Chinese Qing dynasty Guangxu mark and period “birthday” or “eternal spring” bowl, decorated on the exterior in famille rose enamels and gilt highlights with four medallions, each containing an iron-red and gilt seal-script character (wan shou wu jiang), symbolizing boundless longevity, set against a yellow ground densely covered in polychrome ribbons, pearls, clouds, and Buddhist swastikas. Foaming waves encircle the high recessed foot...

Description:

A Lusan stem cup was in lovely size.
It was well preserved by reflecting the retrospective sheen of old condition.
Blue and white splashes were suffused against the dark brownish glaze background on the surface.
Loosening-feel body clay was revealed at the lower portion in beige tint.

Date: Tang Dynasty, 9th/10th century.

Body width: 6cm, Height: 5.5cm.

NAKED JAPANESE WOMAN 1908

Old anonymous charcoal drawing backed with washi Japanese paper, dated back to the Meiji period (as related to another listed drawing of 'NAKED JAPANESE MAN 1908' signed with "Meiji 41 (1908) acquired from the same provenance at the same time), 46.4 x 62 cm (18.26 x 24.40in), in very fine antique condition with aged deterioration as is, with stain and surface cracks as seen...

TANUKI SIGNBOARD OF CANDY STORE

Old wood carving raccoon dog formed hanging shop-signboard engraved as 'okashi' (confectionery) in kanji words, Showa period, early-mid 20th century, Japan, W 49 x H 45 x D 4 cm (19.29 x 17.71 x 1.57in). Solid and heavy make, once gold foiled and faded so due to age as is...

White Robed Kannon by Zen Wako (also Chon Fua Fan/Chow Wha Whang), Oil on panel, 22 x 27,5 cm (9 x 11 inches) in the original frame.
Zen Wako was born in Pyongan (modern day North Korea) in 1909, while that country was under Japanese Influence, and one year before it was officially annexed by Japan. He was first recognized in 1929 when his work was accepted into the Korean national Art Exhibition...

Porcelain decorated with flower on the body, glazed base. PERIOD : late Ming (1566-1643 AD) MEASUREMENTS: 9,5 cm tall. CONDITION: chips on the foot rim, no cracks or hairlines and free from restorations

Large Chinese Qing dynasty porcelain wash basin decorated in underglaze blue with leafy vines and sweet pea flowers set against a white ground with a pale blue tint. The exterior holds three flying bats. There are small amounts of kiln grit adhering to the unglazed foot rim. The base is glazed. 13 3/8” diameter x about 4 1/2” high. 19th century. Very good overall condition with typical minor production imperfections...

Description:

A marble scholar water basin was preserved in perfect condition.
Well hollowed, the water basin was in nice oval and flat form.
Some ink residue was left inside the basin.

Date: Qing Dynasty, 19th century,

Body Width: 10.5cm

Pair of Joseon dynasty or later Korean wood wedding ducks with subtly modeled feathers covered in layers of oiled stained paper, the heads separately carved and inserted by their long necks into a hole in the body. Each has a typical rectangular recess on the base. The heads have circular eyes and slits in the long beaks. These were traditionally presented by the groom to the parents of the future bride and were displayed during the wedding...

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Raicho" (Thunderbird) depicting a rock ptarmigan (a type of grouse) and chicks dated in the left margin Showa 5 (1930). The artists's black ink signature and red seal are at the lower right corner. The print is pencil-signed in the lower right margin. The date and kanji title are in the left margin with the English title below in the lower left margin. Paper size: 10 3/4" x 16" (image: 9 5/8" x 14 3/4"...

Chinese late Qing dynasty sang-de-boeuf (oxblood) flambé glazed cylindrical form censer. The oxblood glaze drips inside at the rim above the thick off-white glaze lining the interior. The censer rests upon vestiges of three small tripod legs. The base is unglazed and has burnt orange. As is typical of late 19th century examples, the base shows evidence where the glaze ran off the base and was broken off the kiln supports. 7 3/8” diameter x 5 1/2” high. Very good overall condition...

A nice stoneware plate in off blue and white with two fish swimming among water plants. Probably from Northern Thailand or Vietnam. Size: Diameter. 31cm. H. 7.7cm. Condition: Some of the glossy is gone and there is one chip on the rim. See photos.

Dusk puddles and drips among the thick textures of this mid-century oil by Yamada Eiji titled on back “Mori” (Forest). Oil on canvas, it is 18 x 24 inches (46 x 61 cm) and is in excellent condition, wrapped in a simple raw wood storage frame.
Yamada Eiji (1912-1985) was born in Fukuoka on the Southern main island of Kyushu and was accepted into the Nikkakai Ten exhibition in 1933 for the first time...

THREE SAMPLE BOOKS OF KIMONO FABRIC

Set of old sample books of batik dyeing kimono fabric of professional use, with 66 pages pasted sample scraps (as 20 p + 20 p + 26 p) and more blank pages, also including some remains of sample scraps and a partner's business card. Showa period, 20th century, Kyoto, Japan. 44.5 x 32 x 3.5 cm (17.51 x 12.59 x 1.37in) each...

NAKED JAPANESE MAN 1908

Old anonymous charcoal drawing backed with washi Japanese paper, dated back to Meiji 41 (1908) as signed, 47.5 x 63.5 cm (18.70 x 24.99in), in very fine antique condition with aged deterioration as is, with stain and surface crack as seen...

Chinese Qing dynasty bronze compressed globular bombe form censer with two well executed Buddhist lion-mask handles. High circular foot with an apocryphal six-character Ming Xuande reign mark in relief within a recessed rectangular panel on the base. 5 1/2” diameter (including handles) x 2 5/8” high. Weighs 1 lb. 2 oz. 19th century. Very good overall condition. Appears to have been polished years ago.

Description:
A round-shaped pottery inkstone was well preserved.
Supported by three foot which were intriguingly and characteristically in figures as crouching animal, the inkstone was mold with flat surface.
The surface was used as grinding pool for inkcake, so it was concaved in the middle.
In two-step style on the surface, the outer lower rim was designed for resting the lacquered cover which had been decayed and vanished.
Overall it was in newly-excavated condition preserved ...

A set of seven (7) miniature paintings on canvas of winged Tibetan protector deities and gods surrounded by flames including Vajrapani and Yama Dharma Raja. Four (4) of the miniatures are finely executed line drawings with color washes on a light-weight canvas. These four appear to have been done by the same artist and are of approximately the same size. The other three are painted on a heavier canvas - two of which are painted in full with darker pigments. The last of the seven is a red line...