Early edition Japanese Edo period woodblock print titled “Snowfall at Shimasaku in Iki Province." The image is No. 68 from the series “Views of Famous Places in the Sixty-odd Provinces” by Utagawa Hiroshige (1797-1858) dated 1856. Signed within a red cartouche at the left. The title and subtitle cartouches are at the upper right. The seal of the publisher Koshimuraya Heisuke is at the lower right. This is one of Hiroshige's most sought-after snow scenes with a bokashi cloud in the sky...

Shini-e (memorial portrait) of three individuals, including their names and dates of death, issued ca. 1860.

Very good impression and color, light soiling and wear, small loss to upper-right corner, upper corners reinforced, two very small holes in right side, not backed.

Oban tate-e: 9 ½ x 13 ½ in.

This is a strong, first edition, first state woodblock print,1849-1850, with clear lines and strong colors.The visible part of the image itself measures 9-1/2" X 14". Examples can be found in the British Museum as well as the Tokyo Museum. Not examined outside the frame, so I cannot state whether the print has been trimmed, or the extent of any foxing, damage, etc. It does not appear to have been glued down inside the frame, but I can't be sure...

Two young women caring for silkworm cocoons

Signed Kunitoshi Ga in a red cartouche with date: 1881 and publisher’s information in yellow cartouche, good impression, excellent color, very light soiling, upper corners thin with remnants of paper attachments, not backed, margins trimmed right and bottom.

Oban tate-e: 9 ½ x 14 in.

Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)

From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1859.The larger image by Kunisada depicts a miracle performed by Kannon...

Bust portrait of an unidentified actor in the role of a half-naked samurai from a series titled "Mirror of Good and Evil Spirits" by Toyohara Kunichika (1835-1900), published by Tsunoi in 4/1868. Paper size: 14" x 9 3/8". The print is a fine impression with very fresh color. The wood grain is plainly evident in the background and there are mica highlights. The left margin is trimmed...

Dated 1897

The book, which translates to “Women’s Customs and Manners”, consists of 36 prints, all in excellent color and condition except No. 36, which has stains that migrated from the metallic printing on the interior back cover. Each print appears fresh with unfaded colors, some with embossing and metallic printing. Each print has the date and publisher’s information in the left margin. Dated Meiji 30 (1897), publisher: Matsuki Heikichi...

Antique Japanese wood carving of a pair of celestial maidens. From the group of heavenly beings known as Tennin in Japan, these beautiful female figures, Tennyo, or Apsaras, are similar counter parts to the western angel. These crowned women, floating in intricately carved swirling clouds, represent heavenly attendants of the Buddhist realm...

Antique Japanese 4 piece wood carving of Fudō Myō-ō, the center deity of the Myō-ō in Buddhist mythology. The Myō-ō are wrathful incarnations of the Five Buddhas of Wisdom. This Fudo has been wonderfully and carefully carved with a large wall of purifying flames behind him. He has large, vengeful glass eyes and wields his sword called Kurikara in his right hand, and a rope in his left with which to bind and subdue demons...

Antique ukiyo-e style woodblock print by artist Utagawa Kunisada, also known as Utagawa Toyokuni III (1786-1865), of a samurai warrior blocking the strike of another warrior's sword with his own. He has very detailed undergarments in mesh-patterned blue with light pink flowers, a black and white robe with jagged designs and red trim with a blue obi, and a red headband, with his hair styled in a traditional chonmage...

From the Birds and Flowers series: “Sho-utsushi shiju-hattaka” issued 1858.

Signed Sugakudo, with two seals beneath the signature, censor’s seal and publisher’s seal, left margin; good impression, evenly toned, thin corners, light staining, two upper corners with glue remains from attachment, not backed.

Oban tate-e: 10 x 14 ¼ in.

Gravemarker Moon (Sotouba no tsuki). Printed: 3.1886 Engraver: Yamamoto Signature & Seal: Yositoshi Publisher: Akiyama Buemon. Condition: Very Good colors and impression, full margins. "karazuri" embossing on Ono no Komachi's robes. Format: Oban tate-e: H.13 x W. 8.75". Ono no Komachi was a famous beauty and poetess of the 9th century...

Mask of the traditional Noh theater representing the character of Obeshimi. Wood, with polychrome painting meant to enhance the features of the face. Japan, end of 19th century. Height: 20.2 cm. A few chips onthe painting, obvious signs of great age, otherwise good condition. NOTE: Obeshimi is used for Noh plays featuring "tengu", mythical demons that defy Buddhist law.

Antique Japanese triptych woodblock print, meaning it is comprised of three separate sheets, depicting Akechi Mitsuhide in the final battle of Yamazaki in 1582...

Portrait of a Kabuki actor, no. 7 from the series “Juni ka getsu hana awase” issued 1880

Signed Toyohara Kunichika in upper right and titled in cartouche in upper left, dated Meiji (1880), good impression and very strong color, very light soiling on upper margin, slight creasing to upper right corner, very light soiling on upper corners on verso, not backed.

Oban tate-e: 10 x 14 5/8 in.

Japanese shunga woodblock print from the Meiji period.

The print features a close-up of a Japanese woman and her lover - a rare find!

The print was purchased in an antique bookstore in Jinbocho Tokyo 1951 and is in good condition with minor staining (see photos below).

Size of print: Approx. 19.5cm x 13cm.

Shipping included

The Moon of Yamaki Mansion - Kagekado (Yamaki Yakata no Tsuki - Kagekado). Printed: 3.1886. Engraver: Enkatsu. Signature: Yoshitoshi. Seal: Taiso. Publisher: Akiyama Buemon. Format: Oban tate-e. H.12.75 x W. 8.75". Condition: Good Impression and colors. Some soiling, including an ink spot (from original printing?) on the lower portion of print. Slight margin trimming. "Karazuri" embossing on Kagekado's clothing and cartouche. Faux woodgrain on panel behind Kagekado. Katou Ka...

Authentic Japanese Meiji period woodblock printed "mitate banzuke" dating from the late 19th century. Banzuke prints were designed to compare or rank virtually any subject, ranging from popular actors and sumo wrestlers to the best spas and restaurants. The banner at the top, which is being held by two winged cherubs, reads "Comparison of Good and Bad Housewives." The title in the middle translates "Women's Domestic Instructions," a phrase commonly used in materials intended to instruct girls...