An Art-Deco Revival vase by Nakajima Yasumi II enclosed in the original signed wooden box titled Jundo Homan Kabin dated 1959. It is 8-1/2 inches (22 cm) tall and in fine condition.
The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1951) was awarded at the Senkatsu Kinen Exhibition...

A silver inlayed bronze incense burner by Inami Keishu enclosed in the original signed wooden box. It is 5-1/2 inches (14 cm) tall and in fine condition. Inami Keishu worked in metal for more than 60 years. He has been often exhibited and prized with the Nihon Kogei Kai (National Crafts Association) among many other National Events.

Feeling frisky that day, perhaps a wry self portrait by this most famous of Nuns, Otagaki Rengetsu with a poem brushed above in her unique script...

Well carved antler netsuke; of a Hotei carrying a bag on his back, early 19th century period. Size; Height of this carving is 1 3/4 inches. Condition Report; Good condition, age wear.

A beautiful red glass bead necklace made from a court official's rank necklace. Made from very high quality matching glass beads. Most of these rank necklaces were broken apart during the cultural revolution. Size: 34cm folded. Bead size: 1cm. Condition: Very good. No chips etc.

An alloy metal Buddha sitting under a bodhi tree.This is where Buddha gained his great Enlightenment by sitting in concentrated meditation beneath the bodhi tree at Bodh Gaya in Bihar,India. Can be made into an amulet. Size: H. 6.3cm. W. 3.3cm. Condition: No repairs.

Silver canines gleam menacingly in the corners of the mouth of this terrifying Edo period sabiji-nuri iron Menpo face mask. It has a three lame nodokake also with sabiji-nuri, laced with tight blue chord. The mustache is a bit ragged and there are typical chips around the edges from use.

A conical Jingasa battle hat 6-1/2 inches (16.5 cm) high, 14-1/2 inches (37 cm) diameter entirely gilded outside with genuine gold. Inside is lacquered black and retains the tie holds for the liner. There is some writing within, and a maru-ichi crest. There is damage to the peak and edges, but is quite impressive looking, and was likely used by the immediate vanguard of the Daimyo. One of two variations we have, they are from Omi province, just outside of Kyoto in old Japan.

A rare wooden Buddha in a seated position on a lotus pedestal. The face is serenely contemplative and the robe is carved to show the gathered folds. Wooden Buddhas from this period are very difficult to find. This Buddha has a natural, calming presence.

Period: Yuan/Ming or earlier

Size: Height = 31 cm., Width at base = 18 cm.

Condition: The wood has shrinkage and cracks from age. The right ear and fingers of the left hand are missing...

A Chinese elongated pear form peachbloom glazed vase with everted rim. An attractive "liver" spot on one side of the vase. The glaze nicely controlled - stopping neatly, inside and outside, evenly above the crisply defined foot rim. At least early 19th century and possibly late 18th century. Excellent condition. Height about 7 3/4 inches (19.69 cm)

A six panel gold screen decorated in a style harkening to the first half of the Edo featuring angular trees interspersed with blossoming cherries, a torrent splashing angrily through the right quarter topped with moriage gold clouds. Many repairs and losses to the heavy pigments attest to the great age of the painting. Excellent size for wall mounting, it is 62 x 138 inches (157.5 x 350 cm). The border is from a later mounting. Due to size the cost of shipping is to be accrued separately.

Chinese late Qing dynasty export porcelain jardinière, or planter, decorated around the circumference in famille rose enamels with an assortment of precious objects set against a white ground. A ruyi head border encircles the exterior rim and a geometric band is above the foot. The canted rim is decorated in an orange-red band. The white glaze extends part way down into the unglazed interior. The base and foot rim are unglazed...

A hand forged Uchidashi Iron votive tablet in the form of a Shojo sake sprite knocking back a massive cup. It is 84 x 58 cm (33 x 23 inches) and in fine condition, enclosed in the original black wooden frame. Uchidashi is a technique of hand hammering shapes and images into iron from behind, and is highly valued in Japan, a land where metal was extremely scarce and hand formed from iron ore up to the Meiji period. This dates from the 19th century.

Chinese Qing dynasty Guangxu period cylindrical form rouleau vase with a narrow columnar neck and cupped rim, decorated overall in gilt with cranes flying among stylized lucky clouds set against a powder blue ground. A band of lappets extends around the circumference of the base. The angled shoulder is encircled by a band of bats and scrolling foliage. Two underglaze blue concentric circles are on the white porcelain base. The vase stands 14 1/4” high and dates from the late 19th century...

This attached pair of red silk embroidered strips would have been worn as an accessory on the back of a man's hat so that they draped down the nobleman's back. There are mirror images of 2 pairs dragons on each side, embroidered with metal threads. Excellant condition and approx 30 inches in length.

Chinese late Qing dynasty Guangxu period ewer molded in the form of a seated monkey holding a peach with a young monkey on its lap painted on the biscuit in an iridescent susancai palette of aubergine, green, and yellow. The bent arm forms the handle and a hat is the lid. The base is unglazed. Measures 8” high by about 6 ½” across from handle to spout. Late 19th century. Very good overall condition with original lid...

An ancient necklace made from fossilized wood also know as Pumtek. The word Pumtek means "buried thunderbolt". This type of necklace is very rare. Size: 56 cm from end to end.

A very rare carved wooden Buddha dating back to the 15th century or before. Size: H. 26.5cm. Condition: Natural ageing. The right hand is missing and a portion of the base has worn away.