Large painting of a protest at night in front of an official building, 44" by 31" (50" by 37" framed), unsigned. This is a French work that is most certainly by a listed artist, but he/she remains anonymous. The complexity of the foreground and details of the facade are indications of the skill of the artist. The painting is of a large and impressive size, and would make a decorative addition to a traditional interior...

Gouache on paper painting of an idyllic tropical scene in Asia, vegetation towering above a central thatched hut, six figures in the foreground and a grazing water buffalo at lower right, signed at lower left J. P. Geoffory-Dechaume and dated there 58. The painting measures 19 3/4" by 24" and is in a black strip frame with faux bamboo pattern. Most likely the scene pictured is in Southeast Asia but we do not know where...

Circa 1940's oil on canvas floral still life painting, 24" by 30", signed at lower right Helen Hayes. This is a competently painted work that has seen some neglect. Sold in as-is condition, since the bottom roughly five inches, as shown in the photos, has significant pinpoint losses. Each is small but the overall effect is almost as if someone dipped the painting in water, leaving a "bathtub ring". Study the photos carefully...

Mixed media on panel painting of two horses tethered to a small tree in a desert landscape, unsigned, 10 1/4" by 13 3/4" (18 1/2" by 21 3/4" in black complementary frame). The painting, according to its previous owner, came from a large group of mostly signed works (in Oro Grande, CA where both artists painted) of the noted, well listed California and western artist JIMMY SWINNERTON (1875-1974)...

Circa 1880's painting in oil on a 14" diameter papier mache style plate, unsigned, featuring a winter scene at dusk. This charming antique work by an anonymous artist has nice detail and light. The artist was not professional but certainly had some training and a good eye for color and composition. The work has acquired some small losses, showing as white spots in the imagery, and along the rim. See old original label on reverse with 1880 patent date. Found in coastal New Jersey.

An interesting and skilfully painted work, depicting a potted cactus on a wood strip floor, evidently in some kind of attic room open to the outside via a door, the result being an image with interesting detail, light, and mystery. Oil on canvas, unframed, the piece measures 28" by 22", and it is unsigned but likely painted circa the last twenty years...

Oil on wood panel landscape in the Netherlands, 13" by 10" (22" by 19" in old, likely original frame), signed at lower left corner by the listed American artist and illustrator EDWIN H. KIEFER (1860-1931). This antique painting features a classic windmill, and a woman classically dressed, carrying a basket, in the left foreground. The late 19th century work is very dirty; a cleaning would work wonders. There is a long vertical crack in the panel at upper left as shown...

Circa 1950's oil on canvas of a mountain with cross on top, and what could be a small body of water in the foreground, painted in an impressionist hand. The scene could possibly be Mount Cristo Rey, a landmark with Christ cross on the summit, at the extreme southeast corner of New Mexico, overlooking the El Paso, Texas area. The work measures 16" by 18" and 21 1/2" by 24" framed. Sadly this became badly damaged at some point, with catastrophic tears through the composition...

Oil on Masonite painting of coastal rocks and waves, framed in an interesting and appealing vintage wood frame, signed at lower right by artist J. Wessely. I do not see a listing for the artist, who created an attractive and dynamic composition. The painting measures 18" by 24" (22 3/4" by 28 3/4" framed). It could date to about the early 1950's, judging from frame and board. The frame has a rugged, "Cabin Art" feeling with bold outdoorsy carving...

A pair of 8" by 10" oil on canvas paintings, unframed, one signed "Anton", the other "Chapman". One is dominated by lime green colors, with white birches, the other an autumnal scene of barn next to a creek at sunset. The former has "Shuk Ha Carmel, Tel Aviv" written on stretcher, along with "Birthright Trip December-January 2014-2015", the latter "Mountain House 2016/Franklin, NC". The autumnal scene has some paint losses around the edges from frame abrasion...

A still life painting by the listed Texas artist and teacher, Pattie Richardson East (1894-1994). East studied with Jose Arpa, Birger Sandzen, Harry Anthony De Young, and Joseph Fleck and exhibited extensively. The painting measures about 20" by 24", frame about 28" by 32". Fine example of her work.

Oil on canvas, " by " (" by " framed), the subject a peaceful glen deep in a forest, painted in a luminous style reminiscent of the American Hudson River School, likely Fairy Glen in North Wales, signed at lower right by the noted well listed English artist WILLIAM MELLOR (1851-1931)...

By the Irish-born artist who came to America as a youngster, WILLIAM J. HENNESSY (1839-1917), this is a charming, intimate little oil on canvas, 6 1/4" by 4 3/4" (11" by 9 1/2" in the 19th century frame), depicting an old man reading by candlelight in an interior, a red cloth in his right hand, the left hand splayed towards a comforting glowing fire in the hearth. Apparently he is alone on a quiet winter's evening, reading the way people had to read before electricity's arrival on the scene. T...

Eric Tobin winter painting - Late Afternoon Stillness, Johnson, Vermont. Oil on canvas. Size: 12 in. x 16 in. Offered in a silvered wood frame. Signed in lower right and signed and dated 2017 on the reverse. Snow covered fields looking towards Mount Mansfield, in Johnson, VT. Eric Tobin is a contemporary Vermont landscape artist. He resides in the northern part of the state, in Johnson. Tobin was greatly influenced by another Vermont painter, Thomas Curtin, whom Tobin knew from his childhood a...

A vintage still life oil painting of yellow and orange flowers in a brown jug on a table top, unframed, 30" by 36", signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some landscapes in t...

A large oil on canvas (26 1/2" by 38 1/2", and 32 1/2" by 44 1/4" framed) painting of a forest of evergreen and birch near a picturesque winding creek, likely in eastern Europe, signed at lower left somewhat indecipherably (probably a listed artist). The name may be Lithuanian or other Baltic state. The work is beautifully painted but has darkened with surface soiling and old varnish. There appear to be a few areas which were the subject of test cleanings (by tree at right and at upper left s...

Oil on canvasboard painting of a white ranch house in a rugged, semi-arid setting, signed at lower right by artist H. D. SMYTHE and dated 1960. Research to date of this artist name has not been productive. The 20" by 24" work (26" by 30" in wood frame) has acquired some general soiling and light abrasions in a few places. In the past, it was exposed to some moisture as is seen from the back of the board, in the lower portion, but no issues related to that are to be seen on the front side. It ...

PAIR of oil on canvas paintings, each 6 3/4" by 6 3/4" as framed, both signed "Verne", the subjects both still lifes of flowers in table top vessels. These are works by one GLADYS MARIE BAXTER DUCKWORTH (1904-1981). Often the works are erroneously misattributed by online sellers as being by a "Verne Lucinda McCann Gillespie", but Edan Hughes in his dictionary of artists in California has set the record straight. He says the artist was Massachusetts-born, met her husband while living in London un...

THREE unframed/unstretched oil sketches of California landscapes, circa 1930's to 1940's, measurements 11" by 14", 14" by 17", and 18" by 13 1/2", one signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and s...

PAIR of decorative oil on board paintings executed circa 1970, in the classical style of the 17th or 18th century, each 6 3/4" by 5" (12" by 10" in the frames), each signed "H. Muriel". The paintings are affordable and will nicely fill that small wall in need of some art. Frames have the slightest of wear, the paintings are in excellent shape.

Impressive oil on canvas painting of a mountainous European lake landscape with historic ancient buildings reflected in the waters, signed at lower left G. PATTY. Photos of internationally famous Lake Como in northern Italy certainly resemble this scene. The uncommonly beautiful work, 26" by 32" (34" by 39" in much later, mid century frame), is painted in predominant blues, greens, and whites. The impressionistic handling suggests a very talented artist, yet, I am unable to locate a painter of...

A 12" by 16" vintage oil on Masonite work, (18 3/4" by 23" **in DAMAGED frame, not shown**), signed at lower left corner by well listed American artist LEONARD C. LANE (1910-1978). The painting is titled on old reverse label "Lighthouse at Peggy's Cove, Nova Scotia". The circa 1950's label is from The Little Gallery, Jupiter Inlet Beach Colony, Jupiter Island, Florida. Lane was born in Bristol, England and emigrated to Canada with his family when he was sixteen. He served four years in the R...

Strong and vivid painting by Charles Burdick (American 1924-2016) depicting two rearing horses with riders. Frame measures 28 1/4" x 24" and is painted and gilded wood, the sight size of the canvas is 23 1/2" x 19 1/2". Oil on stretched canvas, with paper backing. Signed in lower left. As is typical of Burdick's style, the brush work is deft and full of energy, with fairly heavy impasto of paint over the surface of the canvas. Frame is painted wood, black with gold over embossed areas. Bur...

Oil on gray academy board painting, 12" by 17 7/8", 16" by 22" in the rather battered old framing, unsigned, probably executed in the latter years of the nineteenth century in New England. The artist created a comforting scene with a folk art feel, the handling of the trees and structure charmingly primitive. More than likely, this will need a new frame. There is a roughly circular dark area as seen at lower left, about 1" in diameter, that has been abraded. Otherwise the painting just sports...

A very attractive floral still life, 30" by 24" (37" by 31" framed), quite light and airy with white predominating, signed at lower right by by the hand of noted California-born artist PAUL MATHENIA (1946-). This is a beautifully worked oil on canvas painting of flowers in a table top vase, signed at lower right with the artist's typical signature. Mathenia was born in Bakersfield, California and showed early artistic talent as a youngster. He received art instruction at various venues in Southe...

Oil on Masonite extensive landscape of orange groves and palms and distant snowy mountains, the scene likely the Sea of Galilee area with the Golan Heights in northeast Israel, the painting measuring 20 1/2" by 25 1/2" (27" by 32" as framed), signed at lower left in Hebrew and at lower right twice, faintly, in Roman letters "Peysac". This painting is a typical work of the noted German-Israeli artist ARYE LEO PEYSACK (1894-1972). Peysack was born in 1894 and trained in Germany. He immigrated to...

A rarely seen work by a well-known artist of Romania, LETA MIRONESCU (1896-1981), the subject an autumn forest painted in greens and yellows and browns. Hidden among the vigorous impressionist brushwork on the old paperboard is the signature of the artist, in the paint, at lower left, where she also dated the work 1926. Mironescu received education in art in Romania and then traveled to Vienna, Munich and Paris for further training. Between the wars she achieved major recognition around the c...

An oil on Masonite painting of a classical nude male, signed lower left by noted California artist BEN CARRE (1883-1978) The work measures 17 1/2" by 24 3/4", and as framed 23 1/2" by 29". Carre was born in Paris and was an early set painter for the Paris Opera, Comedie Francaise, and Covent Garden. He became an early art director for the Gaumont Film Studios, painting trompe l'oeil backgrounds at a time in early film making when props were rare and expensive. By 1912 Carre was in the New York a...

Oil on board painting of waves at a rocky coastline, unframed, 15 3/4" by 20", likely by a listed artist but unsigned. The work was executed sometime around 1950 I would surmise. Condition is good and this should fit nicely into an easy-to-find standard size 16" by 20" frame.

A fine contemporary abstract oil on fine weave canvas painting, 12" by 10" (18 1/2" by 16 1/2" in attractive framing), signed at lower left by well-listed Mexican artist LUIS GARCIA GUERRERO (1921-1996). The abstraction is wispy, airy, and just plain attractive and interesting. Harmonious colors are black, olive green, brown, on a light greenish background, with linen frame liner, a gold leaf strip outside that, and finally gray outer frame. Guerrero's works appear at auction in Mexico and ha...

Unframed oil, on canvas painting, unsigned, circa 1920's or 1930's, measuring 25" by 32", the subject a rousing toast among a group of men in traditional eastern European or Russian clothing, a lone woman watching warily in the background. The painting is very dirty and as-found with craquelure. Trying to establish authorship, I contacted several prominent auction houses. One declared the painting "Brandywine School" and almost certainly by the important American illustrator artist Mead Schae...

A very nicely painted work, oil on canvasboard, 16" by 20" (20 1/2" by 24 1/2" in white and yellow frame), titled on a label "Tea Ceremony", the artist name given there as Mario Munoz, and signed M. Munoz at lower right corner. We see a young woman in traditional kimono and hair treatment, seated on the floor next to a low table set with tea service, two shallow bowls with food, and a vase at rear with yellow flowers, perhaps chrysanthemums. Her kimono and the vase are very beautifully handle...

Vintage American Impressionist Oil Painting on panel of a Swan on Lake by Harry Barton. From the estate of the artist with stamp on the verso. Presented framed in a quality gallery frame. Overall size 20ʺW × 1ʺD × 16ʺH Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in t...

An unframed oil on canvas landscape, 12 3/4" by 16", the subject a large lake in high country, a distant mountain in the background and tall spruce-type trees at left along the rocky shore. I have searched diligently for a signature and cannot find one, which is frustrating, as the work is certainly good enough to have been executed by a listed artist. The canvas was laid down on a board circa 1940 or so judging from the "Brownie Board" age. Weave of the canvas and the technique all suggest th...

Oil on canvas painting of a desert landscape, 18" by 24" (27" by 34" framed), signed at lower right by the listed California painter AILEEN POWERS STEPHENS (1889-1982). The artist also dedicated it to her daughter Helen, in July 1978, on the occasion of the latter's birthday, in an inscription on the reverse. Stephens was born in Kansas into an artistic family. She was related to the important 19th century American sculptor Hiram Powers. Stephens studied at the Art Institute of Chicago and w...

Vintage American Impressionist Oil Painting Girl Flowers on the Beach by Barton. Oil on 20 x 24" panel signed lower left presented in a quality gallery frame. Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of...