Description:

A soapstone seal was well carved to top with a crouching Bixie.
Two Chinese word Qing Sun(Casually Treasuring) was regularly carved on printing side.
Inscriptions were on the side too.
The stone was in warm brownish tint and in greasy feel.

Qing Dynasty, 19th century.

Dimensions: 6cm x 2.9cm x 2.4cm.

A Junyao cup was in Beautiful oval shape and was applied on the surface with a stroke of purple splash.
Similar piece is found in the book Alchemy in Blue,Ancient Jun-Ware from the Yip Collection. Published by University Museum and Art Gallery, The University of Hong Kong.(相關物件請參考香港中文大學出版‘紫艷擬青’)

Date: Song/Jing periods, 11th/12th centuries.

Width:8.7cm,
Height:4.7cm

A custom-made cotton box is included.

Description:

A Jiangyang Temmoko bowl was decorated with radiating russet splashes on the surface.
It was a rare type of this kind in Jiangyang wares.
Enduring old crackles were yielded naturally in the glaze when retrospective sheen was reflected on the surface.
It was used to be coated on the mouth rim with silver band. The silver band had long gone and only left with the residues around.
The bowl was kept in perfect condition without any restorations...

Pretty and old mushroom mask, with a shiny black patina. These mask are made from tree parasit mushroom with a minimal carving work . The aime of the carvers is to take advantage of the native form of the mushroom These masks are usually hung inside homes to function as protective effigies. They are more occasionally used as face masks at certain parties, H 20 cm, width 300 cm weight 650 grams.

Celadon charger decorated with incised flower on the center, and key fret scroll. W = 29 cm. Qianlong 1736-1795. Condition : Excellent with a very tiny frit on the rim.

Undecorated golden celadon glazed. Unglazed base. Height = 7.5 cm Width = 8 cm. Yuan Dynasty 14th Century. Condition : Very good no hairline, crack or restoration

Japanese Oribe Seto Ware Andon-Zara Dish - Edo Period

This stoneware dish is an andon-zara (or abura-zara), an oil lamp dish. It was made in the early 19th (or possibly late 18th) century, during the Edo period (1615 - 1868). It is heavily-potted and has a delightful slight warp to it. It is coated in a crackled glaze and decorated in underglaze iron-brown, the pattern featuring a stylised flower, two interlocking circles above what may be a fence. To the top right is an area of green glaze...

Longquan bowl decorated with incised lotus petals rising from foot to the exterior and flower motif in the center. Covered with green glaze. Southern Song 12th-13th century. Condition : glaze degradation, no chips, cracks and free from restoration Diameter: 16.5cm and High: 8 cm

Very scarce Northwest Coast Tlingit potlatch ladle, fashioned from hand-beaten copper and Dall mountain sheep horn. Circa 1840s. Size: 9 inches length (3.25 inches handle). Copper objects were signs of great wealth and prestige among Northwest tribes. Such spoons were prized possessions that were brought out for marriages and important feasts. This spoon has a carved horn handle in the form of a seal with flippers and red stained teeth, which is riveted to a copper stem and bowl...

Kokeshi, wooden folk toy of NE Japan. Height: 12". This is an example of "Tougatta-kei" tradition of Miyagi Prefecture. The artisan is Satou Katsuyou, who was born on April 24th, 1944 (Showa 19.) It is not dated, but was most likely made within the last 20 years. For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which is accessible through our Trocadero homepage.

Description: A white jade pendant was carved as a Chinese characters-Suan Xi( double joys). In another good metaphor, a bat-Fu(good fortune) was carved on top of the word. A very good white jade piece like this one can ideally be threaded as a decent look pendant. Date: Qing Dynasty. Dimension:6.7cm x 4.5cm x 0.9cm

Korean rice bale-form stoneware wine bottle with cylindrical body, short circular spout at the mid-section, and four raised feet covered overall in a golden olive-brown glaze. One end has the standard domed form while the opposite slightly concave end, upon on which the vessel was fired, is unglazed and has the characteristic sand grit residue adhering. Heavily potted. 19th century. 10” long x 5 1/2” diameter; weighs over 4 lbs...

A fetching scene of colored washes very　much in　the Taisho style by important artist Ono (Ohno) Bakufu. Pigment on silk in superb Kinrande mounting. It is roughly 21-1/2 x 79 inches (56 x 200 cm).
Born in Tokyo Ono Bakufu (1888-1976) relocated to central Japan after the great Kanto earthquake of 1923 where he became an honorary member of the Hyogo Prefectural Academy of Fine Arts...

Because the Japanese used a minimum of furniture and usually sat on the floor, frequently an arm rest, kyosoku, was used either singly or in pairs. This simple wooden Meiji period arm rest would have been appreciated for both its form and finish. The wood was first burned with hot coals and then scrapped with the result that the softer sections of wood would be carved out more deeply. This process would leave the "wavy" sculptural pattern on the surface of the wood...

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid...

SCROLL OF SUMO WRESTLERS

Pictures of various sumo wrestlers and kanji words of 'hono' (dedication), titled "Untiring nerve" as its contents is like mental direction. Kaei 6 (1853), Edo period, Japan. 105 x 13.6 cm (41.33 x 5.35in)...

This is a traditional Buddhist Lama's hat from Tibet. It is made from hand-knotted pile of cotton fiber, which is gathered to form a crest. There are no rips or tears but the fabric shows areas of dirt from wear. This dramatic looking ethnographic artifact makes a great display piece. It measures approx 24" from the height of the crest to the bottom of the lower straps.

A refined set of 5 later Edo Sake cups in a hybrid E-gorai style from the Kosobe kiln of Igarashi Shinbei decorated with pale blue designs (gnarled plum trees?) under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares. Each cup is 2-1/2 inches (6.5 cm) diameter...