An elegant Belle Epoque bracelet comprising links in the Louis XVI style, set alternately with round emeralds and rose cut diamonds. The gemstones are set in crimped collets that mimic the center of each flower. Each link is hinged in a way that allows the bracelet to drape nicely on the wrist. The clasp is stamped with French 18K hallmarks and a illegible master goldsmith’s mark.

• Origin: France, ca...

A very fine 19th century French 18K gold locket, the cover in a very three-dimensional design of overlapping geometric shaped enhanced with calibre-cut Persian turquoise, seed pearls and rose cut diamonds. The turquoise are all original, and a few are have taken on the darker greenish cast often found in Victorian-era turquoise. Additional scrollwork, beading and engraving completes the design. The original bail is set with pearls. The back cover opens to reveal a glass-enclosed compartment...

An elegant bracelet composed of open links ornately decorated in a pattern of acanthus leaves alternating with blue sapphire oval cabochons. The sapphires do not show indication of heat treatment. Each link is slightly curved, so the bracelet lies nicely on the wrist. The clasp is masterfully constructed to be invisible once closed. Like most Portuguese gold jewelry of the era, it’s quite heavy for its size...

A very fine Imperial Austro-Hungarian bangle bracelet simply designed as an oval of twisted gold, but then set at the top with a trefoil of three cornflower blue sapphires surrounded by rose cut diamonds. The sapphires, .72, .58, and .52 carat, have microscopic stringer, sharp-edge milky bands, and snowflake inclusions typical of sapphires mined in Kashmir in the 1880s...

A beautiful pair of Victorian 14K gold drop earrings with calibre-cut Persian turquoise, pearls and old mine and rose cut diamonds set in an expanding star pattern. The settings are pierced, lightening the overall feeling despite the earring’s generous size. The edges a finished with a pierced gallery. The choice of gemstones is very nice, the diamonds are bright for rose cuts, the pearls have nice luster, and the turquoise a beautifully matched and without discoloration...

Each double fetter link on our 18” chunky Victorian albert chain is connected to 3 love knot links with the pattern repeats eight times. The T-bar and dog clips are stamped 9 carat. Alberts are named for Prince Albert who popularized the wearing of a vest with pocket watch and a fob on a chain, the watch in the vest pocket, with fob and T-Bar dangling. Our chain combines the fetter link and love knot link...

Swiss brooch, ca 1880. Oval enameled plaque in gold frame; rim comprises applied scrolls heightened with enamel and inset with pearls.

The plaque depicts the Château de Chillon, a medieval castle set on an island in Lake Geneva, with Mont Blanc in the background. Chillon was a source of inspiration to the English Romantics, especially Lord Byron whose Prisoner of Chillon was inspired by its use as a prison during the 16th-century Wars of Religion...

A lovely 14K gold Edwardian long chain set at regular intervals with round brilliant cut amethysts in collet settings. The necklace is completed with a dog clip clasp. The chain can be worn at is full 52-1/2” length, our doubled and worn at 26-1/4”. The amethysts have excellent color and brilliance. Tested and guaranteed 14K.

• Origin: America, ca...

Go back in time with this beautiful bracelet. The focal point is an intricately engraved 14 karat Victorian box catch from the end of the 19th century. Two rows of curb chain sandwich a central row of a texturized fancy link chain. These 14 karat chains may be of the same age as the large clasp or may have been added later, in the 1920’s. The catch is engraved with the initials SGR and the whole bracelet measures approximately 7 ½ inches long.

Delightful Victorian hallmarked 1865 Birmingham multi-stone ring with two large diamond shaped garnets in the center, surrounded by emeralds and enveloped by a beautifully engraved 15K gold band on either end. We love the contrast in both size and color of the stones. The final photos show how pleasing rings from this decade of 1860-1870 look together on the hand. This ring is not sizeable because the band is engraved all around and sizing would ruin the engraved pattern...

Very decorative 14k Victorian hinged bracelet, c.1880. Unmarked but tests 14k and there is a 24 carat rose gold overlay. Beautiful applied Etruscan design sits atop the bracelet. Measures 3/4" wide and the inside circumference is 5 1/2" and weighs 40 grams. Has safety chain. Excellent condition......$45 for insured US shipping.

A gorgeous 18K yellow gold circle brooch surrounding a spray of diamond flowers tied with a golden ribbon. The brooch dates to the reign of Emperor Napoleon III. One flower is centered with a .39-carat rose cut diamond and the other two are set with .17-carat old mine-cut diamonds. The remaining 31 diamonds in the brooch are a mix of rose-cuts, old mine-cuts and single-cuts. The stones are of particularly good quality for the period, with bright color and excellent clarity...

A classic Victorian fancy double belcher chain link necklace composed of interlocking fluted and ropetwist links in 14K gold. The fluted links enhances the reflections in the gold, so they offer a more reflective quality that contrasts nicely with the ropetwist links. The chain is substantial enough to be worn alone or suspending a quite large pendant or locket, and the links are open enough that they can suspend multiple smaller pendants or charms. Tested and guaranteed 14K gold.

• Orig...

A beautiful French silver-topped 18K yellow gold floral pin from the era of Emperor Napoleon III. The pin is designed as a spray of three flower buds, each just about to open into a different color. The flowers are bead-set with rose cut diamonds, and the colors are represented by rows of cushion and round cut sapphires, rubies and emeralds. Each bud is centered by a larger rectangular cushion cut diamond set in prongs. A pair of diamond-set leaves and a small diamond-set bud appear below. ...

This late 19th-century hinged bangle is a real beauty. It’s made of 14-karat gold, set with 18 half-pearls that are enhanced with cobalt-blue enamel. The back of the bracelet is simply decorated with a raised, thin gold band that terminates at both ends with a figure-8. Both rims have recesses along the edges all the way around. The tongue and groove clasp is very secure; a gold security chain with a spring-ring catch is a later addition. The maker’s mark of MC&Co. is at this time unidentifi...

The knot motif in Victorian jewelry signifies the unending bonds of love, so there could be no more fitting design for this exquisitely-made 18K yellow gold hair locket/brooch. The gold surface is ornately chased to suggest the texture of rope. A large cabochon amethyst enhanced with a star-set pearl centers the jewel. The brooch is finished with a pair of foxtail tassels. The back of the brooch has a glass-covered compartment with its original hair memorial. The brooch could easily be converted...

nusual, rarely seen signet ring with a striking stone of banded agate. The ring has a very small cartouche stamp on the back, it could possibly be the harp indicated Irish origin. Banded agate is a form of quartz with parallel bands of black and white resulting from mineral deposits layering over time, thus the term “banded.” The carved scrolls along the sides are a distinctly Victorian feature, often seen on gold bands during this period and they help to date the ring. The tiny dots carved ...

Here is a fabulous and very unusual swag/festoon/garland necklace, with several amethysts and many seed pearls! The rigid cross piece has a chain running above it, through loops over 5 oval amethysts with very nice color, each set into an inverted heart-shaped framework, and separated from the next by a tiny pearl. Set below each amethyst is a seed pearl, and below the framework are draping chain garlands, the central five each having a freshwater pearl dangle. At each end of the bar is an addit...