Until the mid 1900's, transporting goods along the silk road was accomplished by camel caravans ...and it was important not to lose the camels in sand storms along the way... Each camel from Tibet was "adorned" with 3 bells...one large bell hang from a strap around the camel's belly, a 2nd bell was strapped around the neck, and the 3rd bell was hung from the camels tail. This old camel's bell was used on the caravans travailing between Tibet, across China and into Mongolia...

Description:

A tripod porcelain censer was finely potted in the form of an archaic bronze Li vessel.
The flattened everted rim poised above the wide straight neck when the compressed globular body with a band around the shoulder extending down to form flanges on the outer side of each leg.
The legs tapering down to the orange-russet unglazed tips.
The censer was covered all over in an even pale-green glaze and thinning to a whitish-green tone at the rim and flanges...

Description: An old Yixing flower arrangement basin with inscription " Sui Qing Xe Qi" (the water is pure while the rock is unique) on one side and carved flower motif on the other side had a special Chinese scholar taste. There're some defects on the rims but would never fail the beauty of this old piece. Date: Late 19th Century Length: 19.5cm Height: 5cm

Description: A bamboo brush pen was preserved in very good condition. By a warm brownish patina, the brush pen was carved exquisitely with grand mountainous scenery. Scholars were watching scroll with attendant under knarred pine trees while crane was flying amid scrolled cloud. Scholar rocks stand stylishly with finely rendered shape...

An exquisite 17th-18th c. rendition of Suiten (vedic Varuna) rising over tempestuous waves. Pigment on silk, The scroll is 59.2 x 167.5 cm (23-1/2 x 66 inches). It has been fully remounted, in an antique silk retaining the original brass rollers. One of the oldest gods, Varuna is associated with a Serpent (Makara) as his vehicle and a noose as his weapon...

A beautiful antique Indian statue of a Hindu female deity standing approx. 14 inches tall finest details patina and form. A beautiful piece would enhance any collection.

Very Rare Chinese Neolithic Painted Pottery Jar - Machang

This small pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a fairly high-fired pale pottery and is of a very unusual and rare form with its wide body, small unflared mouth, no handles and four pairs of purpose-made holes around its shoulder...

A small Chinese carved biscuit porcelain incense holder (or perfumer). The cylindrical carved white, unglazed cover over smaller diameter incense stick holder. The cover fitting onto a stepped rim on the broad base of the incense holder. The top of the cover with three holes to allow aroma from the unburned incense and carved details including small graduated bosses and prunus blossoms...

For centuries, the Chinese practiced ancestor worship as a religious ritual. Ancestor (also known as) or Spirit tablets were a ritual object commonly seen in temples and shrines and on household altars. Usually made of one or 2 pieces of wood...

Fine Chinese Han Dynasty Green & Yellow Glazed Small Pottery Jar

This attractive pottery jar was made during the Han Dynasty (206 BC - AD 220). It is in the form known as a hu and is fairly "heavily-potted". It is made from quite high-fired reddish pottery. The entire outer surface, including the flat base, has been coated in a streaky green glaze...

Beautiful conical bowl with carve decoration. Unglaze base. Width = 13.2 cm; Height = 5.5 cm Condition : no chips, cracks, hairlines and free from restorations.

Blue and white dish decorated with the symbols making up three concentric circles on the cavetto, Sanskrit characters and mark on the back. Qing Dynasty (19th Century) Fujian ware. D= 19 cm Condition : one hairline, no restoration. Shipping cost USD 35by EMS.

A elegant lacquerware for monastery use. Made in Kyaukka, in the lower Chindwin District in Burma, made from woven matting and coiled bamboo and lacquered in black and red. This piece has six sections. These original Kyaukka pieces are difficult to come by. Size: H. 38cm. W. 38cm. Condition: No repairs. Very good condition.

A bizarre pottery mass of two tea bowls and a stand fused together after collapsing in the kiln some four hundred years ago. It is 17 x 13 x 11 cm (6-1/2 x 5 x 4-1/2 inches). There is something to be said here about best laid plans. All the potters craft and experience and yet nature intervenes, creating this vitrified sculpture for later generations to contemplate.

Chinese Sui / Early Tang Dynasty Glazed Pottery Figure

This pottery figure was made during either the Sui Dynasty (AD 581 - 618) or the early part of the Tang Dynasty (AD 618 - 906). The figure stands alert, wearing a long flowing robe with hands clasped across its chest.

It is "heavily-potted" and made from a relatively highly-fired creamy-white pottery...

Description: An exquisite white jade piece was shaped as a hanging piece and a display item as well. Carved with figurines of an old man carrying a boy on his back which was a Chinese metaphor of longevity and fertility of boys. It was very cute on the topic and the carvings was very delicate for revealing the details. Date: Qing Dynasty (18th Century) Height: 5.1cm

Small Kendi, with rounded sides, bulbous spout and tall neck decorated outside with floral scroll and plantain leaves on the neck, glazed base. PERIOD : Wanli (1573-1619 AD) MEASUREMENT : 14 cm height Minor restoration to the end of spout, frittings on the head of the neck.

Description:

One decent painted jar was well molded in a grand look. By the straw glazed slip on the surface, the well maneuvered sketching motifs- the vibrant peony flowers and spread leaves were vividly rendered in a regular form around the straight wall.
From the freehand but strictly applied brushwork on the surface and the beige body clay revealed at the foot ring, the beautiful ware was authenticated as a piece from Cizhou kilns for sure -but a restricted one...