Chinese Tang Dynasty Painted Pottery Horse (AD 618 - 906)

This fine and attractive pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in a creamy-white pigment on top of which have been applied red and black pigments to pick out the details of the head, mane and tail. For its size it is particularly well-modelled...

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting a solitary figure walking with a parasol down a snowy village lane titled "Kurodami." The print is pencil-signed, titled, dated ’96, and numbered 74/120 in the bottom margin. Visible paper size: 8 1/2” x 18 1/2” (image: 7 5/8” x 17 3/4”)...

A pottery jar glazed with a green lead glaze. Half of it is still green while the other half has oxidized to a silvery iridescent color. The variance in color is due to how the piece was buried and the effect of moisture getting under the surface of the glaze and "lifting" it to give it the pearl-like sheen. We've nicknamed this the Yin-Yang jar because of its unusual natural patterning. What makes this unique is its beautiful silvery- gold iridescence...

Japanese Bizen figure of a standing Shishi, Foo Lion or Dog, well sculpted, with very fine details depicting his fur, teeth, claws, and other white glaze spots outlining his tail and facial fur, his large eyes with dark shiny glaze...

Yu-Peng (1955-2014), very famous Taiwanese painter.

It was his original work in fossil pencil from 1970s.

44cm x 32cm with framework.

This is a transitional poster where one of the women is a man dressed as a woman and the other two are women. Size: 75cm X 49.5cm. Condition: Very good. Some tears at the bottom corners.

Chinese grey/brown nephrite jade of dog with large head and long comma-shaped ears. The jade has color variations and inclusions natural to the stone. There is a hole for stringing over its two paws and under the neck area. Period: Late Ming (17th Century) Size: H = 1-1/4", Length = 2-3/4"

Rectangular composite panel of antique embroideries from the Ottoman Empire. The basic fabrics are different plain weaves, embroidered with silk and few metal wrapped threads, composed and sewn together in the Ottoman city of Salonika or Kavala. For similar example please refer to "Textiles of the Islamic World" by John Gillow: page 31 with illustration. Condition: allover good, occasionally little losses to embroidery. Dimension: 113 cm x 118 cm.

Rare Chinese Western Zhou Dynasty Bronze Chariot Bell

This rare and interesting bronze bell was made during the Western Zhou Dynasty (c. 1100 - 771 BC). It would have originally been fitted to a horse-drawn chariot, ringing constantly as the chariot went along...

Large Chinese Song / Yuan Dynasty Glazed Buddhist Jar

This large and impressive pottery jar was made around the 13th / 14th century, during the Song Dynasty (AD 960 - 1279) or the Yuan Dynasty (AD 1279 - 1368). Until recent years, this type of jar was almost unknown in the west with some people initially attributing them to the Liao Dynasty (same general period but in the north of China)...

Rare Chinese Han Dynasty Glazed Pottery Milling Shed

This rare and very interesting pottery model of a milling shed was made during the Eastern Han Dynasty (AD 25 - 220). The building has a doorway at the back and a gabled roof. Inside is the rice pounder and mill. It is made from a fairly high-fired red pottery...

An unusal tri-legged bronze incense burner with finialed dome pierced top signed on the underside. It is 6 inches (14.5 cm) diameter, 7 inches (18 cm) tall and in fine condition, dating circa 1935. Hori Joshin was a student of Oshima Joun and was active from the early to mid 20th century.

Large Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" with a well-rounded body, two sturdy loop handles and wide flared mouth. It is relatively highly-fired...

Description:

A limestone stone carving was well performed by sleek cutting edges.
A crouching lion on the top, the stone weight was an original isolated piece as we can believe.
Most of the surface was calcified into grayish white tint.
It was an obvious characteristic for a stone piece what had been stored in a seal-up chamber, maybe under a temple.
The true color of the stone was revealed underside in darken tint...

Anonymous Korean Joseon dynasty ink and color on silk or fabric minhwa folk painting densely painted with a variety of Confucian vignettes illustrating scenes of filial piety, including caring for infirmed elderly relatives and rescuing them from tigers and other dangers. A large demon mask is at the top. Scrolled format with cream-colored silk mount. 19th century. 83” x 14 1/2" (painting: 69 5/8” x 10 7/8”). Good overall condition...

Pair of 11 1/2" tall Chinese Qing dynasty standing porcelain ducks decorated in iridescent yellow, green, and aubergine susancai enamels. 19th century. Excellent overall condition. Well modeled with fine details to the head, feathers, and webbed feet. From the Phoenix, Arizona collection of a woman in her 90s.

Fine Large Chinese Han Dynasty Painted Pottery Hu Jar & Cover

This pottery jar with cover was made during the Western Han Dynasty (206 BC - AD 8)...

Chinese Qing dynasty wucai porcelain scalloped edge ritual bell with double-dragon form handle decorated with eight polychrome mythical beasts set against underglaze blue crashing waves on a white ground. Two narrow bands are at the top. The interior is a pale aqua color. The scalloped edge is unglazed. 6 3/4” high. 19th century. Fine quality restorations have been executed to an old hairline in the interior of the bell and to a small area of damage at the scalloped edge. The restoratio...