Description: An alloyed Buddha with Japanese origin was cast well and preserved perfectly. A very beautiful small sculpture which had east Asia religious taste. Date: 19th Century Height: 5.5cm

A celadon vase inlayed with Chrysanthemum designs by Teishitsu Gigei-In Suwa Sozan I enclosed in the original signed wooden box featuring the Imperial Art Academy Seal and titled Kiku-Zogan Hana-Ire. Tendrils of blossoming chrysanthemum climb up the sides in dark inlay on the slightly pitted celadon sueface, a perfect rendition of Korean style wares from an earlier era with the addition of the Japanese design motif. It is 10-1/4 inches (26 cm) tall and in excellent condition...

A large Japanese stoneware koro (incense burner), decorated with coloured enamels on a celadon glazed ground, depicting mythical beings. The cover is surmounted by a Shishi. This item was made circa 1880 - 1920 during either the Meiji or Taisho periods. Condition - two of the three legs have been restored...

A long bamboo incense case with dark wood lid carved exquisitely with blossoming lotus and calligraphy. The deteriorating leaves rise from the bottom, blossoms spreading their petals to the sun. Above three lines of calligraphy descend to meet like the squirreling rays of late summer light. The piece is 20-1/2 inches (51.5 cm) long and in perfect condition, enclosed in a cloth sack and kiri-wood box...

Heavy pigment forms a spectral scene of a dark stone lantern viewed through the spring laden branches of maples, a dove taking flight in the fore. Anyone who has visited Japan will know the haunting sense these monoliths produce. The painting is performed in thick pigment on applied silver-leaf, signed Taisho (Okada Taisho, b. 1888). The screen is signed in the lower right corner, and measures150 x 151 cm (59 inches by 5 feet). It is in fine condition, with only minor abrasions from handling...

This Chinese ethnic minority hat was worn by child and is heavily laden with silver ornaments. The lower border of the top section of the hat has a band of stars. The traditional eight immortals with the god of longevity grace the front of the hat. And there are lots of bells and butterflies hanging from silver chains. The embroidery represents various animal characters...

Original painting Seven Angels tempera and oil on embossed gold paper. By Carlo Facchinetti Italian (1870-1951). Signed and titled with artists address in Florence Italy on verso. image 7" in diameter. Presented in an Italian carved 24k gold leafed frame.

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A chaozhu made of pierced and enameled silver or silver plated metal filigree beads. 90 small beads with crane design between three large "Buddha's head" beads. Three strings each with 10 dark beads ending in a teardrop bead. The tape which hung down the back with an oblong plaque between a double gourd and a teardrop bead. Dimension: 112 cm long. Weight: 174 gram. Condition: traces of usage: several beads with enamel loss, perhaps some beads missing.

An underglaze blue painted jar and cover decorated in 17th/18th Century Kangxi style with prunus blossoms against a "cracked ice" back ground. This item was made later, during the late Qing or very early Republic period, circa 1875 to 1915. Condition - very good. There is a very slight shallow surface chip to the top of the neck. No further chips, no cracks and no restoration...

Finely crackled which glaze covers this late Meiji Chinese inspired form clearly stamped inside the footring Tozan Ito Tozan. There is an incredible sense of mastery in the concise lines and perfectly sculpted form. It is 13 inches (33 cm) tall, 10 inches (26 cm) diameter and in excellent condition, enclosed in an older custom made wooden box.

This unusual porcelain bowl has a defined rim, sides and foot detailed to appear like a woven basket and then painted in the Ao-Kutani palette with green, aubergine and yellow enamels. The inside enameled yellow and with centered green and aubergine enamel fahua decoration of a Shishi dog with ball among flames within a cloudband border. The foot enameled green over yellow and with a centered yellow reserve with incised artist's mark. The work is similar to that of the Eiraku potters...

Description: An Incense box with beautiful dark brown patination was made of bamboo section. A palmful small piece which had been used for keeping incense powder now can also be used as an ideal holder for your precious stones. Date: Late 19th century. Material: Bamboo. Width: 5.3cm Height: 3.5cm

A worker makes his way through the autumn tinged hills, home just a few steps away in this brilliant Nanga work by Hashimoto Kansetsu enclosed in the original signed wooden box which is in turn enclosed in a red lacquered wooden box (Nijubako). Light color on silk mounted in a superb frame of blue silk with patterned with dragon dials and featuring large ivory rollers. The scroll measures 22 x 85-1/2 inches (58 x 217 cm) and is in excellent condition...

When you look at an obi like this, you know why the name "Nishijin" is so known. This is a very formal obi, the biggest obi that I have seen, 13" wide and 154" long. Just a perfect piece for the formal dining room. It is large enough to cover two formal dining room tables. The colors are pastel, very gentle. When this obi was woven, the gold thread was woven in together. Every dot and line that you see in these pictures is the gold thread...

These scroll weights, FUUCHIN in Japanese, have the design of TOMOE MON on the ends of a drum which is typical of Meiji scroll weights. Beautiful old silk tassels.

First we hear the clang of the hammer striking the bell, then the steadily approaching clop of his wooden shoes before the horrifying creature dressed in the robes of an itinerant priest appears; a ledger in one hand noting our sins. Hanging from a chord around his shoulders is an umbrella, testifying to his constant state of movement. A spectacular carving of an Oni-no-Nenbutsu praying Demon taken from burled cedar. This is a powerful image, the face expertly carved to strike fear into the h...

A finely painted and gilt pair of Japanese lacquer ware dishes, on black ground and decorated in iro-e-togidashi, togidashi maki-e and kirigane maki-e of shikishi moyou ; the three asymetrically-positioned panels depict a landscape with bridge, buildings in the field and birds. Age: late Meiji(1868-1912). Size : 7 1/2in. (18.8cm) diameter. Condition: excellent. no chips, no restoration.

A large Gohon pottery Sweets bowl by Kiyomizu Rokubei V with expertly rendered Sparrows ascending into the sky painted by Imao Keinen enclosed in the original wooden box signed by both artists. It is 8-1/2 inches (21 cm) diameter, 4 inches (10 cm) tall and in excellent condition.
Kiyomizu Rokubei V (1875-1959) began by studying painting from the age of 12 under the 19th century master Kono Bairei. Upon graduation from the Kyoto Municipal School of painting, he apprenticed under his fathe...

A sheer cascade of silver mist drops into the darkness beyond a golden outcrop harboring an ancient pine laden with blossoming wisteria vines. Togidashi, taka-maki-e and kirigane, this is a breathtaking box dating from the 19th to opening of the 20th century. Inside is elegantly decorated with drifting clouds of golden mist. Overall in excellent condition, enclosed in a period wooden box. It is 23 x 21.5 x 4.3 cm (9 x 8-1/2 x 1-3/4 inches).

An important Vase decorated with the imperial symbols of 16 petal chrysanthemum and Go-shichi Nobori Kiri among over-glaze bamboo and floral designs by Ito Tozan I enclosed in the original signed wooden box. It is 8-3/4 inches (22.5 cm) tall (excluding the base) and in superb condition and comes wrapped in a stamped silk bag.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku. In 1862 he became a pupil of Kameya Kyokutei, as well as studying ...

A very unusual incense burner in the form of two servants holding up Hotei as he looks joyously toward the night sky. It is performed in crackled white glaze over pale clay with simple iron decoration. It comes enclosed in the original signed wooden box bearing the Teishitsu Gigei-in seal titled Ga-korai Hotei Koro indicating it was based on Korean decoration techniques. It is 18.5 x 10 x 14 cm (7-1/2 x 4 x 6 inches) and is in fine condition. He may have originally held a gumbai-fan, which is...

Dark blue ground with decorations in gold and green, seberal colorful scenes with Chinese figures playing Go, making music, riding horse etc. The back of the bowl with dark blue scrolls on a lavender ground. Diameter 41,5 cm. H. 11,5 cm. Condition: very good, apart from some age cracks, wear and a chip on the back of the bowl, some pieces of enamel missing, due to the firing process. Overall in a very good condition.

Depicting a Taoist immortal with a little boy. Very well carved, signed at the back. Good wear and patina. H. 6,5 cm. 19th/early 20th century. From a Dutch private collection.

A hand carved antique wooden mask of Tenko or the nine-tailed Kuuko, heavenly White Fox (kitsune) which do good, wrapped in a modern silk bag and enclosed in an antique black lacquered wooden box. The mask is roughly 21-1/2 x 17 x 20 cm (8-1/2 x 7 x 8 inches) and in excellent condition. A cartouche bearing the artists signature can be seen inside the black lacquer within. The Fox has many roles in Japanese Folklore. First it is a symbol of fortune and bounty, and guards Shinto Shrines as Ina...

A pair of spectacular Mino Yaki Porcelain vases from the studio of famed artisan Kato Gosuke decorated with clusters of grapes under drying late summer leaves. It is 32.5 cm tall, 21 cm diameter and both are in excellent condition, enclosed in a wooden collectors box titled Mino Yaki Kabin Ittsui, Kato Gosuke Saku (Pair of Mino Yaki Vases by Kato Gosuke). Each bears a signature in overglaze on the base, along with two impressed seals. The square seal reads Kato Gosuke.
Kato Gosuke (183...

 

Description: An elegant Ru-Yi was rarely made of iron. Casted in a beautiful shape and preserved very well. Dark russet paint were reserved sparsely on the surface which reflected with good old black patina. Date: 19th Century Length: 34cm

A trumpeting form decorated with bamboo adorned with a single cicada by Matsumoto Sahei (Sabin) enclosed in a wooden box annotated by the current head of the family Matsumoto Sakio. It is 31 cm (12 inches ) tall and in excellent condition.
Matsumoto Sahei (1851－1918)　was born into the family of Matsuya Kikusaburo, a first generation Kutani porcelain artist. He studied under both his father and Tokuda Kansho, mastering Aka-e, Ao-kutani and other decorating styles of the era and realiz...

A Chinese brush or ink cake rest in scroll shape. Made of porcelain, beautifully painted in the Qianjiang Palette, showing a river landscape. The sides with some gold paint. Base with four unglazed feet. Dating to the late Qing / early Republic period. Condition: gilding with little wear. Dimension: 8 cm long x 3.3 cm wide x 1.8 cm high.

Description: A pair of scholar's stamps were made by a famous scholar Won Fu-An. The skill of stamp carving had long been recommended by Chinese literati. Won Fu-An was one of the best scholars who made good stamps in the early 20th century. This pair of stamps which were made from soapstone were carved separately on the printing surfaces with a scholar's name Li Le-Zhen and his hall mark Nan An Zhen Chang(Collection of South Chamber) while the walls being decorated with picturesque scenery and ...

Old three paneled wedding bed cover from the Zhuang ethnic group Southern China- silk floss weft embroidered pattern on hand woven cotton field. Good condtion- some minor loss to edge of head end edge. L: 138cm/54in and W: 105cm/41in.

A genuine reishi cluster of mushrooms dried and preserved in perfect condition. This is an exquisite form, the dark trunks meandering up to wide blossoming heads. It is 13 inches (33 cm) long.

Description: A small inkstone was carved in different cliff style. On the pool side, the cloud pattern was carved fluently. A small scholar item especially an inkstone was hard to find. It could be a practical utensil and also a small art piece which could be viewed from different angles around your palms. Date: 19th Century. Length:7.8cm Width:6cm Height: 4.5cm Condition: Kept with original Hon-Mu stand when lost of upper cover. A crack line was seen due to age.

A long “Hengaku” framed painting meant to sit above the transom by Yoshimura Horyu featuring monkeys riding on the back of a deer. One has fallen and is being dragged along like a water-skier by vines tangled in the deers horns. A very humorous scene by this rare Osaka artist. Pigment and ink on silk mounted on gold with a carved rosewood frame. The frame is 154.5 x 50 cm (61 x 20 inches) and is in fine condition, with toning to the silk typical of age.
Yoshimura Horyu (1874-1936)...

Description: The story of Bu-Dai monk was originated from Five Dynasties(10th centuries) when the raging wars between different countries put people's lives in jeopardy. The unfortunate miseries forced people to pursue the religious and spiritual comfort. A happy go lucky monk went to the markets and streets everyday soliciting alms for favorable karma. Dressed raggedly with a bag(Bu-Dai), he laughed all the time without any complaining and bore no grudges to anyone who had loathed him. One day...

The richest blue bamboo rises majestically against the bright yellow ground of this exceptional vessel by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Kiyu Seika Takenozu Kabin (Vase with Blue Bamboo Design on Yellow Ground). It is 33 cm tall (12-1/2 inches) tall, 23 cm (9 inches) diameter and in excellent condition, signed on the base.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imp...

Description:
A small and nice brush pot was exquisitely carved on the surface with beautiful secenes.
In typical picturesque of Chinese's literati, the brush pot or poem pot was in nice and warm patina.

Height: 9.5cm.

Condition: Perfect.

Date: Early 20th Centuries.

Material: Prongs (Deer's horns).

18 cm long set of Kanzashi with five Bira dangling from a branch to which is caught a court cap, possibly dragged from the wearers head during a horse race, or perhaps flung off in a passionate moment. For someone interested we have a museum quality collection of combs and hair pins which I would prefer to sell together in accordance with the previous owners wishes. Birakan (bira Bira Kanzashi) were hair pins used by all classes of society and were one of a woman’s most prized possessions. ...

Kogai hair stick: 6 1/2" long. The metal is brass with silver petals. The orange flowers are coral. The decoration is both hammered into the metal with a dye and engraved using a chisel. This dates from the late Meiji or Taisho period.

A very unusual Shino-yaki ceramic Tsuri-doro hanging lantern with bronze handle and chain dating from the early 20th century, Meiji to Taisho period. Made in the shape of a thatched house, four ragged posts support the roof and delineate the rounded sides. A different opening is seen on all four sides, a square door, grated circular window, The character Hisa, and a latticed circular window. The white glaze is scorched red on the edge of the roof. It is roughly 1 foot (30 cm) tall and fine c...

Pair Chinese boxwood carved scroll weights in rare wood bundle motif, 9.5"Lx2.3"x1.8", 9.4"Lx2.1"x1.8"

A pale celadon jade pendant, carved and pierced with a parrot perched on a flowering prunus branch, besides a rock. With matching wooden base. Condition: fine. Dimension: pendant: c. 6.1 cm high x 3.9 cm wide x 0.35 cm thick, height with stand c. 10.5 cm.

Wild roses blossom on the rich tea green sides of this cloisonné vase by the Ando studio enclosed in a custom silk lined padded wooden box with a separate compartment for the rose wood stand (included). The base color is that of maccha green tea, making it doubly Japanese. Each leaf, each thorn each petal is wrapped in a thin silver wire frame. The vase is roughly 10 inches (25 cm) tall and in excellent condition.

A very unusual pale yellow-green (kiji) porcelain vase in the shape of a Chinese Gu by Seiji Celadon master Suwa Sozan enclosed in the original signed wooden box. Fretwork and a roiling dragon body have been softly engraved into the sides; the slightest variation in tone the only hint to the subtle design-work. The vase is 11-1/2 inches (29 cm) tall, 6 inches (15 cm) diameter and in fine condition. Sozan (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initial...

The work on this superb Meiji p. Kutani vase would easily rival that of the greatest studios of the time (and surpass those of today!). Chrysanthemum and other flowers in overglaze enamels spread their brilliant foliage over the whit pebble textured moriage shoulder, Gold fading to white below the bamboo fence-like belt inlayed with kiri-kane gold and silver diamonds. Dew drops of gold moriage cling to the large leaves while plums blossom below. All of the work is both vibrant and meticulous,...

Japanese antique black formal winter silk kimono hand dyed and finely painted along the bottom with a powerful predator hawk or falcon on rockery preparing to attack a much smaller chidori (plover) flying above churning water. The scene is set against a landscape of pine branches on a pale celadon background. Symbols of military strength, Japanese artists historically painted raptors for the wealthy nobility and samurai warriors who ruled Japan. The chidori over waves motif symbolizes the ove...

Chinese Republic period baluster form porcelain vase decorated in famille rose enamels with three large bird and flower roundels spaced evenly around the shoulder. The roundels feature two birds, two ducks, and two quail set among bamboo and flowering plants. A variety of pastel flowers float against the pale yellow graviata ground which is incised with a tight scrolling foliage pattern. The rim and the roundels are thinly bordered in gilt. The splayed foot ends at the white porcelain base w...

The time of Obon is upon us, the middle of August when the spirits of the dead return to visit their families. A lantern is hung so the wandering souls may find their way. And on the last day of Obon (August 16), in Kyoto, is held perhaps the most famous of all the festivals, commonly referred to as Daimonji-yaki, when 6 massive characters are lit on fire in the mountains surrounding the city to light the way home for the ancestors. Unlike the Gion festival or Aoi Festival, made for tourists,...

A koro incense burner by Teishitsu Gigei-In Suwa Sozan I decorated by his friend the famous scholar artist Tomioka Tessai and enclosed in a signed double wood box. The silver lid is by Nakagawa Joeki. It is 3-1/2 inches (9 cm) tall (plus the lid), 5 inches (12 cm) diameter and in excellent condition. The box is titled Daibutsu Sozan zo Juhana Koro Tessai Dai and signed Sozan Yakisei.
Tomioka Tessai (1837-1924) was a scholar artist trained from age seven in the traditional Confucian manne...

Description: An old Yixing flower arrangement basin with inscription " Sui Qing Xe Qi" (the water is pure while the rock is unique) on one side and carved flower motif on the other side had a special Chinese scholar taste. There're some defects on the rims but would never fail the beauty of this old piece. Date: Late 19th Century Length: 19.5cm Height: 5cm

One hundred herbs prayer bead bracelet from the boarder town between China and Tibet. These type of prayer bead is believed to be good for curing all types of sickness. The beads are made by compressing 100 herbs into a ball. There are 18 beads in all. Age: Pre 1920. Size: inside radius 7cm. It is stringed with a new stretch string to fit all. Condition: Very good for its age.

 

Chinese early Republic period porcelain bowl decorated in famille rose enamels against a turquoise ground with a magpie bird perched on a limb surrounded by wisteria, peony flowers, and scrolling vines. To the left of the bird is a red “Dayazhai” (Abode of Great Refinement) hallmark. To the left of this mark is a small red oval panel holding two dragons and the script “Tian di yi jia chun” (“Heaven and earth are united as one family in spring”). The base holds an overglaze rust-re...

Gnarled plums cover the unusual rich blue ground of this antique tsubo vase from the Arita kilns dating from the early 20th century. It is 14-1/2 inches (37 cm) tall and in fine condition, signed on the base. The decoration is performed entirely in overglaze enamels with a gold rim,and is both vivid and fresh. One of the more unusual pieces I have seen from this region. It is signed on the base in Red Arita sei Miyuki Gama

A superb image by Hirai Baisen depicting the fire lit on the mountains surrounding Kyoto on the final day of Obon enclosed in the original signed wooden box titled “Okuribi”. It is performed with washes of ink and gold on silk, bordered in a fine frame of patterned brocade. It is 22 x 79 inches (56 x 200 cm). It features large ivory rollers, which will need to be changed if shipped outside Japan. There is a wrinkle in the scroll (not a hard crease) through the line of housing (see photo)...

Through the Nanbansen trade, the Portuguese introduced two important things to the Japanese in the 17th century. They were the matchlock gun and tobacco. As the popularity of tobacco spread rapidly to all classes, there was the need for a tray or box to hold the utensils. Tobacco-bon came to be the "must have" entertainment piece in the Edo period (1614-1868). Along with the widespread use of charcoal in the mid Edo, metal and ceramic pot style ashtrays were used to keep the fire (charcoa...

A beautiful pair of high heeled shoes for a Manchu lady. The heel is made of white painted wood, the sole is worked in fabric. The uppers are made of silk with appliqued tendrils in black. Condition: traces of usage. Dimension: 22.5 cm long, heel height: 7.5 cm, weight: 450 g.

Measuring 2 1/2" high, and 1 3/4'" wide, this lac burgaute snuff bottle is capped with a green stone holding an ivory spoon. With very precise and fine details, the body is decorated with sections of geometric designs of both gold inlay and colored mother of pearl. The central area contains floral and foliate designs, also in gold with mother of pearl pieces of pink, green, and blue. The base has an inlaid mark of gold. It is in excellent condition, with only one tiny piece of gold inlay mis...

This antique pair of Hand made leather are the old traditional shoes which were worn in Turkey. They were called Charoog...spelling may vary. The soles are concave and curl to a point in the front. The heels are very narrow. They are an interesting ethnographic item of a time long past. They measure 9 inches long

Decorated on both sides with saints or immortals in enamel colors. H.7 cm. Condition: a 5 mm almost invisible (glaze) crack right above the handle of the censer that one of the saints is resting on. Expected age wear.