A fantastic sculptured vase by the outlandish Fujioka Shuhei enclosed in the original signed wooden box titled Iga Hanaire. A frenzied stack of rugged corners like the fallen away sides of a mountain revealing the earth’s structure beneath a layer of green. It is likely Fujiokasan is inspired by the brawny, rain drenched and forested mountains surrounding the town of Iga, where the Mountains formed a natural line of defense for the secret clans of Ninja who called the valley their home...

Dawn breaks over snow laden boulders, the shadows waxing lavender on this spectacular incense burner by Kaneta Masanao enclosed in the original signed wooden box titled Hagi Kurinuki Koro. This style of digging the work out of the clay rather than forming the clay on a wheel has been a signature of this artists work for more than two decades. The white glazing has altered to soft lavender in the firing process, creating a feeling of opulence over the organic vessel...

Miyashita Zenji (1939-2012) was born into the family of potter Miyashita Zenju, and graduated the Kyoto Municipal University of Art. Starting with the most difficult, he worked from Celadon, which relies on shape and extreme control of firing. He is held in the British Museum, Metropolitan New York, and Brooklyn Museum among a host of others.

A virtual textbook on Yohen firing effects on this fantastic sculptured vase by the outlandish Yoshitaka Hasu enclosed in the original signed wooden box titled Yohen Kaki. A frenzied stack of rugged corners like the fallen away sides of a mountain revealing the earth’s structure beneath a layer of green...

A perfect example of why Tsujimura Shiro is one of Japans most popular artist. Everything you could want in firing effects decorate the various sides of this work enclosed in the original signed wooden box titled Iga Mimitsuki Mizusashi. Bidoro, Tombo-no-me, tobi-hai, shiseki…the surface is an exploration of kiln affects, every slight turn bringing new surprises...

An wavering shaped vessel in Mihara Ken’s most famous yakishime colors enclosed in the original signed wooden box titled Kei (Mindscape).
Size, D 42.1 cm H 24.2 cm
Condition, Excellent
Mihara Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of 23...

Ceramic Sculpture by Cha Wa Sook. 18h x 16w x 4d inches, 46h x 40.5w x 25.5 cm.

Mixed stoneware clay, unique curved lines, movement, form and warm textures of nature are a clear influence of Izumita Yukiya works. It is an excellent example of this artist, comes enclosed in the original signed wooden box titled Sekisoh (layers) .
Tokkuri and Guinomi available too.(On Reserved)
Size, D 38.6 cm H 27.2 cm
Condition, Excellent
Yukiya was born in 1966 in Rikuzentakata, Iwate Prefecture . In 1995 opened is own workshop...

A spectacular organic form by Tsugiura Yasuyoshi enclosed in the original signed wooden box titled Tsubaki to Kameleon . A wonderful work to represent this artists unique style...

An incredible mixture of colors on the sculpted natural form of this expressive tea caddy by Kaneta Masanao enclosed in the original signed wooden box titled Hagi Hai-yu Kurinuki Chaire. The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is famous for.
Size, D 7.8 cm H 9.8 cm
Condition, Excellent
Masanao likely needs no introduction...

A Spectacular Isezaki Koichiro Bizen Chaire with two wooden lids covered in rivulets of flowing ash and dramatic Yohen firing on the Fumio work. A superb example of this much sought Bizen artists , and a rare opportunity for one of the best...

The organic shape and textural surface of this star shell form looks like as if dragged from the sea. it comes enclosed in the original signed wooden box titled Shiro-no-Katachi (White Form) and dates to 2007
Size, D 33.2 cm H 18.8 cm
Condition, Excellent
Born in 1943, Shoko graduated Japan’s top art school (the Tokyo University of Art) in 1969. Eschewing the world of public Exhibition, Shokohas concentrated on private venues and museums...

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Moltenb ash tumbles over the sides of this lidded coffer by Fujioka Shuhei enclosed in the original signed wooden box titled Iga Toko (Ceramic Box).   The shape is organic with a clefted-mesa likening to a Japanese garden stone.  Rather than a simple round separation, the artist has chosen a key shaped cut which adds a sense of the natural world, God does not work in straight lines so they say, and neither does Fujioka Sensei! 
Size, D 17.4 cm  H 18.6  cm
Condition, Excellent...

A wondeful sculpted covered box in pale earth-tones scribbled with natural motifs by Suzuki Goro enclosed in the original wooden box titled Narumi Oribe Futamono. The capricious brush has worked over the various colors creating crosscurrents among the various themes which play off of each other. The jaunty form is very much a product of this vivacious artist, whose lust for life is apparent in all he creates...

Thick white vitrifies over bottomless black, creating a stark sense of drama on the torn form of this outstaniding work by world renowned potter Miwa Kazuhiko (Miwa Kyusetsu XIII) enclosed in the original signed wooden box titled. The fact he has given a Daimei (generational number) on the box indicates this is from after he succeeded the family name in 2019.
Size, D 25.6 cm H 36.2 cm
Condition, Excellent
Kazuhiko likely needs no introduction...

A fantastic Mimitsuki fresh water container with rolling, sculptural corners very much in the style of the highly sought Bizen master Kakurezaki Ruichi enclosed in the original signed wooden box. It is 7-1/2 inches (18.5 cm) tall, 9 inches (23 cm) wide and in excellent condition, dating circa 1998...

The feldspar covering this unusual torn and ragged Incense Burner by Hayashi Shotaro enclosed in the original signed wooden box titled Manyosai Koro . Marbleized pinks, molten iron blending with rust, moss green and everything in between can be seen in this amazing onslaught of color. His designation “Manyosai” comes from the ancient selection of poetry named after the infinite shades of fallen leaves. We can easily see in this piece how he chose the epithet.
Size, D 14.2 cm H 17....