Hishikawa Moronobu Japanese Woodblock Print - Thunder Storm 1680 | Kuniyoshi Woodblock Print, 1843 | Keisai Eisen Japanese Woodblock Print- Carp Ascending Waterfall 1830s |
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Good impression and color, center fold, wrinkle to lower right corner, minor stain on center of upper margin, not backed
Album leaf: 9 ½ x 14 in.
Ink on thin paper mounted on an old backing, centerfold, light toning, generally good condition
Shita-e: 10 ½ x 15 in. overall; drawing size: 9 ½ x 12 ½ in.
Very good printing and color, very heavy paper with remnants of thin backing, very minor soiling overall
Overall size: 9 ½ x 14 ¼ in.
Good impression and condition
Album leaf: 9 ¼ x 12 in.
Very good impression and color, original album backing, center fold, minor wrinkling to lower corners Album leaf: 9 ¾ x 14 ½ in.
Very good printing (to simulate age and wear), color and condition
Overall size: 8 ¾ x 14 in.
Hirafuku Hyakusui was a noted painter and illustrator in Nihon-ga style, and was a professor at Tokyo School of Fine Arts and a member of Imperial Fine Arts Academy.
Publisher’s information on lower left with the number 21, good condition
Shikishiban: 9 ¼ x 9 ¼ in.
Signed Toyokuni Ga (Toyokuni III) on lower right, very good impression and color, repaired hole on upper left margin, light soiling and wear, penciled on verso (incorrectly), “Toyokuni II 1785-1864”
Oban tate-e: 10 x 14 ½ in.
Signed Hiroshige, good impression and color, small glue stains on upper corners, very minor wear, small mark on lower right corner, not backed.
Oban tate-e harimaze-e: 8 7/8 x 13 in.
Scene depicting a bizarre tale about dolls, issued 1864
Two chuban size images that form one oban tate-e size print
Signed Yoshimori, title and publisher’s seal on right margin, aratame censor’s seal (1864), good impression and color, very minor wear, not backed.
Oban tate-e: 9 ¾ x 14 ½ in.
Signed Toyohara Kunichika hitsu, dated Meiji 14 (1881), good impression and color, not backed.
Oban tate-e: 10 x 14 1/8 in. including margins
Signed Toyohara Kunichika hitsu, dated Meiji 14 (1881), good impression and color, very light and even toning, full margins, minor creases to corners, not backed.
Oban tate-e: 9 7/8 x 14 ½ in. including margins
The characters beside each design describe the motif and type of fabric.
Very good impression and color, vertical center crease, minor wear, remnants of old backing.
Overall Size: 9 ¾ x 14 in.
The characters beside each design describe the motif and type of fabric.
Very good impression and color, vertical center crease, minor wear, remnants of old backing.
Overall Size: 9 ¾ x 14 in.
From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1859.The larger image by Kunisada depicts a miracle performed by Kannon...
From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1860. Main image by Kunisada depicting the miracle occurance
Signed Toyokuni (III), publisher’s seal and censor’s seal on left margin, very good impression and color, very minor wear and light stains on the margins.
Oban tate-e: 10 x 14 ½ in.
No. twelve from the series: “Ukiyo Juni Ka Getsu” (Twelve Months of the Floating World) issued 1890
Signed Gekko with artist’s seal, dated 1890 in a red cartouche on lower left, margins intact, fine impression and color, some wear and light creasing, very light soiling, not backed.
Oban yoko-e: 9 x 13 in.
Two uncut horizontal chuban prints – numbers eleven and twelve on one oban leaf. The upper print depicts a warrior battling demon ghosts and the lower is a shrine scene.
Upper and lower prints are both signed Yoshitsuya in red cartouches with aratame and date seal to 1859, good impression, color and condition, remnants of recent hinge paper on upper corners, a new narrow line of old backing paper on ...