This is a Jaoanese antique edo (1863) silk tyosennishiki uchishiki textile.There is discoloration and damage due to slight rubbing.They are not disturbing, and as a whole it is in very good condition. Size: Length 128 cm (50.3inch) Width 182 cm (71.6inch)

Noren made of hand-spun cotton and vegetable dyed (probably kakishibu) and all hand-sewn. It has "Yotsume" family crest. In excellent condition. The second half of the 19th century. 122cm x 126cm

Kappa (cape) which was called "hikimawashi" or "maru-gappa" in old days. It is made of cotton with warp kasuri checker board pattern on one side and cotton stripes on the other side. It was worn on the occasion of travel over kimono. It has wool collar, probably imported. The word "kappa" came from Portuguese "capa". The Portuguese first came to Japan in 17th century. This collar also shows the influence of the western fashion design. The second half of the 19th century. Partly sewn by machine...

Pilgrim's sodenashi made of hand-spun cotton with writhings which are the name of the pilgrim, the year (Meiji 5, 1871) etc. The places of pilgrimage is Saigoku Sanju-Sansho (33 holy places in the west) which are for worship of Kannon and the oldest places of pilgrimage. Those are located in Kyoto, Osaka, Gifu, Hyogo, Nara, Shiga and Wakayama. The cloth in the back is also hand-spun cotton and vegetable indigo dye. In excellent condition. 45cm x 57cm

This is a Japanese anrique natural Dyed with vegetable dye beautiful hand embroidery kakesita obi of Mid-Edo period(1780-1800). There are a lot of thin stains over time. There is no damage. They are not disturbing, and as a whole it is in very good condition. Size:Length:348cm / 137inch Width:: 55cm / 21.6inch

This is a Japanese antique edo era silk tsutsugaki natural indigo dye yuzendye fukusa textile of (iseebi)Lobster and wave pattern. Ise Lobster was drawn very precisely. It is a tsutsugaki dye and Yuzen dyeing of hand-drawn dyeing There is a slight pale discoloration. There is a small hole in the lining safflower-dyed silk. They are not disturbing, and as a whole it is in very good condition. Size:Length:47.5cm / 18.7inch Width:: 47.5cm / 18.7inch

Cotton Kurume kasuri futonji with a castle motif. Kurume in Fukuoka Pref. in Kyushu has been one of the main product places of indigo dyed cotton kasuri since late Edo period (early 19th century). It is made of hand-spun cotton that means probably it was made before Meiji 15 (1882) and vegetable indigo dyed. In excellent condition except for minor brown stains only in the back. It has white cotton belt for hanging in the back. The second half of th 19th century. 129cm x 158cm

Cotton futonji with katazome (stencil-resist-dye) whose motif is paulownia flower but the design looks more western painting rather than traditionl katazome paulownia flower. Made of hand-spun cotton and dyed with vegetable indigo and partly sumi (ink) is used in the plant. Generally in good condition but has some mending patches and slightly indigo faded panels. Also, washed but still has some light stains. Late 19th to early 20th century. 124cm x 142cm

Amazing boro cloth which is one side of body part of noragi (farm wear). The ground cloth as well as mending patches are hand-spun cotton and vegetable indigo dyed. Sashiko thread is also indigo dyed cotton. Asa (hemp) thread is seen in the side seam and that means it is rather old. The second half of the 19th century. 32cm x 184cm

This is a Japanese antique Hemp kasuri child kimono. It has a thin slight stain. But that doesn't stand out. It has no damage and is in very good condition. I would recommend it to your collection. Size:Length:90cm / 35.4inch Cuff to cuff, across the back: 102cm / 40.１inch

Oshi-e, litterally "pressed picture" which is made of fragments of antique European print and Japanese silk and the motif is a civilian man in Edo period. The history of Oshi-e date back to Heian period, found in Shosoin Treasures (around 10th century) It was very popular toy in Edo period with motif of Kabuki Theatre actors. The ground paper is "Itame-gami" which is ten layers of washi and has thin cotton lining so that it looks like a shallow relief. In good condition...

Oshi-e, litterally "pressed picture" which is made of fragments of antique European prints and the motif is a young woman in Edo period. The history of Oshi-e date back to Heian period, found in Shosoin Treasures (around 10th century) It was very popular toy in Edo period with motif of Kabuki Theatre actors. The ground paper is "Itame-gami" which is ten layers of washi and has thin cotton lining so that it looks like a shallow relief...

Sodenashi (vest) made of silk crepe fragments which are: katazome (stencil-resist-dye), stripes with yama-mayu (wild silk), itajime (clamp-board dye), plain etc. All vegetable dye such as indigo, benibana (safflower), shikon (root of purple grass). In excellent condition. The second half of the 19th century. 37cm x 57cm

Shima-cho, a sample book of cotton stripes and checks (check pattern was also called "shima" before. Some has both stripes and kasuri. Mostly vegetable indigo dyed but some of colored warps are chemical and some fragments are machine woven. 40 pages with 613 fragments. In excellent condition. Meiji (1868~1912) 24.5cm x 18.5cm x 2.5cm

Shima-cho, a sample book of cotton stripes. It has more than 600 fragments, mostly hand-spun and vegetable dye but some warps are chemical dye and also some fragments have silk threads. The second half of the 19th century. In good condition but some fragments are mildewy. 38 pages. 18.5cm x 13cm x 2cm

This is a Japanese antique silk Shiny striped weave from Edo to Meiji period child kimono. Hand embroidered luxurious and beautiful semamori (amulet) is attached. It is an antique kimono which was kept carefully. I recommend you to your collection. It has the no stain damage. It is a very Excellent condition. size: Length:93cm / 36.6inch Cuff to cuff:85cm /33.4inch

This is a children's kimono used in Kyoto during the Edo period. This is depicted in Tsutsugaki. This is exactly the bold expression only Tsutsugaki has. It is the carps, waves and rocks, movements are boldly expressed in Tsutsugaki. It is a three-dimensional expression. It has a sharp color. This is expressed in high quality natural indigo and is impressive. It has four pinholes and a few slight stains, but it does not stand out. Size length 92 cm 36.2 inch width 88 cm 34.6 inch

This is the Noren used at the ship merchant's house on the Japan Sea side of the Edo Period. It has Mount Fuji, a merchant ship and a family crest. The merchant ship is stylized. This is dyed with indigo. This is Tsutsugaki cotton. There are two small holes, but they are not outstanding. There is a place where a thread came off a little. The back is fading. Size 160cm x 150cm (62.9 "x 59") cace G

Girl's ceremonial kimono with hand-painted auspicious motifs such as plum tree with flowers, pine trees and bamboos. It is made of asa (taima or choma, hemp or ramie) and both wefts and warps are hand-plied. It has a charm with silk threads in the back. The second half of the 19th century. In excellent condition except for minor wear in the white lining in the wrist. 69cm x 75cm

Kappa (cape) made of cotton kasuri on both sides which are hand-spun and natural indigo dyed. It is called "maru-gappa" or "hiki-mawashi" in old days. It was worn on the occasion of travel over kimono. It has washi (Japanese handmade paper) between two cotton cloth which is washed out and soft. The word "kappa" came from Portuguese "capa". The Portuguese first came to Japan in 17th century. The piping　is made of handwoven hemp. Generally in good condition but has some holes and wear in cords...

Very large furoshiki with many mending patches which are all original and beautifully done. It is made of hand-spun cotton and vegetable indigo dyed, ground cloth as well as mending patches. In good condition. The second half of the 19th to early 20th century. 164cm x 164cm

I will recommend this kimono to your antique collection. Japanese antique natural indigo dye silk yuzen Hand drawn dyed & embroidery kimono of the Edo period of Pheasant's couple and flowers pattern. Indigo dye me in the Edo period Silk kimono is very rare. That embroidery is very precise and beautiful, made with advanced technology. There is discoloration on the back, but there is no damage, it is a good condition. The lining of the kimono is red silk in the Edo period. There...

Wa-sarasa futonji made of cotton and dyed with pigments. Wa-sarasa is Japanese calico which is first made in Edo period immitating calico from abroad and stencil-resit dye or woodblock print. The product places were Nabeshima (Saga Pref. in Kyushu), Sakai (Osaka), Nagasaki (Kyushu) etc, however it is not clear where this futonji was made. In excellent condition. The latter half of the 19th century. 130cm x 168cm

Baby's ceremonial kimono made of machine woven cotton with hand-painting with motif of noble people. It has se-mamori (charm) with silk thread. The diagonal stitches to the left means it is boy's kimono ( to the right is girl's ). In old days, it is believed that evils come from back and a baby is vulnerable without seam in the back, so se-mamori is put. In good condition but a bit dusty from aging. Dry cleaning only. Late 19th to early 20th century. 62cm x 76cm

The old Edo to the Meiji hem pattern silk yuzen dye kimono: It is a pattern of scenery of sparrows in the snow during bamboo digging and bamboo. It has very slight stain , but it is hardly noticeable...

Cotton Kurume kasuri futonji with bold kasuri with asagi (light blue). Kurume in Fukuoka Pref. in Kyushu has been one of the main product places of indigo dyed cotton kasuri since late Edo period (early 19th century). It is made of hand-spun cotton and vegetable indigo dyed. Late 19th to early 20th century. In excellent condition. 134cm x 150cm

This is Japanese antique Edo Period (1800-1857)Hand drawn dyed of yuzen dye & Hand embroidery Excellent silk fukusa textile. Its design, Yuzen dyeing and embroidery techniques show the characteristics made in the Edo period. Although it has a slight stain, there is no damage, it is a very good condition. I will recommend this item to your collection. And it can be decorated easily on the wall. size: Length 52.5cm / 20.6inch width 46cm / 18.1inch

Kaji-banten worn by a fireman (fire-fighter) with all hand-stitched sashiko. It has katazome (stencil-resist-dye) "gissha", wheels of a cow carriage motif. It has rather rare green lining. In excellent condition except for some wear and rips in the lower front. 19th century. 126cm x 122cm

Japanese antique handspun & natural indigo dyeing cotton shirakage shibori (Tie-dye)kimono meij era(1868-1912). It is rare in the pattern of kemari(japanese ball game) on willow. Kemari (Japanese: kemari) is a ball game that was popular in Japan during the Heian Period. Kemari has been revived in modern times. There are thin stains and small damage...

Japanese antique amazing silk furisode Hand drawn dyed kimono meij-taisyo era(1900-1926).It is auspicious, wedding costume design like great art.It has the same pattern around the hem of the lining.It has a few thin stain. But it is not outstanding...

A finely embroidered silk River or Lakeside Landscape made in Japan for export during the late 19th or early 20th Century. This item was framed in the UK by Boots the Chemist's, circa 1910 - 1925 Condition: excellent. Frame: 37cm (14.5 inches) wide;29.3cm (11.5 inches) high.

Thick shima-cho, a sample book of cortton shima (stripes) with about 870 fragments. The age is written on the cover "Meiji 3 (1870), however the age of the fragments range from very late Edo (mid 19th century) to Taisho (1920s). The first 770 fragments are late Edo and Meiji (the second half of the 19th century) and the second 101 fragments are woven in Taisho period (1912~1925). In excellent condition. 16cm x 21cm x 5cm

This is Fukusa used in Kyoto for Edo period. It is very beautiful fukusa.This has a line of delicate Tsutsugaki and embroidery and a delicate sumi painting. This is produced by a bold design. This has a few stains, but does not stand out.However, there is no damage.They are not disturbing, and as a whole it is in very good condition. Size:Length 49cm (19.2inch) Width 52cm (20.4inch)

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867).It is the pattern that is impressive with a dragon and the boldness of the sword. It is a very high technique. And there is sashiko stitch on the entire surface by hand. As for it, length is longish with 116cm. The lining is indigo dyeing. Textile is thick cotton with wonderful atmosphere of the era. I recommend it to collection of you...

This is Egata used for the Taisho era period. As for this, a ramie spun by hand is used. This is drawn in Tsutsugaki. This is a natural indigo plant, and both sides are dyed. Egata dyed only by indigo dyeing in Okinawa dyeing and weaving is rare. This does not have stain damage at all. The state is good. Size 115cm x 115cm (45.2 "x 45.2")

Japanese antique shiko & benibana-dye itajime(katazome) silk child kimono yosegire(patched) edo era(1800-1867).It is shiko & benibana-dyeing of natural.It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length 104cm (24.9inch) sleeve to sleeve 96cm (37.7inch)

Futonji made of hand-spun cotton with tsutsugaki orizuru (origami crane) motif and dyed with natural indigo. It has green color lining which is also hand-spun cotton and dyed with natural indigo and yellow color. In excellent condition except for a hole near hem in the indigo cover, indigo faded parts and some holes in the green lining. Late 19th to early 20th century. 158cm x 188cm

This is Tsutsugaki Yogi having the biggest lobster for Edo period. The bold lobster pattern of Edo period has three-dimensional movement of Edo period. As for this, the lobster which was greatly drawn on the good-quality Hanada-colored basic center is impressive at all. You can know the characteristic of three-dimensional movement of Tsutsugaki immediately for Edo period by watching this item. As for this, cotton is spun by hand and has a good texture. This was used in a very rich merchant's fam...

This is Yogi used in a rich merchant's family of Akita for Edo period. This is drawn in good-quality Tsutsugaki. As for this, a Chinese phoenix drawn boldly is very impressive. It is very elegant. As for this, cotton is spun by hand and is thick. As for this, cotton cloth of the lining is dyed into deep green. Good-quality Tsutsugaki often uses it to lining. This does not have a stain and damage. The state is good. Size 182cm x 172cm (71 "x 67.7")

This is indigo dyeing cotton Tsutsugaki Futon- cover used in a rich merchant's family for the Meiji period. As for this, cotton is spun by hand precisely. As for this, a pattern is Tabanenosi and a family coat of arms. As for this, Tabanenosi is expressed like Kuwagata Maedate of Samurai Kabuto. And Kuwagata Maedate of Samurai surrounds a family coat of arms. This seems to express a family in succession to a pride of Samurai. This is very rare Tabanenosi pattern in a merchant's family after the ...

Important Antique Japanese Buddhist Pilgrim's coat. Buddhist monks would embark on a pilgrimage to travel temple to temple. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here.

Very rare to find one with so many locations marked and visited. Condition is very good origin...

This is Noragi used in Shiga area for the Meiji period. The trace which this is a white thread, and was repaired many times is very impressive. As for this, good expression was left by calm good work. This was left until the present age without being canceled. This has approved beauty by the family from generation to generation. 86cm x 118cm (33.8 "x 46.4")

A beautiful framed work of art, Japanese silk embroidery panel of a pair of Japanese Chin puppies playing with a tasseled floral ball. The imagery is reminiscent of fu dogs, in which the ball represents rule over the world. Hand-embroidered in gorgeously stunning condition, with very high-end and tasteful framework. Late Meiji period (1868-1912)

Provenance: Early Warren Imports collection

Size: (entire frame) 34.5" L x 30" H (artwork only) 23.25" L x 18.5" H

This is Yogi which a rich merchant used in a district for Edo period. As for this, good-quality Tumugi-Silk is used. This is dyed by Yuzen- dyeing. As for this, brown is used for a basic color. The brown items were popular in the big city for Edo period. As for this, the shading off which is one of the technique of the Yuzen dyeing is very impressive. The shading off expresses the three-dimensional impression of the pattern. This has slight fading on a shoulder. This has several places of small ...

Antique Japanese set of two silk woven panels depicting cranes flying overhead a motif of crashing ocean waves below, with gold thread accenting, on a background of blue green.

Size: (top panel) 50" x 18" (bottom panel) 50.5" x 25.5"

Antique Japanese theater robe, hand-embroidered with intricate motifs of ocean waves and flames. The central image is of a large embroidered dragon with glass eyes, swimming in the ocean waves, with Mount Fuji across the shoulders. The interior is lined in solid light orange fabric with floral print towards the bottom. Mid Meiji period (1868 - 1912)

Size: 50" L x 74" H

Tall Japanese Boy's Day banner depicting 3 samurai on horseback. Wonderfully dramatic scene with swords drawn and crashing waves on a black ground. Bright colors in paste resist dye on cotton. The top of the banner is decorated with a wood sorrel (katabami) mon. Taisho Period. Size: 23 1/2 feet high x 33 inches wide.

Antique Japanese coat made of hand-woven cotton indigo fabric. Hand-dyed with paste resist patterns of Japanese characters and a fan design on the back. Originally used and worn by a ship worker. Original condition. Meiji Period (1868 - 1912) Size: 48" L x 32" H

Japanese cotton coat, hand-dyed indigo and red with paste resist patterns of waves and Japanese characters. Beautifully hand-woven. Original Condition. Meiji Period (1868 - 1912) Size: 48" L x 32" H

Antique Japanese asa (hemp) woven vest with a beautiful paste resist pattern of swimming koi fish and waves sewn over a hand painted scene of reeds. Beautiful and charming with its original condition. Edo Period (circa early 1800's). Size: 31.5" H x 23.5"

Antique Japanese Buddhist Pilgrim's coat. Buddhist monks associated with the teachings of Kukai (or Kobo Daishi) would embark on a pilgrimage to visit the 88 temples on the island of Shikoku. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here. There are many unique stamps on this...

Antique Japanese izumi fabric with hand dyed indigo. Hand woven cotton fabric with katazome repeating designs of cranes and floral patterns. Meiji Period (1868 - 1912) Size: 72" L x 65" W

This is an amazing boro futon cover made of almost countless fragments which are hand-spun and natural indigo dyed cotton(katazome and shibori (Tie-dye) From Edo to Meiji era.In this boro, patched does a piece with a thick hemp thread and indigo dyed cotton thread of the Edo era.The stain & damage & discoloration used for a long time are very charming for that.It can enjoy both sides. size:Length 146cm (57.4inch) Width 90cm (35.4inch)

Antique Japanese Aizome Futon Cover, made of cotton in four panels. Dyed a deep indigo with a paste resist repeating pattern of New Year bundles and persimmon branches. Meiji/Taisho Period. Size: 63" high x 50 1/4" wide

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867). A fight of kawanakajima is a design. It is a very high technique. A samurai (takeda shingen and uesugi kenshin) and a horse are drawn and are also the uplifting feeling and the excitement which seem to begin to move shortly. And there is sashiko stitch on the entire surface by hand. As for it, length is longish with 92cm. There are no stain...

Charming Antique Japanese kimono with simple but bold designs in navy and light blue dyes of vertical striations, enso designs and sickles. Late Meiji/Early Taisho period. Size: 60" H x 51" W

Japanese antique old colorful Slightly thin cotton Patched boro big futon cover.It is sashiko- stitch for repair by hand.size:Length 165cm (64.9inch) Width 162cm (63.7inch)

This is the clothes which a fire fighter of Edo period wore inside of Sashiko Hanten. This is the very rare item which the person of waterfall ascetic practices was drawn on to a back in Tsutsugaki. This picture does one of the famous programs of Kabuki in a motif. The cotton is spun by hand. And it is slightly thick. This has several places of fading and tears. This has small damage on a collar and a shoulder. However, I do not feel the state. Size 67cm x 90cm (26.3 "x 35.4")

This is a child kimono of the Tohoku district of Edo period. This is Tsutsugaki where a face is very sharp. And it is very impressive with lining dyed in Akane. Generally, the dyeing madder-red was said to have been cut off early in the Edo era, but the dyeing madder-red was slightly handed down in the Hanawa area of the Akita area. And this lining was left. This cotton is spun by hand very much by Folky. This is original form. As for this, a face is upper Tsutsugaki. And natural madder without ...

This is Kagura-screen used in Kanto area for the Meiji period(1895). As for this, cotton spun by hand is used. This is a pattern very happy that a crane flies over the sea glistening with the morning sun. As for this, Tsutsugaki where a crane flies boldly in the morning sun is impressive. This has damage and a stain of the aging in several places. And there are several places of small repair traces. And it is in an in total regular state. This was released by big Tsutsugaki collector of Tokyo. ...