The fly whisk, called a Camera, was used as a symbol of Buddhist enlightenment and power. The monks, sworn not to kill, could whisk away the fly without harming it. Hence, the whisk was carried as a symbol of faith.

This camera has an elegantly shaped wooden handle which is approx 12 inches long. The "whisk" end of the handle is covered with an intricately patterned braiding of silk cording of black, yellow and red...

Description:

One decent painted jar was well molded in a grand look. By the straw glazed slip on the surface, the well maneuvered sketching motifs- the vibrant peony flowers and spread leaves were vividly rendered in a regular form around the straight wall.
From the freehand but strictly applied brushwork on the surface and the beige body clay revealed at the foot ring, the beautiful ware was authenticated as a piece from Cizhou kilns for sure -but a restricted one...

Decorated with a scene depicting deers and plants. Width = 21 cm Period : Ming Dynasty, late 16th century. Condition: Very good , no chips, hairlines or restoration, a fault firing on the back.

Decorated with birds and clouds. Width = 19 cm Period : Ming Dynasty, late 16th century. Condition : excellent, no chips, cracks, hairlines or restoration

SOLD, no price no info. Listed silversmith Romero. Essay era silver & copper discs SB earrings signed: HECHO EN MEXICO, ROMERO 925 TAXCO in a circle & assay mark #3 on lower silver discs and STERLING TAXCO on ear pads. Unpolished vintage condition. Good working turn wheels, 23 grams, 1 1/2". SOLD, no price, no info.

This precious Victorian Etruscan bracelet dates from the latter half of the 19th century. The piece is made up of textured and domed 14 karat gold rounds connected by flexible joints with balls on each end, making each link circular with the suggestion of a square. The central link is larger than the rest and features a star, in the center of which is set an approximately 0.25 carat old miner diamond. A safety chain complements the hidden catch...

Show off some arm candy with this 14 karat Victorian bracelet by the famous Unger Brothers. Known for their work in silver, the brothers started out working in gold. According to the Metropolitan Museum of Art, “Founded in 1872, the Newark, New Jersey, firm of Unger Brothers first established a trade in gold jewelry.” This bracelet dates to the earlier part of their career and is stamped with their characteristic intertwined UB hallmark...

A nicely carved natural amber pendant with one bat and leaf design. The bat represent longevity and happiness. The bat and happiness sound is in the Chinese language is similar - both pronounced Fu. Size: L. 2.4cm. Condition: No repairs, cracks or chips.

Description: An amiable wood carving was a most popular deity in Chinese tradition- Tu Di Gon, The Protector of the Earth. By a warm image, the old grandfather-like god who wearing an official robe sat easily in an armchair. Even though decayed in some way due to long time of age and was preserved with darken and enduring patina which as caused from centuries of worshiping, the wood figure was presented here in a unique aged form of beauty...

This six-pronged 14 karat white gold basket setting dates from the 1920’s. It delicately cradles a 0.96 carat old miner solitaire diamond. The stone is J color SI1 clarity and the band is engraved with a petite leaf pattern. Beautiful from every angle!

A true beauty, this delicate engagement ring dates from the 1910’s and serves as a bonny example of fine craftsmanship. An approximately 0.5 carat I color SI1 clarity old mine diamond solitaire sits tall in a finely worked, richly ornamented six pronged 14 karat gold basket setting. The ring is decorated with precious forget-me-nots around the band and a wheat or leaf-like pattern on the top and bottom.

Dramatic yet understated, this ring features a lovely EGL certified I color VS1 clarity emerald cut diamond set in platinum. Six single cut diamonds decorate the band, combining with the 1.88 carat weight of the center stone for an approximate 2 carat total weight. This delicate beauty is an original 1920’s Deco masterpiece.

Over 100 full cut pave diamonds run all along the setting and band of this contemporary classic. Set in 18 karat white gold, these petite stones form a circle around the real piece de resistance: a 1.05 carat EGL certified H color SI2 clarity brilliant cut diamond. The total carat weight comes in at 1.63. With its symmetry and sparkle, this Deco-inspired design has the feel of the glamorous Gatsby era.

Beautiful set of four classic Mustache back French leather club chairs. Rare to find four matching chairs! Originally circa 1940's, recovered in new leather. Dimensions: 38" deep, 32" high, 36" wide, 23" seat depth

From the same estate as the Antonio Pineda aventurine duck pendant and possibly made as a set with it, is this aventurine and 970 silver bracelet by Antonio Pineda. This design is not often seen and is beautiful in every way. It measures 6 1/2" around in the inside and is 3/4" wide. Weighing 64 grams, it is in fine original condition. There is no damage and there are no repairs. The stones are free of cracks or chips. The safety chain is original and the clasp is secure...

Description: A bronze daoist deity which known as Bi Xia Yuan Jun was splendidly rendered. By a detailed decoration, the bronze figure was applied with gold paint on the surface. Though in paint, the surface was reflected with enduring patina which was similar to the gilt ones. She was kept with perfect condition including an original cover at the bottom. Date: 18th century, Height: 18cm. Weight: 798g.

A Gasaku joint effort by Kyoto porcelain master Takahashi Dohachi V and Scholar artist Tomioka Tessai (1837-1924) dating from the late Meiji to Taisho period. Enigmatic Characters in cobalt strike firmly from the smooth alabaster surface. The bowl is 4-3/4 inches (12 cm) diameter, 3-1/2 inches (9 cm) tall and in perfect condition. Written on the side is Sho-Do Ki? Sue, Nyu Chyu? Ho-nari followed by the signature Tessai Gai-shi...

The ultimate in club chair style. Originally circa 1946, this pair has been recovered in new leather. We have a copy of the vintage brochure for this model & one of the chairs retains its original tag. This was the top of the line model; they called it "The Ambassador." Dimensions: 44" deep, 30" high, 34" wide, 25" seat depth.