Gouache on paper painting, 19" by 14", (23 1/2" by 18 1/2" as framed under Plexi), signed at lower left with the distinctive signature of well listed artist ROLAND STRASSER (1895-1974). This is a competently, confidently painted work showing a house as seen from the street, with an autumnal, yellowing willow tree and other vegetation. The artist is best known for the works he created while in Bali, Indonesia, these works featuring local female dancers...

A very finely crafted watercolor painting of an 18th century dandy in an elegant aristocratic interior, " by " (" by " framed), dedicated "Yours Sincerely" at lower right, and signed rather illegibly below that. The work's quality means the artist must be listed but try as I might, I cannot decipher the name. More than likely the work is circa 1890. Condition is excellent. I opened the old backing in hopes of finding more information or writing but there was none to be found...

Painted in watercolor on organic material, with the sitter attired in a black coat, vest, and stock, and sporting a stickpin. In a wood frame with fragments on the back possibly indicating the artist and/or the sitter.

Very good condition with no chips, cracks, bowing, or restoration. Sight size is 2 1/4" by 1 13/16", and the framed size is 3 7/8" by 3 3/8".

Oil on canvas, 18" by 22" (23 1/2" by 27 1/2" as framed), the subject the famous Paris opera house and the Cafe de la Paix at left, executed in the naive style of painters like Emile Blondel, Leon-Alphonse Quizet, and so forth, apparently unsigned, though the word "Lancel" on an awning could possibly be the artist's name. The painting dates to the post war period, likely the 1950's or early 1960's at latest, considering the style of the autos in the scene...

oil on Masonite contemporary style quayside scene, 9 1/2" by 14" (24 cm. by 36 cm.) with 1 3/4" frame and liner, signed at lower right "L. Neuquelman"...

Oil on canvas still life of peaches and compote in the East Coast style of the latter part of the 19th century, 21" by 27", presently unframed, signed at lower left "C H Harmon" and dated what appears to be 1880 (or, 1880 something, difficult to read last digit). This is a skillfully painted still life in the tradition of eastern masters like the Ream's, or members of the so-called Fall River School. The table appears to be Eastlake Victorian, with its marble top...

This is a really pretty watercolor on heavy watercolor paper by an obvious talent, 14" by 20" (22 1/2" by 28 1/4" as framed), the subject picturesque boats tied up along the banks of an idyllic stretch of river, a boathouse at left and a few figures completing the impressionist composition. The work's varieties of impressionistic blues are quite lovely, and there is simply excellent handling of color and light. The only fault, really, is that the artist did not sign the piece...

Impressionist seascape oil painting on canvasboard, 12" by 16" (16 1/2" by 20 1/2" framed) signed at lower right by Colorado artist ALFRED JAMES WANDS (1904-1998). On the reverse in pencil is written "Artist---Alfred Wands/2065 Ivanhoe St./Denver 7 Colo./Breaking Sea/$50.00". The work likely dates to the 1950's. Wands was born and raised in Cleveland, Ohio. He attended the Cleveland Art Institute, then went to Europe for studies in Brussels and Munich...

Eugenia Grant's floral works in pastel are amazing achievements, often leading people to think they are prints. This is a glorious original work, 22" by 27", framed behind glass (28" by 33" framed), and signed at lower right. The realistic depiction of flowers, Asian porcelain vessels, patterned textile backdrop, and reflection in table top, is very impressive indeed. I have seen a number of works by this highly underrated artist, and they always feature this impressive attention to detail...

Oil on canvas painting titled on reverse "Iris and Poppies", 9" by 12" (16" by 19" in gold leaf frame) signed at lower right corner by noted contemporary northern New Mexico artist DON BRACKETT (1932-). The artist, born in Oklahoma and raised and educated in Albuquerque, (where he received a fine art degree from the University of New Mexico) is known today for his plein air landscapes of northern New Mexico around Taos and Santa Fe, as well as paintings of flowers and wildflowers...

An accomplished watercolor of a spooky old Victorian house on a city block, signed at lower left by artist JOHN W. ATTERBURY and dated there 1944. The work measures 14" by 20" (24" by 29 1/2" in old stained oak wood frame). Titled in pencil "Yellow Windows" at lower center, the artist has created a work with very American qualities, and reminiscent of Edward Hopper's strangely empty and lonely structures, or perhaps those of Charles Burchfield...

Beautiful antique original Italian watercolor landscape painting of a waterfall and castle ruins by Vincent Blatter signed lower left. Presented matted and framed. Vincent Blatter (1843 - 1913) was active/lived in Italy. Vincent Blatter is known for painting landscapes. Overall framed size 15 x 20" excellent condition.

Sold together as a **PAIR**, two watercolor paintings, each signed "BUZZI", one measuring 13 1/2" by 9", the other slightly larger at 14 1/2" by 9" (both 23" by 16 1/2" as framed), the subject two ladies going about their daily activities, dressed in 19th century garb. Condition of both is excellent, with fresh color, and no foxing/staining. The artist is most likely by listed artist Achille Buzzi or possibly Arturo Buzzi.

Vintage circa 1950's oil on canvas autumn landscape of a creek surrounded by trees, signed lower right by listed California artist TERESA (TESS) RAZALLE-CARTER (1888-1972). Measurements are 24" by 30" (30 1/2" by 36 1/2" framed). The scene could possibly be somewhere in the San Gabriel Mountains or Santa Monica Mountains. The artist was born in early Los Angeles and lived in Southern California her entire life...

This is a fine pastel on paper work, 9" by 11 1/2" inside the mat, 15 1/4" by 17 1/4" as simply framed in wood, the subject a low desert with saguaro cactus near a desert wash at right center, a range of brooding desert peaks in the distance. The work is signed by the artist on the original mat at lower left corner. Condition of the drawing is superb. The outer portion of the mat is browned and a bit discolored with age, but since the mat contains the signature, if you reframe you would want ...

This is a rather unusual and visually arresting contemporary work by a Japanese or Japanese-American artist, signed at top right "Yasushi Saito" and dated there '78. An oil on canvas, unframed, measuring 23" by 19", the work is difficult to describe: a carp-like blue fish at right center appears with conical mountains that resemble Mount Fuji or desert peaks, as stunted bizarre vegetation, possibly trees, complete the visual feast. The scene is a fantasy for sure, resembling to my eye some du...

Oil on canvasboard, 16" by 20" (19" by 23" in its simple wood frame), the subject Motif #1 in iconic Rockport, Massachusetts harbor at the tip of artists' paradise Cape Ann, circa 1950's or 1960's, signed at lower right by the artist. This is rather typical subject matter for Garabedian, who worked on the north shore, in Maine, and even away from the coastal areas, always painting in an impressionistic hand. This painting has lots going on: the famous red shack itself, a number of boats, seve...

Oil on canvas laid on board, 14" by 18" (18" by 22" framed), the subject a California low desert landscape with distant snowy peaks, signed at lower left and bearing old pencil notation on reverse "Eug. Frandzen". This is a classic desert plein air painting, in need of a professional cleaning. There is overall soiling that dulls the colors and subtleties of this work. Frandzen was born in San Diego in the early year 1893. By the teens he was in Chicago at the Art Institute for training. Acc...