.

Meiji Period (1868-1912)

Size: 14" wide x 89" long

This is the one in the of Edo period. (1800-1867) wonderful textile of very valuable museum class. The lotus flower represents the Pure Land. Tsutsugaki textile of museum class Rare It used it in the buddhist temple at the ceremony. Please look at the leaf of the lotus. The expression of the technology of the shadow is very wonderful. Tsutsugaki to make good use of this advanced exact technology is very rare. Please look at the cloud. The technology of this expression is a feature ...

This is aya-Weave nishijin textile silk Bag of treasure in Edo period(1603-1867). It is very rare. There is rubbing in the part of the string. However, it is very good. It is beautiful aya-weave nishijin textile. There is a husk of cotton and the paddy in the inside. It recommends it for your collection. size:20cm x 19cm (7.87" x 7.48")

This is shirushi hanten jacket of very rare indigo dye cotton in Edo period.It can be worn. It is shirushi hanten of the buddhist temple in Kyoto. The motif of the back and the chest is very impressive. There is a little stain. There is one pinhole. However, it doesn't stand out. The state is very good in thick cotton. Warm touch of the indigo dye cotton in Edo period is wonderful. I must feel it for the hand. It recommends it for your collection. size:length：91cm(35.8inch) ...

Fireman's hat with hand-stitched sashiko (quilting). The outside cloth is dyed with vegetable indigo and the lining is dyed with natural brown. Two belts are recycled from old cotton cloth with katazome. In good condition. Meiji period (1868～1912). W:33cm, L:55cm

This is boro sashiko noragi hanten textile at Meiji era (1868-1912). It is very nice touch of the indigo dye cotton. It is very charming. The indigo dye of hemp has adhered back. It is exactly a work of art. Size:94cm/37"x 86cm/33.9"

Cotton futonji with tsutsugaki tsuzumi (hand drums) and cherry blossom design, which is made of hand-spun cotton and vegetable indigo dye. The cherry blossoms look "shidare-sakura", weeping cherry. Meiji period (1868~1912). In excellent condition, no hole or no stain. W:130cm, L:144cm

Asa (hemp) cloth with tsutsugaki shrimp which is an auspicious motif. It symbolizes longevity showing that one can live long till having the waist bended. It is made of asa (hemp) and the wefts and warps are hand-plied. It is colored with pigments. 19th century. In good condition but has some wear, stains and indigo color faded parts. 90cm x 65cm

A bag made of asa (hemp) and dyed with kakishibu (persimmon tannin). Warp and weft are hand-plied. It has and cotton lining. Late 19th to early 20th century. 27cm x 60cm