A Japanese blue and white koro with all over cartographic decoration of the Japanese Islands, with provinces labeled, and other bodies including seas and land masses with countries labled. The name used for Korea uses the name Joseon which dynasty (established in 1392) ended by varying accounts between 1897 and 1910. The censer could be later still. The cover with Shishi lion pierced finial over the compressed spherical tripod censer with stylized handles...

A rare okimono from the Kairakuen Kiln of the Tokugawa branch family dating from the early to mid 19th century. The box label attributes these to Eiraku (presumably Hozen, who was tasked with helping to further the ceramic production of the kiln). The rooster is roughly 7 inches tall the same in length (18 cm). Dating from the later Edo period, they come in an old wooden box with a cloth cover and are in excellent condition...

An exquisite carved Ivory image of Guanyin with the Buddha atop all hand carved from a very large tusk Measuring 5.5 in diameter 15 inches tall and 18 inches tall with stand. Signed with carved symbol on bottom. A fine example would make a nice addition to any collection.

Indian painting of Durga. Jaipur c.1890. Painted en grisaille. 305 x 305 mm. Unframed

Green glaze covering foot rim. Unglaze base with burnt red. Diameter = 11.5 cm Period : 14 th-15 th Century Longquan Kilns, Zhejiang Good condition, a minor fritting on the foot rim, firing crack, no hairlines and free from restoration.

A fine Chinese Ming dynasty period large storage jar with dragon design the top has loops to tie the wooden top for long term storage. Beautiful museum quality example large in size and fine in form measuring approx. 35.5 inches.

 

LOVE LETTER FROM PROSTITUTE

One of old hand props for the performers of Nihon Buyo (Classical Japanese dance) or Kabuki actors called 'Tenbeni' (lit. 'Upper red'), originated from the customs of 'Yujo (Japanese prostitute) who draw the line with own lipstick on the upper part of love letter to the customers, as a rare type with just wave lines. Showa period, 20th century, Japan. 228 x 20 cm (89.76 x 7.87in)...

Chinese late Qing dynasty sang-de-boeuf (oxblood) flambé glazed cylindrical form censer. The oxblood glaze drips inside at the rim above the thick off-white glaze lining the interior. The censer rests upon vestiges of three small tripod legs. The base is unglazed and has burnt orange. As is typical of late 19th century examples, the base shows evidence where the glaze ran off the base and was broken off the kiln supports. 7 3/8” diameter x 5 1/2” high. Very good overall condition...

This Imari covered bowl, though matching our listings 1065543, 1065548 and 1065550 for form and decoration, is a little larger in size. In excellent condition, it is just out of a diplomatic estate. The bowl is about 4 7/8" (12.38cm) diameter and 2 5/8" (6.67cm) high. The cover is about 4 1/2" (11.43cm) diameter.

A spectacular pair of vases by Ito Tozan I decorated with the imperial chrysanthemum in gold between soaring phoenix; symbols of the Japanese imperial family. Both come in the original (tired) silk pouch in a compartmentalized wooden box signed by the artist. Each is roughly 6 inches tall and in excellent condition, dating from the late 19th to early 20th century (later Meiji to Taisho period)...

SOTOMIYA

Miniature version of Japanese outdoor wooden shrine called 'sotomiya' (as the opposite type of interior household shrine called 'kamidana'), Showa period, 20th century, approx. H 26.2 x W 18.5 x D 18.8 cm (10.31 x 7.28 x 7.40in). Some damage as is as seen. No object enshrined (since this little snake is not attached), so that please arrange something worshiped into by yourself...

Fabulous carved florals rise in vibrant color off the surface of this yellow glazed vase by Kato Keizan II enclosed in the original signed wooden box. It is 31 cm (12-1/2 inches) tall, 24 cm (9-1/2 inches) diameter and in excellent condition.
Kato Keizan I (1886-1963) was born in Tajimi city, Gifu, a pottery center in its own right, however came to Kyoto to apprentice under Kiyomizu Rokubei IV...

Creamy-feel, crackled glaze with old body clay revealed.

Height: 10.3cm

Date: Yuan/Ming periods.

A cotton box is included.

Japanese limited-edition mezzotint depicting a traditional village in snow by Koichi Sakamoto (b. 1932) titled “Enduring Village No. 1.” The print is pencil-signed, titled in English and kanji, and numbered 68/100 in the lower margin. Dates circa 1982. The artist’s watermark is in the lower right margin. Paper size: 9” x 11” (plate about 5 1/2” x 6 1/2”). The white archival mat folder measures about 12 1/2” x 13 1/2.” Excellent overall condition...

7 twisted gold pines shroud a seedling on the roiro ground of this fine togidashi suzuri bako writing box dated 1931 by Moriya Shotei enclosed in the original signed wooden box. The writing box contains the original suzuri ink stone and water-dropper. Inside the lid is the large character Kotobuki (fortune) followed by an inscription reading 88 year old man Bajo Kasho...

A matching Edo period Myochin signed Go-mai-do Gusoku yoroi lacquered black and threaded with blue chord emblazoned with a seven star crest...

Lovely lobed dishes with a creamy white glaze. Diameter 11,2 cm. Very good condition, one of the dishes with some light brown stains, due to its long time in the soil. Song Dynasty (960-1279).

Porcelain decorated floral sprays on the exterior, continous floral scroll on the exterior, glazed base. PERIOD : Early Ming (1400-1487 AD) MEASUREMENTS: 24 cm wide. CONDITION: four short hairline, two small chips to the rim; free from restoration.

Japanese pencil-signed first edition shin hanga woodblock print titled "Kagurazaka Dori" (Kagurakaza Street after a Night Rain) from the series "Twelve Scenes of Tokyo" by Hiroshi Yoshida (1876-1950) dated Showa 4 (1929). The jizure (self-printed) seal is in the upper left margin. The artist's black ink brush signature and red seal is at the lower right corner of the image. The print is titled in English and pencil-signed in the bottom margin. The left margin contains the date and title in Jap...

Japanese mid-century sosaku hanga woodblock print by Kiyoshi Saito (1907-1997) titled "Winter in Aizu" from a series by the same name. Signed in black ink at the lower right and with the artist's red Kiyoshi seal above. Unlimited edition dating circa 1960s. Paper size: 11 9/16" x 17 1/8" (image: about 10" x 15 1/4). Very good overall condition and color with full margins. The print is very lightly sunstruck and there is a small faint browned spot in the center bottom by the margin. There ar...

Large Chinese Qing dynasty porcelain wash basin decorated in underglaze blue with leafy vines and sweet pea flowers set against a white ground with a pale blue tint. The exterior holds three flying bats. There are small amounts of kiln grit adhering to the unglazed foot rim. The base is glazed. 13 3/8” diameter x about 4 1/2” high. 19th century. Very good overall condition with typical minor production imperfections. This type of decoration with a sweet pea floral background was produc...

A 19th century (Edo to Meiji periods) gilded bronze branch bearing three golden fruits, each of which opens to reveal a small compartment. It is 19 cm (7-1/2 inches) long, 6 cm (2-1/2 inches) tall and comes enclosed in an age darkened kiri-wood box. Certainly of Buddhist connotations, it likely held some small sweets or incense.

With traces of the original pigments. No visible repairs, although repairs are common on early pottery. H. 26 cm. China, Tang Dynasty (618-906)

 

Rare Yuan dynasty red lacquerware oval tray, Chinese, 14th century, carved with two three-toed dragons encircled by a border of crashing waves. Size: 8 3/8 inches x 6 3/4 inches x 1 inch deep. Condition: two spots where the lacquer is missing on the top of the rim, some old filler on the foot ring on the under side, some cracking to the lacquer and a few tiny spots of loss to the incised lacquer in the background. The back of the tray has a border carved with a scroll design, which frequentl...

Description: One elegant elm bowl or water pot was from Changsha kiln of Tang Dynasty. By a very rare type of glazing of iron-greenish mottles amid straw-glazed slip on top and around the mouth rim, the water pot was finely molded with characteristic flat bottom. In a chalk-feel quality, the body clay was left with obvious molding scars and was adhered with excavation mud. Slight incursion was occurred to the glaze and was yielded in a whitish look. The glaze condition of this pot was very good....

Description:
A round-shaped pottery inkstone was well preserved.
Supported by three foot which were intriguingly and characteristically in figures as crouching animal, the inkstone was mold with flat surface.
The surface was used as grinding pool for inkcake, so it was concaved in the middle.
In two-step style on the surface, the outer lower rim was designed for resting the lacquered cover which had been decayed and vanished.
Overall it was in newly-excavated condition preserved ...

Description:

A soapstone seal was well carved to top with a crouching Bixie.
Two Chinese word Qing Sun(Casually Treasuring) was regularly carved on printing side.
Inscriptions were on the side too.
The stone was in warm brownish tint and in greasy feel.

Qing Dynasty, 19th century.

Dimensions: 6cm x 2.9cm x 2.4cm.

A Japanese carved Ivory netsuke of Daikokuten artist signed in very fine condition measuring 6 cemtimeters or 2.5 inches tall. Daikoku is variously considered to be the god of wealth, or of the household, particularly the kitchen. He is recognised by his wide face, smile, and a flat black hat. He is often portrayed holding a golden mallet called a Uchide Nokozuchi, otherwise known as a magic money mallet, and is seen seated on bales of rice, with mice nearby (mice signify plentiful food).

A very good sized sculpture of Pedanda, a Brahman priest of the highest caste. This is a traditional sculpture, not a piece for tourists. It's made of hard wood, very intricately carved and has a subtle polychrome. H. 51 cm. Condition: expected age wear and a few age cracks. Please refer to the detailed pictures. A similar figure is in the collection of the 'Tropenmuseum' in Amsterdam. Provenance: Belgian private collection.

Bowl covered with creamy white glaze and decorated with floral carved. Unglazed Base. Song 12th-13th century. Condition : no chips, hairlines or cracks and free from restoration. Diameter: 13.5cm

This antique Japanese wooden Buddha stands on its own a intricately carved base. The golden lacquer is worn away in some areas showing the under coat of black lacquer. This Edo period Buddha stands 8 inches tall including the stand.

This is a SATSUMA TWO PIECE BOX from a WASHINGTON, D.C. Estate. The size overall is 3 1/8" in Diameter X 1 3/8". The Top is Painted with a CLASSIC JAPANESE WOMAN motif; also, the Interior and Back are Painted. See the jpgs that show more detail. EXCELLENT CONDITION ca. 1895- 1900

In good keeping with the Koransha tradition, this vase demonstrates the imagination and creativity of the Fukagawa ceramists and is reminiscent of their design books. First thinking it might be a gourd form, it becomes apparent it must be a melon form - more consistent with the suggestion of Spring with the blue and white prunus and cracked ice background to the polychrome mountainous landscape with black pine and secluded retreats in green, yellow, aubergine, orange and gold enamel. The neck su...

Porcelain covered by powder blue glaze, glazed base. Diameter = 9.5 cm Tall 5 cm. Periode : Qing 18th Century. Condition : very good, no chips, cracks, or hairlines and free from restoration.