A fine blue and white ming dish,Interregnum Period.Decorated with two phoenixes paired with two lotuses.size:25,5cm diameter. dish has a view short hairlines and verry minor chip at the back side.

Because the Japanese used a minimum of furniture and usually sat on the floor, frequently an arm rest, kyosoku, was used either singly or in pairs. This simple wooden Meiji period arm rest would have been appreciated for both its form and finish. The wood was first burned with hot coals and then scrapped with the result that the softer sections of wood would be carved out more deeply. This process would leave the "wavy" sculptural pattern on the surface of the wood...

Description: A beautiful stem bowl was cast by a fine repousse work. Done with nice copper material, the stem bowl was decorated with Buddhist eight auspicious emblems on the outer surface from deliberately rendered chasing and carving techniques. Once was being gilt all over the surface and now had been faded to a darken patina, the religious vessel owned a charming atmosphere of the enduring age. At the bottom side, a piece of silver sheet was being added for reinforcement. Date: 16th century...

Description: A silver folding comb was exquisitely decorated on the surface. By excellent chasing skill, a pair of dragon and phoenix were vibrantly rendered among the scrolling cloud. In another side, the surface was in plain form. The whole quality of this piece was very good and was reflected with enduring darken patina. Date: Qing dynasty(19th century), Length: 8.2cm(folded) and 15cm(unfolded).

SOLD, no price, no info. Two fab porcelain 3 pc lot button sets Each embossed in back with Fan shape mark for TOSHIKANE and the word JAPAN. A) 3/4" White Pink Swans on Black w gold and green accents; B) 3/4" Hard White Porcelain Orange Rind surface with lucky green and gold Bamboo motif. All SOLD, no price, no info

A mid 20th Century yixing stoneware teapot with applied bamboo leaf and prunus blossom decoration. Condition excellent...

A daunting image by radical Nihon Nanga-In member and founder of the Osaka Art College Yano Kyoson (1890-1965) dating from earlier in this influential artists career. Crisp white walls of a strangely elongated house perch on the edge of a dark forest reaching up to the rain washed sky. A single tree ripe with yellow leaves guards the entrance...

Description: A tripod bronze censer was casted in an elegant shape. By a fine proportion, the subtly slanted feet supported the circular basin in a stylish way. Having been kept in an enduring and charming patina, the censer was in excellent condition without any dents. Date Qing dynasty(18th century), Width: 9.0cm, Height: 5.2cm, Weight: 280g.

A finely painted famille rose water pot or small brushpot depicting figures in a continuous garden landscape. There is an indistinct iron red seal mark to the base. Condition - very good...

An Assortment of 16 various stone beads including some jade ones dating from around 2,000 to 1,500 BC. Sizes: See last photo. Condition: Normal wear.

Description: A soapstone Guanyin of Qing Dynasty was finely rendered. In a seating posture, the holy deity was holding a scroll in her left hand. On her right lap, a string of rosary was hanging from her right hand. By characteristically carved almond-shaped eyes, the facial features and the reserved pigment, the figure was dated as from 18th century. Height: 12.4cm, Condition: An old restoration was in the neck when an crack line-like stone tissue was subtly revealed across the body...

Qing Dynasty (19th century) Chinese Manchu style robe decorated in embroidered dragons chasing flaming pearls (symbolizing the Buddhist notion of enlightenment) executed in gold-couched thread on a blue silk ground. The eight full-face and profile four-clawed dragons are surrounded by clouds and various auspicious symbols. The dragon's eyes are accented in black and white. An embroidered panel surrounding the neckline is filled with additional dragons running across the top of waves...

This charming antique purse from Tibet was hand-made to be worn hanging from a waist belt. Lacking ornamentation, is was probably a daily use item to hold coins. A simple endless knot toggle is used for closure. The purse is 3.5 inches at the widest point.

Many of my Tibetan items are "categorized" as Chinese. Most westerners think of Tibetan's as being within the boundary of the current borders of the country known as Tibet...

Description: A prestigious Buddha figure was uniquely molded in cast-iron. Soldered in two parts, the Buddha was rendered finely in features with details when obvious welding lines were being left on the two sides. By a benign facial expression, the Buddha was seated on a double-deck lotus pedestal. As a metal religious figure, cast-iron was a material which was rarely found in the market by its easily eroded condition...

A bronze vase of mountainous form by Nakajima Yasumi I patinated in his signature mottled red-brown and enclosed in the original signed wooden box. The vase is 9-1/2 inches (24 cm) tall, 8 inches (20.5 cm wide and in excellent condition. Nakajima Toyoji, (d...

Description: One elegant Qingbai stem cup was molded with beautiful foliate rim. In a milky white glaze, the revealed body clay tells its origination being from Hutien kiln. As being from the same origination of the high-quality Hutien kiln, the delicately shaped stand was especially in a quite good look by its finely pottered rim. In a wonderful profile, the intact porcelains were perfect in sets and as the porcelaineous copy of the metal counterparts of the same date. They were descendants of ...

Description: One unique and elegant Qingbai covered box was in a decent look. Decorated on the cover with rarely seen ironish brown mottlings, the box was molded with fine circular shape. By a well preserved glaze, the surface was left with obvious whitish incursions here and there as the authentication of an excavation piece. In a quite good size of 14cm x 6.3cm, a decent shape and the unique decoration, this box was therefore being as a sought-after piece to your collection of early ceramics....

A lacquered wooden box decorated in built up Takamaki-e with Tsuba and Kozuka by Heian Zohiko dating from the first half of the 20th century. Inside is fine even nashiji. The decorations rise quite high off the surface, almost as if genuine tsuba were lying atop the box. One tsuba is in the shape of a Mokugyo, a Buddhist prayer drum of hollowed wood culminating in two dragons. The second is one of the seven lucky gods (shichi-fukujin) Daikoku seated in front of a rice bale, smoking a pipe an...