A large watercolor painting in impressive strongly horizontal format, the subject waves rolling in on a coast, sailing boats on the horizon, the work signed at lower left by artist "Langdon". This could be Chauncey Langdon (1828-1907), described on AskArt as a topographical painter from Vermont who came around the Horn to California in the Gold Rush days...

Watercolor on paper, unsigned, 9" by 5 1/2", (12 5/8" by 8 5/8" as framed), the subject a mansion's impressive doorway with Corinthian columns, hanging lantern, detailed cornices, balustraded balcony, and green shutters, with lush flowering plantings surrounding the entry. Unfortunately, this is unsigned. There are some framing notes on the reverse in old hand, including "Mrs. Buckingham", but there are no clues as to artist. The drawing was purchased in New England...

Early watercolor on paper of flowers, I think petunias, in a ceramic vessel, 11" by 14", 17 1/2" by 20 1/2" as framed, signed at lower right indecipherably, and possibly dated 1901. I believe the artist is likely listed, considering the quality of the drawing. The paper was laid long ago on a board, as shown. Condition of the image area is excellent, with colors true and not faded.

Matted, framed with glass. Not examined out of frame. Please disregard glare. Frame measures 22" x 14". Possibly the work of Anna T. Swinburne.

20th Century American School 1900-1999 American Artists This is the third watercolor and gouache painting that we recently acquired. All park scenes, all painted on a blue toned paper, nicely framed with archival materials. We are unsure who this artist was, most likely one of the mid 1930's American Illustrators. The image measures 8 1/4X5 1/4 inches. Unexamined out of the frame. Probably a view in Central Park N.Y.

Gouache painting of a gingerbread, Victorian house in Georgetown, Colorado, 12 1/2" by 10", 20 3/4" by 16 1/4" framed. The painting is signed at lower left "M H Brown" and dated there 57 or 59, and the word "Georgetown" identifies the setting. A modern framer's sticker on the backing from Georgetown, Colorado confirms the locale. Georgetown is an historic town filled with examples of Victorian architecture from the boom days of the 19th century in that part of the country...

This is an eighteenth century English drawing, 10 1/2" by 15" including the mat details drawn by the artist, plus 1 1/2" wide old gold frame, the subject two men fishing on a pond, a house in the distance and trees framing this idyllic scene of Olde England, signed near the figures "I Burford" (or, Barford possibly) and dated there 1742 or possibly 1792. I do not see an artist listing that would correspond with this...

This is a well executed impressionistic watercolor of haystacks on a marsh, a popular theme in American art, addressed most notably during the third quarter of the nineteenth century by the great Martin Johnson Heade, in the marshes of coastal northeastern Massachusetts. This painting on heavy paper was laid down to an old board a long time ago. Unfortunately it does not appear to be signed, at least not on the front...

A drawing with ink, pencil, watercolor and gouache on laid paper depicting a harbor scene very much in the manner of the French artist Claude Vernet (1714-1789). Perhaps there is a print source for this drawing. The work is signed in the lower right, “Tho. Ryves. 1770.” The most likely artist is either the father Thomas Ryves (1721-1788) or his son Thomas (born 1753) from the distinguished Dorset, England family...

PAIR of watercolor still life paintings of floral subjects, 8 1/2" by 7" inside the mat (16" by 14" framed), circa mid 19th century, likely American (purchased in Maine). Note the exquisite detail and color. Hand drawn mats add to the vintage appeal. Later 20th century gold frames are in good condition. One mat has old browning/possible water damage at lower right, not affecting the art.

Watercolor on paper, 13 1/2" by 9 1/2" (and simple frame 1 3/8" wide), unsigned, the subject a hushed redwood forest obviously in Northern California, the sunlight dappling the forest floor, and a slight hint of man's intrusion in the form of a split wood fence or gate. The colors, handling, and subject matter suggest the hand of important early California watercolorist LORENZO P...

Watercolor on paper landscape typical of California, dirt tracks wandering through a sunny dry mountainous landscape, signed at lower left by listed California artist JOSEPH P. FREY (1892-1977). The work, measuring 6 3/4" by 9 3/4" inside the gold mat, and 14 3/4" by 17 3/4" in its old framing (no glass), probably is an earlier work of the artist, judging from the signature style...

Beautifully executed, fresh watercolor and gouache painting of tiny figures overpowered by steep coastal cliffs, 9 1/2" by 21 1/2" (16" by 28" framed), signed at lower right "L LEWIS" and dated "96". This is a work by the listed English watercolor artist LENNARD LEWIS (1826-1913). The piece is exceptionally fresh considering that it was created more than 115 years ago. Colors are bright and the paper in excellent condition...

I thought this at first a print, the detail is so life-like and convincing, but closer examination revealed that it is indeed an original drawn work on paper, measuring 9 1/2" by 7" (15" by 13" framed). The artist must have had tremendous patience, or lots of time on his or her hands, to have created each leaf and flower. The work probably dates to the 19th century...

ONE OF SEVERAL WORKS BY THE ARTIST IN MY SHOP---Watercolor on paper of a principal street in the French Quarter of New Orleans,14 1/2" by 10 1/2" inside the mat and 21 1/2" by 17 1/2" as framed, signed at lower right by the listed New Orleans artist TOM LANE (1916-1991). Lane was born in Toledo, Ohio but became a familiar figure in the French Quarter, painting in oil and watercolor the familiar and much-loved scenes frequented by tourists...

Watercolor on paper painting of the the pyramids of Giza, including graceful date palms towering over a neighboring oasis village...

A detailed watercolor painting on paper, 8" by 10" (13" by 15" in interesting old faux-grain painted wood frame with gold liner), unsigned, with old handwritten title remaining affixed to backing: "Dublin Royal Hospital". The early, nineteenth century work is in excellent condition and the frame alone is unusual and interesting. Note the tiny figures, horses, and wheeled cart. The obelisk appears to be the Duke of Wellington monument, the cornerstone of which was laid in 1817; the monument w...

A pleasant watercolor painting of a working windmill in an extensive landscape, the sheet 9 3/4" by 13 1/4", currently loose under a mat, no frame, signed at lower left by listed English artist ALFRED WILLIAM RICH (1856-1921). Other than normal age toning of the paper, there are several spots of foxing, a missing extreme upper right corner, which is easily hidden by the mat, and reverse browning from residue of varnish or old adhesive. The watercolor is firmly in the tradition of English water...