A bowl with conical form, decorated carved incised to the interior center with flower spray. The teardrops effect is appear and foot rim unglazed which very similar with Ding ware, but it's not, possibly from the area. Southern Song to Yuan dynasty found at Borneo. Condition is good except tiny firing chip and firing imperfection, otherwise no any crack, no any chip and free from any restoration. Diameter:

A nice drawing blue and white dish, decorated with Ladies figures. Very good condition, no any chip, no crack and free from any restoration. Ming Dynasty 15th-16th century. Diameter: 15,5 cm.

Delicately crafted, in perfect proportions, this Chinese vessel sits on four feet, flares slightly to the rim which is decorated on the top with flowers and scrolling elements, and has blue enamel inset into the Greek border on the edge of the rim. The body is heavily decorated with flowers, butterflies, and scrolling foliate designs, all in shades of red/rose/pink, blue and green over a dark bronze/brass background, with a solid blue enamel on the bottom...

Measuring 7 1/4" high and roughly 3" wide, this Japanese cloisonne vase is of exceptionally high quality, with very fine detail and shading, all with silver wire. Against a smooth black background, a group of irises is depicted on the front, with a single iris and leaves on the back. The irises are white, purple with blue and yellow details, and the leaves are all done in shaded hues and different colors...

Occupation era original Japanese shin hanga woodblock print titled "Kanetsuki Hall Bell Tower, Okayama" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15 1/2" x 10 1/4" (image size: 14 1/4" x just over 9 1/2"). Excellent condition. Never framed...

Made for the traditional Argentinian and South American drink, yerba mate, this cup and bombilla are silver, both stamped with an 800 silver standard. The cup is nicely repoussed with floral and foliate elements on a cast silver serpentine base. The cup measures 5 1/4" high and the bombilla is 8 1/4" long. Together they weigh 6 troy ounces...

Gentlemen glide through the open “ma” staring up at the moon on this serene work signed Joun (One of many names used by the priest Hashimoto Dokuzan). Ink on paper in superb Shunpodo Silk mounting (THE preeminent scroll hangers in Kyoto) enclosed in a signed double wood box (niju-bako) dated 1935 with solid ivory rollers (They will be changed for export). The scroll is 28-1/2 x 53 inches (72 x 134 cm) in excellent condition but for scattered foxing...

A cascade of flora drapes from the neck of this gorgeous piece by Seifu Yohei IV. It is 31 cm (12 inches) tall and in perfect condition. Quite large for a work by Seifu, it is marked on the base with an incised signature.
Seifū Yohei IV (Seizan: 1872-1946) was born the second son of Seifū Yohei III (1851-1914). He studied literati-style painting under Tanomura Shōsai (1845-1909), a son of Tanomura Chokunyū, in Osaka for three years...

An antique Guardian mask used to ward off evil hand carved from a rough slab of hardwood. It is 14-1/2 inches (37 cm) tall and in fine condition. Usually hung under the eaves of a house, it shows weathering typical of age. Late 19th to early 20th century.

An Eiichi Kotozuka Evening Snow At Kiyamachi 1950s framed woodblock Japanese print. This large Oban size print is by Kotozuka (1906-1979) and it has a sight size of 15-1/4 x 10-1/4". It has been matted and framed with a black painted bamboo style 23 x 18-1/4" frame with the print affixed to the mat. The print itself may be 1/4" larger on all sides due to the mat...

An incredible work of florals on gold signed on the base Kutani Kaburagi Sei showing the very best of that regions pottery dating from the Meiji to Taisho period, when quality and craftsmanship was at its peak. It is 9 inches (23 cm) diameter, 13 inches (33 c) tall and in overall fine condition. There is a small tori-ashi (birds foot) glaze crack in the bottom but does not leak, and is only visible on the outside bottom.

An exquisite vessel by Seifu Yohei IV decorated in slight relief under pale green glaze. It is 8-1/4 inches (21 cm) tall and in excellent condition.
Seifū Yohei IV (Seizan: 1872-1946), the second son of Seifū Yohei III (1851-1914). He studied literati-style painting under Tanomura Shōsai (1845-1909), a son of Tanomura Chokunyū, in Osaka for three years. In 1914, he succeeded to the head of the family and produced works mostly in his father’s style...

Antique Chinese brush washer in a GE glaze. Glazed on the inside and base with the base rim left unglazed. No markings.

Size: Approximately 11-1/2 cm diameter and 3-1/2 cm high

Condition: Hairline crack on base which continues up the side (please refer to pictures - it is not noticeable on the side)

Age: 18th century Qianlong period

A Chinese copper red underglaze and incised dragon box and cover with two five-clawed dragons surrounding the base with lotus pods. The top with one five -clawed dragon. The base with six character Xuande mark in underglaze blue surrounded by double blue circles. The glazed on the base with a bluish tint.

Size: Approximately Height: 5.5 inches, Width: 10 inches

Condition: Good condition.

Age: Republic or earlier

A small jarlet with brown glazed and teardrops of deep brown glazed. Tang Dynasty Changsha ware. Condition with firing chip to rim and chip to the base, slight degraded glaze to lower part, otherwise is good condition. Height:

White wisteria (fuji in Japanese) drape from the gilded rim of this Kutani vase signed from the pre-eminent Kaburaki (Kaburagi) studio dating from the opening of the 20th century. The imagery is exquisitely performed with over-glaze enamels on a pastel gray ground. The vase is large at 13 inches (33.5 cm) tall, 8-1/2 inches (22 cm) diameter and is in excellent condition, with some wear to the gold rim.

A pale celadon jade pendant, carved and pierced with a parrot perched on a flowering prunus branch, besides a rock. With matching wooden base. Condition: fine. Dimension: pendant: c. 6.1 cm high x 3.9 cm wide x 0.35 cm thick, height with stand c. 10.5 cm.

A Ming blue and white bowl, decorated with Tibetan characters to interior and exterior. Ming 16th-17th century. Good condition excepted small repaired to rim, no crack. Diameter: 14,6 cm and Height: 6,9 cm.

A Celadon Lotus alms bowl with pale brown green glaze. Southern Song Dynasty. Condition is good, excepted invisible repaired small area to rim, otherwise no any crack, found at South Sulawesi Selayar Island. Diameter: 12 cm.

A complex landscape wraps around and climbs up this exquisite porcelain vase by Daimaru Hokuho dating from the early to mid 20th century. It is 13 inches (33 cm) tall and in excellent condition. There is no box.
Hokuho would have been rated in the top 10 porcelain artist of Kyoto, along with Suwa Sozan, Ito Suiko, Ito Tozan, Miyanaga Tozan, Takahashi Dohachi, Seifu Yohei, Kiyomizu Rokubei, Miura Chikusen and Kiyomizu Zoroku, all artists active from the Meiji through the early Showa eras...

A nice Jizhou bowl with well balance potted, standing in small high foot and decorated with continuously flower scrolls to exterior and below with diaper pattern. The interior centre with bamboo and diaper pattern surrounded to rim. Late Yuan Dynasty to early Ming period 14th century in very good condition, no any chip, no crack and free from any restoration. Diameter: 15,5cm and Height: 7,5 cm.

This mask was made using a milk pot fragment, the noose has been added. A superb old black soot patina both inside and out side indicate a long use at least from early mid 20th. H 23 wide 16 cm More information on request

Very old black encrusted patina , the top shows 3 carved anthropomorphic faces. H 24 cm , great age at least from the 19th More information on request

An antique shamanic phurbu , showing all the animist motives on the triangular blades, snakes interlaces, sun , moon holly vase and Makara mouth, the middle part is a dorge deeply carved , the top is square and shows 4 ancestor faces acting as protectors of the shaman and as guardian of the four directions. Total H 24 cm super glossy and deep black patine, important age at least from 19th. presented on a iron stand

Pair of tall Chinese famille verte enamel tapered square form porcelain vases molded with relief decoration of the eighteen immortals among clouds set against a pierced ground. A rust-red 5-clawed dragon wraps around the neck of each. Circa 1900 to early 20th century...

A lovely wood carving of a dancing Hindu goddess, the face and the sarung meticulously painted. Provenance: from the same estate like the Peranakan sarung. Condition: some cracks, paint with few losses and wear. Dimension: c. 30 cm high.

A very rare Chinese jade of a stylized bird. The jade is translucent of a green and brown mottled coloration. Carved with a minimum of design giving an it a minimalistic, abstract look. It has large convex circles for eyes. The back has two interconnecting holes for passing a string through. The back has a naturally occurring hairline fissure of a dark reddish brown coloration. Has some calcification from long burial. Size: H = 1-3/8", W = 1-3/4"

Autumn colors by Goto Shiro in thick pigment on silk in a superb patterned-silk frame with solid ivory rollers. It comes in the original signed wooden box with a Futo-maki rolling bar titled Yudonoyama Banshu (Late Autumn at Mt. Yudono). This is representational of Nihonga in the 1950s, a time when artists were seeking a new direction, breaking with the past and expanding the limits of the medium. It is 25-1/2 x 86 inches (65 x 218 cm) and in fine condition. Goto Shiro (1924－1992) was born...

Ame-yu graces the rough textured clay of this large Mingei platter from Aizu in the Northern reaches of Japan on the border between Fukushima and Yamagata. Often mistakenly identified as Tamba due to the similarity in the coloring of this particular glaze, the underlying granular white clay gives it away. About the rim is a ring of fire-colored tendrils trapped in a groove, an interesting added feature. It is 31.5 cm (12-1/2 inches) diameter and dates from the later 19th century. There are som...

Massive late Qing dynasty Chinese ancestor portrait executed in ink and color on paper depicting a civil official seated on a draped armchair over a floral rug decorated with Buddhist swastikas and dressed in formal attire. A Mandarin rank badge showing the official’s rank in the civil bureaucracy is on the center front of his cobalt-blue fur surcoat. The bird appears to be a silver pheasant, indicating an official of the 5th rank. He wears a hat with a clear stone insignia (consistent with...

A Chinese statue of a maiden holding a lotus flower and a fan, carved from celadon jade, fixed on a matching wooden base. Condition: fine, only lotus flower with few tiny rim frits. Dimension with wood stand: c. 22.3 cm high.

Measuring approximately 5' x 3", this finely carved and reticulated coconut bank is one of the finest we have ever seen, with the entire surface filled with carving and openwork. There are three oval cartouches with a complex scene of people, animals, items of the era, and foliate designs. In addition, all other areas have similar carvings with textured surface in background areas. They eyes are shell, mother of pearl. The face and mouth resemble a fish, with scales, but also depict a nose ...

A trumpeting form decorated with bamboo adorned with a single cicada by Matsumoto Sahei (Sabin) enclosed in a wooden box annotated by the current head of the family Matsumoto Sakio. It is 31 cm (12 inches ) tall and in excellent condition.
Matsumoto Sahei (1851－1918)　was born into the family of Matsuya Kikusaburo, a first generation Kutani porcelain artist. He studied under both his father and Tokuda Kansho, mastering Aka-e, Ao-kutani and other decorating styles of the era and realiz...

A lobed form by Nakajima Yasumi enclosed in the original signed wooden box. It is 12 inches (30.5 cm) tall and in fine condition. The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1950) was awarded at the Senkatsu Kinen Exhibition. He was a consistent exhibitor with the Teiten-Nitten national exhibitions and was also quite active abroad, being prized at the 1931 Belgian Exposition and serving as juror for the Japanese submissions to the Paris Expositio...

An exquisite lacquer box by Imai Seitaro dating circa 1959 featuring multiple layers of colored lacques carved through with a design of grapes on the vine enclosed in the original signed double wood box (Niju-bako) titled Choshitsu Budo Moyo Shikishi Bako (Carved Lacquer Grape Design Poem Card Box). It is roughly 11 x 12 x 2 inches (27.5 x 30 x 4 cm) and is in fine condition.
Imai Seitaro was born in Kagawa prefecture in 1893, and was first exhibited with the Nitten National Exhibition i...

An unusal tri-legged bronze incense burner with finialed dome pierced top signed on the underside. It is 6 inches (14.5 cm) diameter, 7 inches (18 cm) tall and in fine condition, dating circa 1935. Hori Joshin was a student of Oshima Joun and was active from the early to mid 20th century.

Desription：A water scoop or water basin was made from a natural burl wood.
Full of artistic form from mother nature, it can be used in a pracyical way or a display item on your modern cabinet.
The item was preserved in original condition in good patina eventhough being well cleaned. The original black and red pigment were still kept well inside the basin.
Width：21cm, Height：11.5cm.
Condition：Perfect.

A large Ming Dynasty Celadon charger with a lovely green color. This plate is large & heavy & nicely balanced and in overall good condition without cracks or chips. Diameter is 13+ inches. High resolution images may be emailed to you on request.

A plum by Yumei Sosho of Sokokuji temple timidly opens its blossoms under a brief epithet by Taishitsu Sosho of Daitokuji temple. A rare gassaku work by these two priests. Ink on paper in original border, ivory rollers dated 1808. The ivory rollers will be replaced if shipping overseas. The scroll is 12 x 71 inches (31 x 180 cm). Overall it is in fine condition considering the age, however does cup some in the center and there are some marks mostly visible in the upper and lower borders. Fo...

An exquisite 17th-18th c. rendition of Suiten (vedic Varuna) rising over tempestuous waves. Pigment on silk, The scroll is 59.2 x 167.5 cm (23-1/2 x 66 inches). It has been fully remounted, in an antique silk retaining the original brass rollers. One of the oldest gods, Varuna is associated with a Serpent (Makara) as his vehicle and a noose as his weapon. Varuna is god of waters, the source of rains and the one who rules over the Nagas (divine sea serpent), myths important in Hinduism and ...

A pair of Kinsai Tokkuri on red ground by Eiraku Zengoro from his Kutani kiln dating from the late 19th or early 20th centuries enclosed in the original signed wooden box. Complete with lids, they are 5 inches (13 cm) tall each and in excellent condition.

Birds in white plumage decorate the shadowed raw clay of this vase by Miyagawa Kozan enclosed in the original signed wooden box. It is 21.5 cm (8-1/2 inches) tall, 19 cm (7-1/2 inches) diameter and in excellent condition.　
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyoto pottery family Miyagawa Chozo. The Kozan (Makuzu) kiln as we know it today was established...

The dreamlike quality which gave Taisho period art its unique flavor is readily apparent in this sumptuous composition by Kido Soi featuring long tailed birds along a tumbling stream. Pigment on silk mounted on applied gold flake in a silk border with a red lacquer wooden frame consistent with the era. It is signed in gold, Shunyo, the name used by Kido Soi in his youth, placing the screen easily before 1930. The screen is 67.3 x 56-1/4 inches (171 x 143 cm) and is in fine condition.
Due...

A misshapen bowl excavated and assembled from several pieces using the kintsugi gold technique. Originally a kiln flaw, it was likely destroyed after creation, later to be excavated and assembled as was popular in the later Edo period. Misshapen,and with a large kutsuki on one side, it is 4 x 5 x 3 inches (10 x 12.5 x 8 cm) and comes in a wooden box.

A bizarre pottery mass of two tea bowls and a stand fused together after collapsing in the kiln some four hundred years ago. It is 17 x 13 x 11 cm (6-1/2 x 5 x 4-1/2 inches). There is something to be said here about best laid plans. All the potters craft and experience and yet nature intervenes, creating this vitrified sculpture for later generations to contemplate.

A quite large Chinese silk purse with outstanding embroidery. One side showing a deer looking at a crane on a pine, on the left four Chinese characters. The other side with a flock of swallows near a flowering tree. Edged with a black and white woven band and a silvery rim, the silk tassels having gold and silver wrapped threads. Silk lining. Condition: faded, small stains, little wear to rim. Dimension: purse: c. 17 cm x 15.5 cm, tassels: c. 18.5 cm long.

A rare okimono from the Kairakuen Kiln of the Tokugawa branch family dating from the early to mid 19th century. The box label attributes these to Eiraku (presumably Hozen, who was tasked with helping to further the ceramic production of the kiln). The rooster is roughly 7 inches tall the same in length (18 cm). Dating from the later Edo period, they come in an old wooden box with a cloth cover and are in excellent condition.
Eiraku Zengoro XI (Nishimura Hozen, 1795–1854) took the nam...

A lovely green celadon Song Dynasty jar. There is some chipping to the rim. High resolution images on request.

. This mask takes advantage of the natural shape and texture of a peculiar piece of wood.Such mask is a potent and direct emanation of mother nature with minimal human interaction. Only the eyes and the mouth openings result from human action. This kind of Mask is sculpted with minimal work taking advantage of natural deformations. The natural material would be tree roots, at least that is the information provided by the sellers. Some of these masks would however be old and used as burlesque mas...

A rare pair Chinese chair strips with the typical four register design, showing bamboo, lingzhi fungus and scholar rocks. The ground fabric is a steel blue silk with black silk embroidery in satin stitch and little Peking knot. Trimmed with gold-wrapped thread border, cotton lining. Condition: good used condition - no restauration, particularly one cover with more traces of usage. Wear and missing threads to the embroidery, few tiny stains, the borders partially with lost gold and one edge with ...

Veins of green Kai-yu meander over the body of this spectacular example of Edo period Tamba Pottery capping rich red clay rising from an abrupt base. A few bubbles in the clay reveal character about the torso, the lip powerfully rendered over the shoulder, which slumps to one side like some haggard but still proud old soldier. Four looping handles (mimi) would allow the lid to be tied down. Between two a drip from the roof of the kiln has adhered to the clay forming a point of interest. Ret...

A Southern Song Longquan celadon dish, excavated found from the deep sea at South Sulawesi area. The surface is dried but if touched to the water is become a bluish green glaze. Condition is very good only with minor fritting to rim side, no chip, no crack and free from restoration. Diameter: 22 cm.

A beautiful nineteen century woven temple carpet with nice design. The center pattern features 3 large multi-colored abstract florals against a black background that is surrounded by a blue & white keyfret design frame. The center florals include stylized lingzhi fungus combined in the design. The outer edge features abstract cloud and water patterns. These designs symbolize longevity, fertility and good luck. Size: L.163cm. W. 85cm. (5.4ft X 2.19ft) Condition: no repairs.

A Blue and White bowl, Ming Dynasty 16th-17th century. Good condition, except tiny chip to foot rim and a glaze hairline visible on last enlargement. Diameter: 12 cm.

A Jun ware tea-bowl with very good condition excepted minor chips to foot rim, no crack and free from restoration. Yuan Dynasty. Diameter: 12,3 cm and Height: 5,6 cm

A large Tibetan Temple prayer carpet with two dragons, each chasing it's elusive pearl. Size: L. 163 cm. W. 88cm. Condition. No repairs. Very good for it's age.

A radical ink landscape by legendary artist Fukuda Kodojin. Ink on paper in a green silk patterned border set in beige with wood rollers. It is 13 x 70 inches (33 x 178 cm) and is in excellent condition.
Fukuda Kodojin (1865-1944) an eccentric self taught artist, his status as a poet, calligrapher and literati artist has reached legendary status. Born at a time of great change (4 years before the final fall of the Edo Government), he lived through the westernization of Meiji, Taisho Dem...

Charming antique Chinese Child's silk top from Qing Dynasty. Manchu style "cross body" closure with side "tie" Embroidered both front and back with images using satin stitch embroidery outlined with couching stitch metallic wrapped thread good condition...no stains, no rips,.. piece spans 27 inches wide and 16 inches top to bottom

Honda Tenjo enclosed in the original signed wooden box titled Seven Great Men. Ink on paper in a superlative silk mounting with ivory rollers (they will be changed if exporting). It is 26 x 85-1/2 inches (66.5 x 217 cm) and is in excellent condition. Honda Tenjo (1867-1946), born in Tokyo, initially studied western painting for five years under Kondo Katsumi before moving to Nihonga under Kano Hogai. Along with Okakura Shusui and Oka Fuho was to be called the four pillars of the Hogai Studio...

A well balance potted of Song Dynasty Longquan celadon bowl. Condition with a tiny chip and an area with firing distorted in colour. Diameter: 12,5 cm.