A Boro cover textile of sewn together bits of worn out Asa (Hemp) fabrics resist died with various patterns. 146 X 163 cm (57-1/2 x 64 inches).

Lovely wear and patina. H. 11,5 cm. From a Dutch private collection.

A collection of six unique antique sake cups from various regions in Japan, each enclosed in an old wooden box.
1. A rice bale shaped Kosobe yaki bowl in thin bluish-white glaze stamped on the base, probably second or third generation (see below).
2. A Soma Yaki small bowl of pinched form with speckled green glaze from Fukushima. Soma Yaki has a four-hundred-year history.
3...

The soft blur of blossoming plum, as if viewed in a dream, by Murashiam Yuichi. The evocative form, rising up in an arc to dominate the paper, seems powerful in comparison to the delicate petals clinging to new branches rising from the gnarled limbs. Ink on paper in green silk border, the scroll is 216 × 45cm (85 x 18 inches) and in overall excellent condition...

Decorated with pagodas in gardens by a lake. Qianlong (1736-1795). Dimensions: 32,5 x 25 cm. Condition: one dish with a very small chip, the other dish with a 1 cm chip at the lower rim.

A pair of Chinese porcelain rice bowls and covers. Painted in famille rose enamels with dragons among lotus scrolls above waves. The base of each bowl carries a six character Daoguang reign mark in iron red. Republic period.

Size: Approximately 9-1/2 cm high by 9 cm diameter

Condition: Very good condition, no breaks.

Scratches of ink form a precipitous landscape of jagged mountains on the paper surface of this scroll performed by Fujii Tatsukichi enclosed in a wooden box titled: Painted by the elder Tatsu, One Scroll, Mountain, Annotated by Eichi. It is framed in a silk border terminating in black lacquered rollers. It is 13-1/2 x 59 inches (34 x 149 cm) and is in excellent condition.
Kato Eichi (1899-1987) was a potter from Seto who trained under Tatsukichi...

A Persian torch stand made of bronze or brass with chased and engraved sheath showing floral decoration and arabesques. Condition: traces of usage. Dimension: c. 25.8 cm high, diameter foot: 15.6 cm.

An antique flattened flask from Oman once used to fill the powder-pan of a matchlock gun, after 1880 often used as amulets. Made of solid silver beautifully decorated with granulation and filigree work and some gilding. Condition: some traces of usage and wear to gilding. Dimension: 17.8 cm long, weight: 212 g.

Measuring 15 1/2" high and 4 1/2" wide, this bronze alam, or standard, is from the Deccan region of India, and iwas used in ceremonial parades or other functions, carried on a pole by a leader or religious person. Used in the Islamic culture, it is heavy bronze, and this one was made in two sections, the handle attached with a heavy handmade screw...

A rare opportunity to pick up a perfect condition Mingei pot from the former Yonezawa Clan's Narushima-kiln of Imaizumi on the border between Yamagata and Fukushima prefectures, one of the Edo period Daimyo feudal kilns, dating from the later 19th to opening years of the 20th century. It is 7-1/2 inches (19 cm) diameter, 6-1/2 inches (16 cm) tall and in fine condition with no chips, cracks or repairs...

This beautiful Qianjiang painting of two yellow birds amid branches of pine, interspersed with flowers is a must have for any serious collector of Qiangjiang painting. The Qiangjiang artist were employed at the imperial factories and were often experts of paintings and calligraphy. This vase has a poem and is signed by the artist, the vase dates to the early Republic era C. 1916 and is without damage, and with little wear to the details. It measures 9 inches tall. Guaranteed not to disappoint.

A set of six pierced silver zarfs with decoration in Niello, Ottoman coffee cup holders. Stamped with Tughra mark on body and foot, base with "Tremolierstich". Condition: some small repairs, two zarfs with a lost prong. Dimension: c. 5.6 cm high, diameter: 5.1 cm, weight: 227 g.

Chinese Qing dynasty Qianlong period geyao type shallow bowl covered overall with a fine crackle glaze on a creamy white ground. The high foot rim is glazed on the exterior. The recessed base is glazed and the glaze extends part way up the inner side of the inward slanting foot where it ends with an orange burn line. There are seven brown glazed spots on the base that simulate Song kiln supports. 10 3/8” diameter x 2 1/4” high. 18th century...

Chinese Republic period porcelain plaque decorated in famille rose enamels with the eight immortals standing outdoors under a pine tree with bats flying overhead. Produced by the Jiangxi Porcelain Company at Pearl Mountain and dated 1924. Nice quality wood frame. Porcelain measures 15 1/8" x 9 7/8" (with frame: 16 3/8" x 11 1/4"). Very good overall condition. There are tiny brown scattered spots in the glaze from the original production...

Chinese Ming dynasty bronze standing acolyte on wood stand naturalistically pierced and carved to resemble a rocky outcropping. The left hand holds an object and the right hand gestures with two fingers pointing to the ground. The figure wears a gown and a headdress with long billowing ribbon scarves. Metal prongs secure the figure into the stand which appears to be original. 6 5/8" high on the stand. Excluding the metal prongs, the figure is slightly over 5" high. Circa 16th century...

Qianlong celadon vase with three lugs. Measure H=22 cm Qianlong Period Condition hairline encircling the neck.

Porcelain covered by celadon glaze, to the footrim; glaze base. PERIOD : Song Dynasty (960–1279 AD) MEASUREMENTS: 12 cm wide, 4 cm tall. CONDITION: Excellent, no chips, cracks, hairlines and free from restoration.

NAKED JAPANESE WOMAN 1908

Old anonymous charcoal drawing backed with washi Japanese paper, dated back to the Meiji period (as related to another listed drawing of 'NAKED JAPANESE MAN 1908' signed with "Meiji 41 (1908) acquired from the same provenance at the same time), 46.4 x 62 cm (18.26 x 24.40in), in very fine antique condition with aged deterioration as is, with stain and surface cracks as seen...

TANUKI SIGNBOARD OF CANDY STORE

Old wood carving raccoon dog formed hanging shop-signboard engraved as 'okashi' (confectionery) in kanji words, Showa period, early-mid 20th century, Japan, W 49 x H 45 x D 4 cm (19.29 x 17.71 x 1.57in). Solid and heavy make, once gold foiled and faded so due to age as is...

Chinese Qing dynasty Guangxu mark and period “birthday” or “eternal spring” bowl, decorated on the exterior in famille rose enamels and gilt highlights with four medallions, each containing an iron-red and gilt seal-script character (wan shou wu jiang), symbolizing boundless longevity, set against a yellow ground densely covered in polychrome ribbons, pearls, clouds, and Buddhist swastikas. Foaming waves encircle the high recessed foot. A leiwen (cloud and thunder) band extending aroun...

Description:

A Lusan stem cup was in lovely size.
It was well preserved by reflecting the retrospective sheen of old condition.
Blue and white splashes were suffused against the dark brownish glaze background on the surface.
Loosening-feel body clay was revealed at the lower portion in beige tint.

Date: Tang Dynasty, 9th/10th century.

Body width: 6cm, Height: 5.5cm.

Dusk puddles and drips among the thick textures of this mid-century oil by Yamada Eiji titled on back “Mori” (Forest). Oil on canvas, it is 18 x 24 inches (46 x 61 cm) and is in excellent condition, wrapped in a simple raw wood storage frame.
Yamada Eiji (1912-1985) was born in Fukuoka on the Southern main island of Kyushu and was accepted into the Nikkakai Ten exhibition in 1933 for the first time. The following year he was also accepted into the Dokuritsu Tenrankai for unaffiliated...

Rare set of six Burmese bronze opium weights, or cock weights, in a Brahmani duck type hintha (also called a hamsa) bird form with upturned tail sitting on a round base. The largest two have handles attached to the back of the head and end of the tail feathers. There is a metal support under the V-form tail. The largest weight has an old tag taped to it that reads “1513 grams” (3 lbs. 5.4 oz.). I confirmed this weight on a scale at the post office. This corresponds to the Indian unit of...

White Robed Kannon by Zen Wako (also Chon Fua Fan/Chow Wha Whang), Oil on panel, 22 x 27,5 cm (9 x 11 inches) in the original frame.
Zen Wako was born in Pyongan (modern day North Korea) in 1909, while that country was under Japanese Influence, and one year before it was officially annexed by Japan. He was first recognized in 1929 when his work was accepted into the Korean national Art Exhibition. In 1933 he came under the influence of Nishida Tenko (1872-1968), a spiritual figure in Jap...

Porcelain decorated with flower on the body, glazed base. PERIOD : late Ming (1566-1643 AD) MEASUREMENTS: 9,5 cm tall. CONDITION: chips on the foot rim, no cracks or hairlines and free from restorations

Large Chinese Qing dynasty porcelain wash basin decorated in underglaze blue with leafy vines and sweet pea flowers set against a white ground with a pale blue tint. The exterior holds three flying bats. There are small amounts of kiln grit adhering to the unglazed foot rim. The base is glazed. 13 3/8” diameter x about 4 1/2” high. 19th century. Very good overall condition with typical minor production imperfections. This type of decoration with a sweet pea floral background was produc...

Description:

A marble scholar water basin was preserved in perfect condition.
Well hollowed, the water basin was in nice oval and flat form.
Some ink residue was left inside the basin.

Date: Qing Dynasty, 19th century,

Body Width: 10.5cm

Pair of Joseon dynasty or later Korean wood wedding ducks with subtly modeled feathers covered in layers of oiled stained paper, the heads separately carved and inserted by their long necks into a hole in the body. Each has a typical rectangular recess on the base. The heads have circular eyes and slits in the long beaks. These were traditionally presented by the groom to the parents of the future bride and were displayed during the wedding. The male and female ducks and geese were believed ...

Chinese late Qing dynasty sang-de-boeuf (oxblood) flambé glazed cylindrical form censer. The oxblood glaze drips inside at the rim above the thick off-white glaze lining the interior. The censer rests upon vestiges of three small tripod legs. The base is unglazed and has burnt orange. As is typical of late 19th century examples, the base shows evidence where the glaze ran off the base and was broken off the kiln supports. 7 3/8” diameter x 5 1/2” high. Very good overall condition. Th...

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Raicho" (Thunderbird) depicting a rock ptarmigan (a type of grouse) and chicks dated in the left margin Showa 5 (1930). The artists's black ink signature and red seal are at the lower right corner. The print is pencil-signed in the lower right margin. The date and kanji title are in the left margin with the English title below in the lower left margin. Paper size: 10 3/4" x 16" (image: 9 5/8" x 14 3/4". Very good overa...

A nice stoneware plate in off blue and white with two fish swimming among water plants. Probably from Northern Thailand or Vietnam. Size: Diameter. 31cm. H. 7.7cm. Condition: Some of the glossy is gone and there is one chip on the rim. See photos.

NAKED JAPANESE MAN 1908

Old anonymous charcoal drawing backed with washi Japanese paper, dated back to Meiji 41 (1908) as signed, 47.5 x 63.5 cm (18.70 x 24.99in), in very fine antique condition with aged deterioration as is, with stain and surface crack as seen. *Fixed with four small magnets on the wall when shooting, so that no holes at the corners. (Those magnets are not attached with this item.)


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Chinese Qing dynasty bronze compressed globular bombe form censer with two well executed Buddhist lion-mask handles. High circular foot with an apocryphal six-character Ming Xuande reign mark in relief within a recessed rectangular panel on the base. 5 1/2” diameter (including handles) x 2 5/8” high. Weighs 1 lb. 2 oz. 19th century. Very good overall condition. Appears to have been polished years ago.

Description:
A round-shaped pottery inkstone was well preserved.
Supported by three foot which were intriguingly and characteristically in figures as crouching animal, the inkstone was mold with flat surface.
The surface was used as grinding pool for inkcake, so it was concaved in the middle.
In two-step style on the surface, the outer lower rim was designed for resting the lacquered cover which had been decayed and vanished.
Overall it was in newly-excavated condition preserved ...

THREE SAMPLE BOOKS OF KIMONO FABRIC

Set of old sample books of batik dyeing kimono fabric of professional use, with 66 pages pasted sample scraps (as 20 p + 20 p + 26 p) and more blank pages, also including some remains of sample scraps and a partner's business card. Showa period, 20th century, Kyoto, Japan. 44.5 x 32 x 3.5 cm (17.51 x 12.59 x 1.37in) each. Aged deterioration as is.


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