Blue and white porcelain decorated by prunus to the body, glazed base. PERIOD : Kangxi (1662-1722 AD) MEASUREMENTS: 8 cm height. CONDITION: frits to the below of the rim, no cracks or hairlines and free from restorations

Description: An elegant celadon water basin of Longquan kiln was molded in beautiful shape. Cutting plum flowers were stick around the upper portion of the basin and at the lower portion around the foot ring. Whitish incursions and burial earth were reserved on the glaze surface when obvious brownish firing effect was at the unglazed clay. A beautiful Longquan piece was applied with fatty milky celadon glaze which was usually seen for pieces from Yuan Dynasty...

Blue and White Bowl with flower scroll in the exterior and mark in the center. W = D = Ming Dynasty Condition : Restoration to the minor fritting on the rim, no cracks, no hairlines.

This is a pair of famille rose in pastel colour and floral design tea-cup. The inside of each tea-cup has a slightly flared top and has a barbed shape rim surrounded by an intricately designed inter-connecting miniature iron red colour ruyi head...

It's rare one example of b/w bowl produced of transition between late Yuan to early Ming Hongwu period, decorated with emblems to the exterior and Tibetan characters around inner rim, base unglazed showing the characteristic of Yuan wares. Condition is perfect. Diameter: 14 cm.

Description: A black bowl from 12th Century was well molded and glazed uniquely. Applied in mottles with brown glaze on the interior and exterior against the black glaze, abstract firing effects was yielded with charming purplish blue when amid with brownish tint. Minute pinpoints incursions were spread dispersedly on the surface reflecting the dirt-like foggy hue(see pictures 9, 10, 11), and makes the mottles like different halos...

One of two paintings currently offered by the highly sought after literati artist Fukuda Kodojin (1865-1944) featuring an erratic image of the full moon seen through bristling pine performed in thin ink on paper and enclosed in the original signed wooden box dated 1925. The brazen brushwork will rattle images of the subtleties of Japanese art, and yet the scene is at once calming...

When you look at an obi like this, you know why the name "Nishijin" is so known. This is a very formal obi, the biggest obi that I have seen, 13" wide and 154" long. Just a perfect piece for the formal dining room. It is large enough to cover two formal dining room tables. The colors are pastel, very gentle. When this obi was woven, the gold thread was woven in together. Every dot and line that you see in these pictures is the gold thread. It is a thick textile without a thick padding...

Porcelain covered with green glaze to the foot, unglazed base. PERIOD : Yue Ware 9th Century MEASUREMENTS: 10.5 cm tall. CONDITION: restoration to the rim missing part (see initial condition picture) , no other damages.

A nice Southern-Song dynasty Longquan dish, covered slight dark olive green glazed. Overall good condition, no chip, no crack and free from restoration. Unfortunately only a tiny warped, otherwise is excellent. Diameter: 20.6cm.

A large gold decorated lacquered dish painted in Ming Dynasty style depicting boys at play by a pavilion in a river landscape. Condition - good. There are chips to the rim and a little wear to the gilding - please see pictures. This item was probably made for export during the reign of the Guangxu Emperor (1875-1908)...

A plum by Yumei Sosho of Sokokuji temple timidly opens its blossoms under a brief epithet by Taishitsu Sosho of Daitokuji temple. A rare gassaku work by these two priests. Ink on paper in original border, ivory rollers dated 1808. The ivory rollers will be replaced if shipping overseas. The scroll is 12 x 71 inches (31 x 180 cm). Overall it is in fine condition considering the age, however does cup some in the center and there are some marks mostly visible in the upper and lower borders...

Many stories were written based on Yoshitsune (Minamoto family) and Benkei. The "Kanjincho", the Kabuki adaptation of the Noh play "Ataka" was first performed at the end of the Edo period in 1840. Danjuro VII played the roll of Benkei in the same costume that you see on this doll for the first time. Danjuro VII brought many fresh ideas and techniques to Kabuki play. This costume was one of the results which brought quality costumes to Kabuki from the Noh play...

Earthenware red kendi with elegant shape, flat base. MEASUREMENT : 11 cm height, 19 cm wide. PERIOD : Tang Dynasty (618-906 AD) CONDITION: Perfect, a chip on the outer rim ,no cracks or hairlines and free from restorations

This is a medium-size Liao dynasty (907–1125A.D.) moulded polychrome earthenware plate with leaded glaze. It rests on a short foot rim, a flat everted base before rounding up. It has a simple floral motive. On the underside, the glaze is in dark olive green with the glaze flow stopped short at about just before the short foot rim exposing a light greyish white earthenware.

There is no repair or restoration...

Jar, with rounded sideds decorated outside with lotus scroll, Ru'i lappet on the shoulder and a band of small circles around the foot. Unglazed base. This is similar with the item on the Chinese Blue and White Ceramics by ST Yeo & Jean Martin, Southeast Asian Ceramic Society, 1978, page 116m plate 18. PERIOD : Early Ming (1400-1487 AD) MEASUREMENTS: 22 cm wide. CONDITION: restoration to the chip on the rim. No other damages issues.

A nice Qinghai bowl, covered overall with bluish green glaze and decorated with six ribs to interior cavetto make the centre like a flower medallion shape, possibly Yuan/Ming dynasty Jindezhen ware. Condition with slight long hairline crack and firing imperfection, otherwise is good condition. No any chip and free from any restoration. Diameter: 16,8 cm.

Max Width : 6cm.

Description:

A crouching Bixie was carved from a pebble of black steatite.
Depicted with protruding eyes, back thrown ears and the broom-like tail, the fairy beast was treated by affluent and sleek carving lines.
An animated form was then vividly rendered...

A finely b/w jarlet with two horizontal ear to the shoulder, decorated with three branch of chrysanthemum divided by beads line. Yuan Dynasty in perfect condition and free from any restoration. High: 7cm.

Small Indian Hindu bronze group cast in one piece depicting Vishnu seated in lalitasana with his consort Lakshmi, holding a lotus bud. Condition: fine, few traces of usage. Dimension: 11.1 cm high.

A small dish, heavily potted, covered in a beautiful celadon glaze producing the crackles of the Geyao type glaze. The recessed base is glazed while the foot rim is dressed with an iron brown wash. Periode : Qianlong (1736-1795) Century Diameter : 12 cm. Condition : Perfect, no chips, cracks, hairlines or restorations.

Two nice Yuan dynasty (1279-1368) small jar. 1. Blue & White jarlet, decorated with Blackberry Lily surrounded the body. Condition is good except two lug handles has damaged or missing, no chips or repaired. High: 5.8cm. 14th century Jindezhen or Fujian. 2. Jar of globular form, decorated with splashed brown iron spot and a Yingching glaze over a porcelain body. Good condition except one lug on the shoulder has damaged or missing, no chips or repaired. 14th century Jindezhen or Fujian ware. Hig...

Blue & White saucer dish with slight thickly potted, decorated at interior center of a figure with back ground of the mountain, underside with scroll and sitting figurine also. Condition is good near to perfect, only minor fritting to rim and having very short glaze hairline which impossible to catch by camera. Ming dynasty early 16th century Hongzhi-Zhengde phase. Diameter: 12.3cm.

Kokeshi, wooden folk toy of NE Japan. Height: 5.125". This is an example of the "Naruko-kei" tradition of Miyagi Prefecture. This particular shape was called an "ezuko" (Basket child) in the local Miyagi vernacular. The artisan was Oyama Kesaki, who was born on March 25th, 1940 (Showa 15.) It is not dated, but was most likely made during the 1980's. For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which can be accessed through our Trocadero homepage.

 

A fabulous large porcelain vase by Daimaru Hoppo (Hokuho) enclosed in the original signed and compartmentalized wooden box complete with a rosewood base. The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The simplified form rises from to frets decorated with stylized cicada under a belt of archaic figures and yotsu-domoe (yin-yang) symbols. It is 14 inches (35 cm) tall plus the base and is in excellent condition.
Hoppo (also...

Description:

A wood Bodhisattva was nicely carved and was well preserved in very good condition.
In metal-sheen-like patina, the wooden deity was depicted in serene mood by well carved features.
A portion of the base was missing, an old defect.

Date: Early Ming periods, 14th/15th century.

Height: 23.5cm.

A SILK BOX IS INCLUDED.

Longquan charger covered with guan type - crackle celadon glaze and decorated with chrysantemum flower on the center. Glazed Base. Southern Song 南宋 (1127–1279). Measurement : Diameter: 27 cm. Condition : cracks on the body, free restorations.

Chinese Tang Dynasty Painted Pottery Horse (AD 618 - 906)

This attractive pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in white and reddish-brown pigments. This horse is well-modelled and stands upright and alert with its head turned slightly to its left.

Height 21.5 cm (8.5 inches). A nice example in good condition with any possible repair having been performed to a professional standard. ...

Description:
A big oil painting on cotton was in striking image.
Full of original spirits of the minority people of southern China, the subject of this painting was the Daoist deities of Earthern Father(Tu Di Gon), Earthern Mother(Tu Di Puo) and Guandi who separately stands for Prosperity, Fertilization and Wealthness.
Used the bold colors, the painting was rendered by fluent sketching lines and was finished with profuse tableau.

It is a great decorative piece full of origin...

An unusual Japanese blue and white porcelain koro, presumably Hizen production. Clearly Japanese with Mon alternating with flowering karakusa on the rim, and the body decorated with almost Nabeshima like cloud and tooth borders enclosing a broad tako-karakusa background featuring peony blossoms on cylindrical form with inverted, broad rim. Five spur marks appear on the glazed foot with no rim. Very good condition. About 3 1/16 inches (7.78 cm) diameter. About 2 1/2 inches (6.35 cm) high.

Pair of Joseon dynasty or later Korean wood wedding ducks with subtly modeled feathers covered in layers of oiled stained paper, the heads separately carved and inserted by their long necks into a hole in the body. Each has a typical rectangular recess on the base. The heads have circular eyes and slits in the long beaks. These were traditionally presented by the groom to the parents of the future bride and were displayed during the wedding. The male and female ducks and geese were believed ...

Pair of Chinese Republic period porcelain vases densely decorated in famille rose enamels with a continuous central figural panel holding scholars playing wieqi (go) in a garden setting. The shoulder, neck, and base are covered in a dense pattern of lotus leaves and scrolling foliage. The high recessed base bears a square iron red apocryphal four-character Qianlong mark. Two coral-red pierced lingzhi spray handles flank the neck which rises to a trumpet mouth bordered by a pattern of ruyi head...

Most probably a part of a belt. Made in the forbidden stitch. L. 70 cm W. 10 cm. Expected age wear. Late Ming, ca. 16th/17th century.

A Tang dynasty Changsha bowl, rounded side with deep center and unglazed base, bowl decorated with scroll and fire works motif in brown color motif, bowl covered with creamy glazed PERIOD : Tang Dynasty (618-906 AD) MEASUREMENTS: 5.5 cm tall, 15 cm wide. CONDITION: a small frit, no chips, cracks, or hairlines and free from restorations.