A large 17th to 18th century Buddhist sculpture of a Rakan (arahat), well sculpted, his naked torso gilded in gold with robes and shoes in black lacquer, carrying a large urn which is an active incense burner. The sculpture is 2 feet (61 cm) tall and in overall fine condition. There are minor losses to the lacquer and gilding typical of age, and a repair to his left foot. Both little fingers are missing from his hands; these could be repaired if desired at additional cost.

A nice blue & white small jar, decorated to the body with fruit blossoms and cloud scroll to the shoulder, base unglazed. Ming dynasty 16th century. Condition is perfect, unfortunately just a kiln rock adhered to the shoulder area, otherwise is very fine excavated piece. Wide: 8cm and High: 8.5cm.

This is a fine, beautiful and brightly coloured example of a small “Jun” ware bowl which was treated as a “manufacturing defect”. The bowl is well glazed in a bright lavender colour with pooling of a bright blue sky glaze at the base of the bowl. It would have been a fine piece if not for an overglazed which has resulted in an overflow of a big pool of the glaze down to the sagger. When it cooled down, the glaze glued the base of the bowl to the sagger...

A blue glazed Song vase of unusual color for Song pieces. Size: H. 18.8cm. W. 15cm. Condition: No repairs

Fine LARGE Chinese Han Dynasty Glazed Hu Jar with Hunting Scene

This superb and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive streaky dark green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upside down...

A radical ink landscape by legendary artist Fukuda Kodojin. Ink on paper in a green silk patterned border set in beige with wood rollers. It is 13 x 70 inches (33 x 178 cm) and is in excellent condition.
Fukuda Kodojin (1865-1944) an eccentric self taught artist, his status as a poet, calligrapher and literati artist has reached legendary status...

 

The fish is symbolically employed as the emblem of wealth or abundance on account of the similarity in the pronunciation of the words "yu", fish, and "yu", superfluity. Age: Song. Size:L. 6.5cm. W. 2cm. Condition: No repairs or chips.

Description:

An original Yinqing set of cup and cupstand was in decent look.
They were produced from the famous Hutien kiln of Song Dynasty(960-1279) by top quality craftsmanship.
By hard, thin and eggshell-like wall, the cup was stand by flat bottom which was unglazed and was revealed with chalk-like body clay when characteristic firing tint was yielded within...

A large blue & white bowl, Ming dynasty 15th century, possibly Chenghua period. Condition: damaged and restored, please inquire to the pictures before restoration. Diameter: 26 cm and High: 11.5 cm.

Heavy pigment on thickly veined gold creates a powerful collection of scenes from the Taiheiki, the 11th century story of the fall of the courtiers and usurpation of power by two military families, the Taira and the Genji. The screen dates to the 18th century, or middle Edo period. Many old repairs attest to age. We have had it completely remounted, with no painting restoration performed. On the left the famous scene of shooting a fan from horseback from the battle of Yajima...

A Stunning combination of works by mother and son Koyama Kiyoko (1936-present) and Koyama Kenichi (1961-1992), both in the original signed wooden boxes. The Tokkuri, by Kiyoko, is of bulbous form decorated with slips of green glaze used sparingly around the neck. The terracotta body is fired to a deep amber on one side, the bright orange clay indicative of Shigaraki showing through on the other...

 

Two Chinese late Qing dynasty Guangxu period porcelain lidded ginger jars densely decorated around the circumference in famille rose enamels with a continuous spring fishing festival scene. This pattern is often referred to as the "one hundred boys" motif. Children are on the street performing the dragon dance, participants are seated in a dragon boat, and onlookers watch from a bridge and a traditional building. A large pine tree set against a mountain decorates the back of the jar...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting a samurai with two swords titled “Akazaya” (Red Sheath). The print is pencil-signed “Yoshitoshi Mori,” numbered 31/70, and dated ’81 in the lower margin. The artist’s red seal is above the signature. The visible paper size is 23”V x 16 3/4”H (frame: 31”H x 24”V). Appears to be in very good overall condition. The print is framed in the original Kanda Gallery frame...

A nicely carved jade pig done in the Han style.Pigs represent prosperity and jade pigs were were placed in the hands of the deceased. Many jade pigs were used for this purpose in later times and are sometimes mistaken for Han pieces. Size: L.10cm. H. 2.8cm. W. 2.3cm. Condition: No chips. Some calcification.

An extraordinary of Jizhou vase in small Meiping form, decorated to the body with geometry scroll design and key-fret pattern to the rim with tortoise shell glazing technique, but made by high firing to be a porcelain than like a stoneware which usually appears on the other Jizhou wares, foot rim clay has a gray tint. Masterpiece product by Jizhou ware was ever found in Indonesia and collected from East Java...

A most exciting find, a scroll by five of the greatest scholar-painters of the Meiji period, Tanomura Chokunyu, Suzuki Hyakunen, Tomioka Tessai, Nyoi Sanjin and Yamanaka Shinten-o; all of whom resided in Kyoto during the Meiji period. Ink on paper in a brown cloth border befitting the Daoist figures. It comes in an annotated by by Tessai from 1911. The scroll is 29-1/4 x 75-1/2 inches (74 x 192 cm) and is in excellent condition...