Tibetan thangka densely painted in gouache on cloth with a scene featuring the seven-tiered dark blue Mahottara Heruka, the wrathful form of the Buddha and principle wrathful diety of the bardo, depicted standing on a lotus throne with multiple heads, arms, and legs and surrounded by a flaming aureole in consort with Krodheshvari shown lying on a tiger’s skin. Seven herukas, rendered over inverted triangles, and other figures surround the central image. 19th century...

Japanese Edo period carved wood polychrome and gilt Buddhist figure in the form of Bishamonten, one of the Guardian Dieties of the Four Directions (representing North). A protector of the Buddhist faith, Bishamonten is clad in armor and holds a stupa believed to carry the ashes of the Buddha, and by extension, the teachings of the Buddha. He is depicted standing on a gilt base atop a lion-type creature to symbolize the subjugation of evil in the world...

A good 19th century carved and lacquered wood Noh mask representing the character role of Ko Omote (young woman). The well oxidized wood visible on the inside of the mask exhibiting the knife strokes of the anonymous artist. Generally good condition and the lacquer strong and stable. In the interest of full and detailed disclosure: Some natural age checking of the wood on the figure's left side also conveying to the lacquered surface on the face...

Historically important Japanese woodblock print triptych depicting the landing of foreigners of the “Five Treaty Nations” in Yokohama by Utagawa Yoshikazu (flourished 1850-1870). The print features soldiers and civilians from America, England, France, Russia, and The Netherlands grouped together with their respective flag and label. Two Chinese compradores, who facilitated trade, are in the foreground and western ships line the harbor in the background...

This antique ivory bookmark is shaped and colored on one side to appear as a woman wearing a kimono. There is a long cord with small pierced ivory ojimi and tassel attached...

Chinese late Qing dynasty to early Republic period Album of Beijing Customs from the Zhou Peichun Studios (also referred to as Chou Pai Chuen and Chou P’ei-ch’un) consisting of seventeen leaves of ink and gouache color on pith paper export paintings. Each painting illustrates five to seven Beijing shop signs, each with an accompanying Chinese description. Each leaf holds a red Zhou Peichun seal. The individual paintings are thread bound on the right side...

Koi frolic, splashing gold and silver waves as they leap and battle for the top of this stacking food dish dating from the later 19th century. The design is striking! Outside is polished black loaded down with gold and silver maki-e with applied kirigane cut gold squares. Inside is festive red. The box (assembled) is 25 x 23 x 38 cm (10 x 9 x 15 inches). Some minor dings but overall, very nice condition for something which has seen use.

An early 19th Century "rice"/pith paper watercolour painting of a fish mounted in a 1920s/1930s limed oak frame. Condition - there are two splits and a small piece missing from the picture...

A set of five porcelain tea cups by Ninnami Dohachi decorated with bamboo and poetry by Nukina Kaioku (Suo) enclosed in a superb custom period kiri-wood box with rosewood edges. Each cup is 2 inches (5 cm) tall, 2-1/2 inches (6 cm) diameter. There are old gold repairs to two of the cups, otherwise are in fine condition.
Nukina Kaioku (1778-1863) was born into a samurai family in Awa, on the island of Shikoku a patron of the Hachisuka clan...

Description: A burl wood trunk was intriguingly made to be a nice tea leaves’ holder which was in full Zen spirits. Being set with tin barrel in the middle and framed on top and at the bottom with the same material, the tea caddy was in a sturdy condition and was ready for use any time. Nice patina was in the wood when the tin’s surface was well cleaned. Date: Qing Dynasty(19th century), Height: 13.2cm, Width: 11.9cm.

Chinese late Qing dynasty (19th century) front-opening Han style lady's jacket embroidered on the front and back in silk polychrome thread with clusters of flowering plants and butterflies on a dark cobalt blue silk satin ground. Much of the embroidery is executed with the “forbidden stitch.” The sleeve bands are similarly embroidered with flowers and Buddhist swastikas on a white silk ground. Three round floral metal buttons secure the front opening and silk closures secure the neck...

A heavy hand forged iron candle-stand from a Buddhist temple in the shape of a burning jewel. It is 90 cm tall, 57 wide, base and legs 20 x 39 cm and dates from the 19th century. Very thick and heavy iron work.
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Waves thrash about in a playful frenzy below the calm watchful eye of a full moon partly blanketed by dark clouds in this extraordinary painting signed Kagyo dating from the later 19th century. It is bordered in ivory colored brocade embellished with clouds extended in golden brown silk and features ivory rollers. The scroll is 21-1/2 by 79 inches 855 x 200 cm) and, aside from minor bands of yellowing of the silk expected of age, is in fine condition...

Indian miniature painting. Bikaner School. Undated, estimated to be 18th century. Subject: The Three Steps of Vishnu. Good condition. 19 x 13 cm.

Japanese Meiji period three-case boxwood inro carved on the front with two oni or animal creatures peering out from the trunk of a tree. The back holds a bearded man holding a sword or knife. All three have inlaid eyes. A wood ojime bead and a netsuke in the form of a smiling tiger is attached to the string. A two-character “Nissho” signature within a circular cartouche is embedded on the bottom. 19th century...

Hupa woven storage basket, Northwest Coast of California, c.1880. Size: 9.5 inches diameter x 5 inches ht. Tightly woven from alder on a hazelnut and willow warp with a dyed 'step design' in black. Good condition with tight weave and nice signs of use.

Blue and white dish decorated with prunus blossom on the interior, and mark on the base . Qianlong 18th century . Width = 26 cm. Condition : Excellent, no chips, hairlines, cracks and free from restorations.

Finely embossed and engraved with floral decorations. Remains of a pewter layer. H. 17 cm, D. 16 cm. This gorgeous ewer was designed without a handle, so nothing is missing. Wonderful age wear and patina. There iare two Arabic characters on the underside