A radical Iga vase by unconventional artist Kishimoto Kennin (b. 1934) enclosed in the original signed and stamped wooden box. The free form Terracotta image is covered in lichen-like pale green ash glaze. The vase is 10 inches (25 cm) tall, 5 inches (12.5 cm) wide and in perfect condition. Possibly better known today for celadon, Kennin went through a radical period some 15 years ago working on pieces like this unusually formed Iga ware...

Description: A beautiful Longquan bowl was kept in perfect condition. In fantastic celadon glaze, light whitish incursions was dispersed around the mouth rim and at the foot rim. When potted heavily of the body, carved motifs were in the the middle of the cavetto and around the outer surface. A good Ming ware with typical shape can be ideally used in a practical way. Date: Ming Dynasty(15th Century) Width: 16cm Height: 7.0cm

Jingu, guardian Empress of Japan, stands ready to defend her princely child Ojin held by General Takenouchi Sukune within a painted border of martial articles. Swords, armor, bows and quivers full of arrows, a horse-bit and court cap, tea bowl and other implements precious to the samurai tradition all hand-painted about the central image, laid scroll-like over top but actually all part of the same canvas...

Description: A very good example of bone carving which was imitated as an ivory piece was done in the 17th-18th century of Qing Dynasty. With image of the deity of Longevity--Soulou, the ancient piece was carved with mature craftsmanship. Dyed with warm brownish hue on the surface to imitate the patina of an aged ivory and burned the hollowed bone tunnel to imitate the ivory's cavity, it disguised the most discerning eyes...

Ming Dynasty porcelain wine storage jar with hand painted dragon motif. A large vessel in very good antique condition. Measuring approx. 14 inches tall and 10 inches at widest point.

Large table top scholar's huanghuali chest with all it's original hardware. This is an early Ming piece as the huanghuali wood is quite thick. In later Ming pieces the wood was reduced in thickness as the huanghuali became scarcer. The hardware is typical early Ming. It is 100% original except for the inner tray that was probably added later. Size: L. 41.5cm. W. 24.6cm. H. 19.3cm. Condition: Normal ageing.

A beautiful and rare blackwood vanity chest. This is an unique piece and very large and quite heavy. It has all the original brass fittings and many drawers. There are many copies of this piece and this is the only original one I have come by in all the years I have been collecting. Age: Early 19th century. Size: L. 35cm. W. 25.8cm. H. 21cm. Condition: All original.

A powerful Kon-odoshi Go-Mai-Do Gusoku embellished throughout with matching crests of bound wheat. The helmet is a tetsuji raw iron 32 plate kabuto with brass piping surrounding the Mabizashi and fukigaeshi. The Bound-wheat mon is figured on the fukigaeshi and it features a five lame wide banded Shikoro. The mask is an unusual Saru-Men (monkey faced hanpo) also of raw iron with matching wide banded throat defense...

A very rare find indeed, two early to mid Edo period matching Kashi-gusoku Yoroi from the same armory featuring Momonari Kabuto and Hotoke-Ni-Mai Do decorated with jagged bands of gold. A very impressive set. The sleeves are patterned blue and white hemp. The thumb on one sleeve is missing and the two hinge pins...

A beautiful large blue & white charger painted in the style of early Yuan blue and white. The back of the charger has etched on it the name of a Temple that it once belonged to. Size: Diameter. 46.3 cm. W. 8.9cm. Condition: Perfect.

A very large Temple carpet with five dragon of which four are chasing the elusive pearl. Size: 206 x 123 cm. Condition: No repairs.

A very rare and unusual seal of a mythical animal made of pottery. Age; Ten Kingdoms. Size: H. 5.2cm. W. 3.5 x 3.5cm. Condition: Some loss of the white slip and a chip on the horn.

Description: An ivory pumpkin was delicately carved in Ming period (15th-16th Century). Kept with charming warm patina and obvious aged ivory tissues, the toggle was in good feel when fondling in the palm. A typical Chinese curiosity for connoisseurring was rarely found these days. Referent material can be found in the Published: Fang jing Pei, Treasures of the Chinese Scholar (Weatherhill, 1997). Some old defects like a hole and missing section of the stalk were found...

Description: A charming amber pendant was carved with Chilong motif. Silver framed with chiselled flower motif and a word " Fu " (well-being) on the reverse side though at 19th century, the carving amber piece was from 17th-18th century of Qing dynasty. Preserved in very good condition, attractive ice cracks can obviously seen under magnify glass. Aged but greasy feel looking, the hue is much more darkened in real than in the pictures...

18th century Chinese bronze Guanyin (Goddess of Mercy) Bodhisattva figurine seated in a position of royal ease with a contemplative expression. The robe falls in elegant folds and is inlaid in silver wire with a cloud pattern. A "Shisou" two-character mark is inlaid in silver wire on the back. Measures 5" high, 4" long, 3" wide. Very good overall condition with a nice patina...

Korean rice bale-form stoneware wine bottle with cylindrical body, short circular spout at the mid-section, and four raised feet covered overall in a golden olive-brown glaze. One end has the standard domed form while the opposite slightly concave end, upon on which the vessel was fired, is unglazed and has the characteristic sand grit residue adhering. Heavily potted. 19th century. 10” long x 5 1/2” diameter; weighs over 4 lbs...

A beautiful Mandarin square dating from the early Jiaqing period. A male back buzi with a silver pheasant bird, denoting the fifth civil rank. On dark silk entirely embroidered in Peking knot, blue silk lining. Reference: Ladder to the Clouds, Jackson & Hugus Berkeley 1999, Page 250 - No. 15.032 very similar badge. Condition: good - slightly impure, the back lining with some water stains. Dimensions: 29,2 cm high x 30,5 cm wide.

A Japanese wood and lacquer zushi travel shrine, depicting Amida Nyorai before a delicately painted lotus pond. He is sitting on a lotus pedestal, his priest garment is decorated with gold lacquer, the sections of skin are left undecorated,. Behind his head a circular metal halo. On the inside of the doors, painted on paper, the left leaf with the patriarch Shandao declaiming Buddhist prayers, the right leaf with the founder of the Jodo-shu sect, named Honen Shonin or Enko Daishi...