This is a antique wonderful boro noragi sashiko stitch Indigo dyed navy blue cotton . All stitching of the sashiko stitch for reinforcement and repair is handmade and beautifully designed. Size: :Length:66cm (25.9 ")　　Back width :55cm (21.6")

Antique Japanese woven ikat egasuri futon cover, made of a lovely indigo/navy fabric, with imagery of kiri (pauownia) leaves and squared target designs in a plaid formation. Shown folded haba style. ( Ikat patterns are woven not printed). Taisho period (1912-1925) Total size: 57" x 49"

Sample book of fragments which are mostly hand-spun cotton with katazome (stencil-resist-dye) and also has ramie and hemp with kasuri pattern and bashofu with katazome. It has about 80 different fragments. In good condition. The second half of the 19th century. 8cm x 24cm x 3cm

Antique Yogi (Japanese futon bed cover), hand drawn in Tsutsugaki paste resist dye with an auspicious design of a phoenix (ho-o) bird and paulownia tree. The family mon (crest) is a wild goose. Meiji Period (1868-1912). Approximately 59" wide x 74 1/4" long.

The phoenix is a mythological bird known to appear during times of peace and prosperity. It symbolizes immortality, resurrection, and life after death. Its appearance is said to resemble a heron, eagle, and peacock...

Antique Japanese izumi fabric with hand dyed indigo. Hand woven cotton fabric with katazome repeating designs of cranes and floral patterns. Meiji Period (1868 - 1912) Size: 72" L x 65" W

This is antique old nature hemp and boro rag tatterd sahiko Stitch textile rare of the meiji era(1868-1911). It is very beautiful Slightly stiff boro textile. It can enjoy both sides. size:length 46cm (18.1inch) 　width:46cm (18.1inch)

This is Rikushakukanban-kimono used in the Tohoku district for Edo period. This is dyed with the natural indigo plant which thick hemp has good. The cannabis fiber is spun by hand in this respect. As for this, a big folding fan and rope are expressed in Tsutsugaki. And the rope expressed in Tsutsugaki is active fantastically. A big folding fan and the active rope are very impressive. There is not such a bold design elsewhere. This does not have a stain and a wound. The state is very good...

It is antique hand-spun and natural indigo dyed cross stripes cotton yogi kimono.It is a very good condition.It does not have a stain and the damage.cross stripesSlightly thick kimono yogi. size:Length 173cm (68.1") Width of the shoulder 78cm(30.7") sleeve to sleeve 153cm (60.2")

This is a Japanese antique big boro fabric of natural indigo dye stripes cotton patched boro Material fabric . It has become a boro work of art and is very beautiful. Although it is large in size, it is not heavy. Size::Length::217cm (85.4inch) Width:: 117cm ( 46inch)

A gorgeous Japanese framed silk hand-embroidered fukusa (gift-wrapping or tea ceremony cover), with the image of Jurojin, one of the Seven Lucky Gods. He holds his attributes, a staff and a fan. A crane, tortoise, and a deer accompany him, all of which are symbols for longevity. The detailing is very careful and breathtaking such as the glass eyes of the crane and deer...

This is antique Indigo dye Stripe cotton sashiko boro noragi textile of the Meiji era(1868-1912). It is boro cotton and patchwork of very beautiful indigo dyeing. All this sashiko stitches are made by hand. I can enjoy it with the both sides. It is very rare textile. This is textile made in the japan Seto Inland Sea district.I recommend it to collection of you. size:114cm x 113cm (44.9" x 44.5") Box.G

This is a Jinbaori (sleeveless campaign jacket worn over armor) made with kuzu cloth used by the precious natural cloth of the Edo period, the top of the samurai. The family crest is hidari - hitotsu - myoga no marumon. It is an item of the original Edo period. There are thin dirt and slight damage. I think that the weft is kuzu cloth and the warp is hemp or Kuzuu. Because it was used in the Edo period, it seems that silver foil was applied on the Japanese paper around the sleeve, but...

This is Japanese antique rare Edo era yuzen dye Hand-painted dye and Hand embroidery kimono. It is a gorgeous and beautiful kimono with an excellent design of dahlia, chrysanthemums, nadeshiko, running water, roses, and hagi flowers. There is a fading discoloration in the flower pattern over time...

This is a Japanese antique Edo Period of habutae-silk kaga-noren of Mount Fuji and the seaside landscape(miho no matubara). High quality hand-yuzen dyed Kaga Noren. With indigo and gray hand-drawn dyeing, it expresses an elegant and beautiful landscape. This kaga-noren is a very rare design and I think it was made by a special order by a wealthy merchant. It has a light stain but no damage and is in very good condition.This color of Yuzen dyeing is very well preserved. kaga-noren is made of...

This is a Japanese Nishijin obi made in exceptionally high quality. The obi is old but almost in perfect condition. It is beautiful to look at even without using a magnifying glass. The soft colors have an earth tone and the use of the dyed threads tells us that this is a superior work of Kyoto Nishijin. The scenery is of the mountains of Kyoto but if you look closely, you might notice that there is a foreign look to some of the structures. The size of each structure is 1" to 2.5"...

This is a Japanese antique silk Shiny striped weave from Edo to Meiji period child kimono. Hand embroidered luxurious and beautiful semamori (amulet) is attached. It is an antique kimono which was kept carefully. I recommend you to your collection. It has the no stain damage. It is a very Excellent condition. size: Length:93cm / 36.6inch Cuff to cuff:85cm /33.4inch

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. It has a peaceful, ordinary outside view seen through an elegant blind (shown at the top) and a silk room divider (left side) which are both remainders of the Heian Court (794-1160). Cranes and plums represent longevity, harmony and women’s beauty along with their strength...

Cotton Kurume kasuri futonji with a castle motif. Kurume in Fukuoka Pref. in Kyushu has been one of the main product places of indigo dyed cotton kasuri since late Edo period (early 19th century). It is made of hand-spun cotton that means probably it was made before Meiji 15 (1882) and vegetable indigo dyed. In excellent condition except for minor brown stains only in the back. It has white cotton belt for hanging in the back. The second half of th 19th century. 129cm x 158cm

This hemp Kyogen costumes hakama was used by Kyogen actors in the Edo period(1800-1867). The light green color is dyed by mixing natural bark and indigo dye.It's a very natural and beautiful color. This hemp is hand spun. Round flowers and maple patterns are impressive. This one has some wear and tear due to age. There are several small holes here. Recommended for antique textile collections. Size :: Length:98cm (38.5inch) / wide bottom::75cm (29.5inch)

This is Chuya-Obi used for Edo period. In Chuya-Obi, one side is twill fabrics, and other aspects are black satin. As for this, the basics of twill fabrics are dyed with a natural indigo plant. And a thread dyed with other plant dye is interwoven. The black satin side has 2.3 places of split points. The twill fabrics side has some stains, but does not stand out. There is no damage on the plane of twill fabrics. Size 384cmx 32.5cm (151.8 "x 12.7")

This is cotton Haori used in Kyoto for Edo period. As for this, the surface side is a stripe pattern, and the inside is Katazome- dyeing. The inside Katazome dyeing is a design of the grain of wood. As for this, cotton is spun by hand and is thick. In the upper part of the sleeve right as for this 4cm (there is a tear of 1.5 “).) And there is a tear of 10cm (3.9 ") in the upper part of the left sleeve. There is not the stain damage elsewhere...

Maekake, apron made of Ohmi jofu, which is asa (hemp) with kasuri pattern. Weft kasuri yarns are board-clamp dye, so that both selvedges have bar-code like white lines. All hand-sewn and in excellent condition. It has red cotton belts. Late 19th to early 20th century. W:49cm, L:73cm

This is a japanese antique tsutsugaki Indigo dye cotton thick noren textile of Edo period. This is Tsutsugaki Noren dyed with natural indigo used in merchant houses in the Shonai region during the Edo period.It is drawn with a very bold and beautiful composition.In the past, cherry blossoms represent "richness" for wishing for a good harvest, and "prosperity" because many flowers bloom all at once. Fans are said to be "spreading toward the end," and their spreading shape has long been treated ...

This is Tsutsugaki Noren used in the rich merchant's family of the Shonai, Yamagata district for Edo period. It is a characteristic of Edo period that a motif has dynamism...

Antique Japanese hand-woven indigo cotton fabric, with paste resist Japanese characters in two corners, white thread sashiko stitch patterns of geometric diamonds and fan shapes, white stitched edges, white fabric with grey calligraphy sewn into center of underside with darker indigo patch. Size: 60" x 53"

Fukusa, Japanese Gift Cover, Pine, Bamboo and Plums on Fans: This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is held prior to a wedding. This is an elegant old satin silk Fukusa in excellent condition. It is not as shiny as it looks in photos. The lining is an old, red (light red color, not orange as it appears in some photos) crepe silk with padding on the rims. Exceptionally beautiful work of embroidery and silver couc...

This is Tsutsugaki Yogi of the indigo dyeing tea service set of the Edo era. The cotton is spun by hand and is very thick. A color of the cloth is deep green. The green dyeing needs a technique higher than the dyeing only for indigo plants. Therefore it is a color required to the item of the upper class. And this was drawn in a good balance in very powerful Tsutsubiki. As for this, an instrument is expressed three-dimensionally. This bold picture and design were able to be produced only by Tsu...

Old Kyoto Nishijin obi. This obi is one of the 5 favorite obis from my collection - we have over 200 obis. It is almost impossible to find a obi like this today. The owner of the store in Tokyo where this obi was purchased once said that single good obi was coming out from one household when they go out knocking on the doors in the old town. The store had gone through changes since and no longer carries antique textiles. The designs of this obi are ancient Chinese mirrors, which covers f...

Furoshiki (wrapping cloth) with bold and nice family crest design which are katazome (stencil-resist-dye). It is made of hand-spun cotton and vegetable indigo dyed. In good condition but has two mending patches and a few breaks. 19th century. 130cm x 126cm

Antique Japanese Fukusa (gift cover), an old Chinese koto player by a waterfall. Embroidered on silk satin, lined with soft crepe silk, circa 1800s. 27 1/2" x 30 1/2"

A large cloud moves in and stirs the air in the forest. Water falls to the river as if it were falling from the sky and ripples it to shore. The resonance of the koto breaks the silence of the forest. The design on this fukusa is likely to have come from one of the old Chinese poems. This Chinese man can be Lin Bu (967...

This is Japanese vintage indigo dye cotton and kasuri ikat sashiko boro noragi Thick jcaket of It is a big noragi. There are finely detailed fine stitch sewing by hand. It can enjoy both sides. Although there are slight dirt, discoloration over many years, it is not noticeable It has no damage. They are not disturbing, and as a whole it is in very good condition. noragi jackat can be worn wearing easily like a light jacket or cardigan according to clothes such as shirts and blouses, ...

This is cotton Furosiki used in Kyoto in the Edo era. It is thick, and this is good cotton of a good texture . This is dyed with an artistic portrait of a lion and Katazome of the peony pattern and a brown plain fabric. There is small holes and damage ,thin stains. However, the condition is good generally. Size: Length:99cm (38.9inch) / Width:106cm (41.7inch)

Two Kome-bukuro (rice bag) made of cotton fragments which are hand-spun and vegetable indigo dye. They are stripes, kasuri and fine katazome (stencil-resist dye). Both have writing with sumi, Echizenya, the shop's name and "Hane" which is located in Shimane prefecture facing to the Japan Sea. Kome-bukuro was used when people dedicated rice or grains to temples or shrines. Both are in excellent condition, bags and strings. 19th to early 20th century. Large one:31cm x 27cm, Small one:23cm x 27cm

This is a child kimono worn in the Taisho era. As for this, thin silk expresses a pattern in Shibori. Thin cotton is in this for thermal insulation inside. This does not have a stain and damage. The state is very good. Size 78cm x 70cm (30.7 "x 27.5")

Furoshiki, wrapping cloth, of indigo dyed (aizome) cotton. Two corners display a "kiri" (paulownia) crest, and there is karakusa scrolling around the entire border, stenciled dyed (katazome.) Ca. late Meiji Era (1868-1912). L.142cm (56") x W.132cm (52").

This is Edo period silk kinran, elephant and seahorse kaicyumono. What is kaicyumono (things in your pocket or pocket, especially wallets and paper cases) It's a very rare image pattern, and the metal fittings are auspicious seahorses. The silk cloth inside is kaiki. The child's gold is very gorgeous and beautiful. Seahorses have the meaning of wishing for the prosperity of their descendants and are very auspicious.There is very little rubbing on the corners, There is a slight stain on the ...