An attractive contemporary abstract painting, unsigned, 20" by 24", unframed, painted in acrylics by an anonymous artist. The airy and light palette----an artful combination of white, gray-silvery metallic, yellowish-orange peach/tropical melon (and that too slightly metallic in places) colors are quite elegant and contemporary in feeling. The geometry of the design reminds a bit of artists like Richard Diebenkorn...

Watercolor and gouache on paper of a backwater creek or lake surrounded by feathery trees, 12 1/2" by 19 1/2" plus 3 1/2" of mat and frame, unsigned, most likely American. The work is in very good shape save for some age browning of the paper most visible by comparing to the top inch or so which evidently at one time was hidden under a mat. The artist was obviously skilled in watercolor. A very peaceful scene for your wall.

Watercolor on paper painting of flowers in a short vase in a dish, a piece of fruit and a small book nearby, 11" by 15" inside the mat, 19 3/4" by 24" as framed, signed at lower right by the artist and dated there 1970. I do not see a lot of biographical information on the artist, but he did apparently work in a modernistic style, as Paul Klee or Lionel Feininger inspired semi-abstract or abstract works have appeared at auction in Germany...

A masterful Original Acrylic and Pen Painting with stunning irredescent Gold/Copper accents/sheen, depicting Lotus Blossoms and Leaves. Artist R. Seed Sa-ardwaree. Size: 18.5" x 14" (47 cm x 35.5 cm.). Very nicely framed under glass and ready to hang!

Oil on canvas unframed painting of two chairs and a glass-topped table on a peaceful terrace overlooking an extensive landscape, likely California, 16" by 20", unsigned. The artist is anonymous but his/her work is quite skilled and pleasing. The impressionistic handling of this scene makes for a most decorative and appealing painting. The regular size should make framing easy and inexpensive.

Finely rendered watercolor painting of a scene of North Africa, likely Tunisia, Algeria or Morocco, signed at lower right in red by listed American artist WILFRID "Wally" BERG (1908-2002). A boy in the foreground in local clothing watches over a herd of grazing sheep, as sun-washed old buildings and mosque fill the background. The work measures 17" by 22" (25 1/2" by 29 1/4" framed). Berg was born in Michigan into a large family...

A PAIR of paintings of figures dressed traditionally, the larger 12" by 9 1/2" (17 1/4" by 14 1/2" framed), the smaller 9 3/4" by 6 3/4" (15" by 11 3/4" framed), one signed in red and dated 1991, the other just dated 1990, but both have ink writing on a margin paper that shows as "Byklasang 1990" (or, By Klasang?). These appear to be of Thai, Laotian, or other Southeast Asian origin, possibly Burmese (Myanmar). I do not appear to be able to tie them to a known artist...

Original watercolor on paper painting of the famous and iconic Brulatour Courtyard in New Orleans, Louisiana, signed at lower right "F. W. Steck", measuring 13 5/8" by 19 1/4" inside the mat, and 21" by 27" as framed. On the reverse framing paper is written in black marker "Foyer"/Florence W. Steck/(215)789-0966". Online research has revealed the artist to be a talented woman who was born in 1919 and passed away in 1994...

An unsigned watercolor painting of three fish very artistically arranged in a triangular pattern on a simple slab, the background neutral and undefined, measurements 15 3/4" by 12 1/2" (17 1/2" by 14 1/2" framed in wood with an intentional blanched distressed finish). The work could conceivably date to the 1940's or 1950's and the quality of the imagery certainly suggests the hand of a trained or listed artist. The older paper is laid down on a modern day white board. Condition is excellent.

A circa late 1930's to early 1940's painting titled on the reverse "Molas Lake and Needle Mountains, Silverton Colorado", signed at lower right by artist C. H. Rising. The oil on canvas measures 12" by 16" and is unframed. A light cleaning would be helpful but you could just throw a regular sized frame around this and enjoy it on your wall. Nicely executed work by a talented yet apparently unknown artist. The mountains are well painted, streaked with snow of the previous winter...

Watercolor painting of docked small boats and their rigging, 13" by 9 1/2", 20 1/2" by 17 3/4" framed (no glass), signed at lower left by the artist, A. Romanet (ANDRE ROMANET, 20th century French). The talented watercolorist seems to have worked in the south of France on the Riviera before the war, there being watercolors of Saint-Tropez and Saint-Raphael. Colors are bright and condition is very good overall; I note a tiny puncture in sky at upper left, but it is tiny...

This is a **PAIR** of unframed paintings in acrylic on Masonite (one appears to be on a thin, gauzy type of canvas laid on masonite), one 18" by 24", one 24" by 12" by noted Northern California artist TED CHRISTENSEN (1911-1998). Neither is signed on the front but they are typical of the subject matter and technique of the artist. Both are inscribed on the back; one says "#89-1 TED CHRISTENSEN/ACRYLIC - 12" x 24"; the other says "9002 -GOLDEN GATE/TED CHRISTENSEN/ACRYLIC 18" by 24"...

Oil on board, 13" by 17", unsigned, the subject a group of European-looking (French, I'd guess) buildings that appear as if they would belong in a country winery scene, with an early spring impressionistic landscape surrounding them. The conical tops remind me of structures I have seen in California wine country, or, in French chateau country. This one is difficult to describe adequately...

Original ink and watercolor drawing of historic houses in New Orleans, signed at right by artist Jean Johnson and dated there 1968, and titled at left "Cottage, Hoggle Place" or similar. The work is detailed and very nicely handled. I cannot locate information on the talented artist. Measurements are 10 1/2" by 14 1/2" (16 1/4" by 19 1/2" framed)...

Oil on board painting of watermelon, grapes, and banana arranged on a tabletop, 20" by 24" (25" by 28 1/2" framed), signed at lower left by American artist Helen Lubetkin. The work is by a skilled hand, though I can find very little information online relating to this name; the painting was found in Los Angeles, and a woman by that name died in San Marcos (North San Diego County) in the late 1980's, but there is no way of telling if this might have been the artist. The painting has a flattene...

Watercolor on paper painting, possibly depicting the distinctive geological formation known as Morro Rock, in Morro Bay, California, north of Los Angeles on the scenic central coast of the state. The work is unsigned and likely dates to the late 20th century. Condition is fresh, the colors true and not faded. Framing is a beige metal (slight wear), the pink-tinged mat complementing the sunset colors in the painting. The overhanging branch is sensitively painted by a skilled hand. Overall th...

**ONE OF TWO WORKS BY THIS ARTIST IN MY SHOP** This is a mixed media work on paper, (watercolor and gouache) 8 1/2" by 12", 16" by 19 1/2" as framed, signed at lower right in pencil by the artist "J Cl Imbert". The landscape scene includes a few trees and a small river rendered in subdued colors. Thee primary medium is watercolor but there are tiny spots of gouache, and possibly charcoal in the tree branches, and scratching technique. No foxing or damage.

A vintage watercolor of a Native American warrior seen in profile as he draws his arrow to hunt prey outside of the picture to the right. The work measures 13 1/2" by 10 1/2" inside the mat and 19 1/4" by 15" framed (no glass). The work is unsigned. There are some old watercolor stains at lower right which seem to blend into the imagery. There is some abrasion showing as whitish area trailing vertically down from mid-arm at right. A restorer could take care of this or purchaser can carefull...

Oil on canvas, 27" by 39" (32 1/2" by 44 1/2" as framed), the scene a deep blue lake with small boats and a dock, puffy clouds filling the sky on a peaceful summer day. It is an expansive scene, large enough to invite the viewer to feel he is a part of it. I suppose the work is Swedish or Danish. The artist chose to sign with just the conjoined initials "HM" at lower left, where it is also dated 1948. Condition: because of evident past moisture exposure, there is flaking of the paint at rig...

Oil on canvasboard painting, 14" by 18" (17 1/2" by 21 1/2" in simple wood frame), signed on the reverse by artist James E. Carson of Andover, Massachusetts and titled there "Lobster Cove". This is a peaceful scene, most likely of the Lobster Cove near Annisquam and Gloucester, MA, but I see there is also a Lobster Cove in Maine. Regardless of the exact location, this is a classic scene of New England, captured by a talented artist. There is a listed illustrator by this name but I cannot dete...

This painting is signed but cannot be deciphered. The painting portrays the beautiful scenery of the Old Town in Warsaw (Stare Miasto)
CONDITION: In good condition, no restorations.
MEASUEMENTS: 19 1/2 inches tall and 18 1/4 inches wide with the frame.

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Pastel on paper colorful abstract pastel drawing, 15 1/2" by 19 1/2" inside the mat, 25 1/2" by 29 1/2" as framed, signed illegibly at lower right. The work is very modern and there's a lot of energy in the dramatic forms. No doubt this was created in the 1980's to maybe just a few years ago. The artist's signature is difficult to make out. Photographs were taken through non-glare glass, so I have digitally enhanced them to show the color that exists below the cloudy type glass, which shoul...

A circa 1900 oil on canvas painting of roses against a simple dark background, 12 1/2" by 18", and 20" by 24 1/2" in likely original bright gold frame. There does not appear to be a signature. Roses were a popular subject of painters during that period, with many young ladies especially encouraged to take up painting. The American painter George Cochran Lambdin often used dark or black backgrounds for his floral still life works. This painting is in generally good vintage condition, with a v...

Watercolor on paper drawing of a gentle coastal beach backed by small sand dunes, (14" by 29 1/2" and 22 1/2" by 36 1/2" framed), signed at lower left "G H Flavelle" (GEORGE H. FLAVELLE, born 1868), This is a clean, wall-ready work by a listed artist who hailed from Pennsylvania. Flavelle's works include landscape, woodland interiors, cottage scenes and Dutch windmill scenes. He was a china and glass painter at some times in his career. Flavelle was a student at the Art Students League in Ne...

A PAIR of American oil on board mountain landscapes, each 23 1/2" by 11 3/4" (29 1/2" by 17 1/2" framed), both signed at lower corner A. A. Baker. There does not seem to be biographical information on the Hudson River-inspired artist, who likely painted these in the mid 1880's. It is doubtful that they have ever been cleaned. There is a smell of smoke. One has a 1" puncture of the board (in the tree at right), the pressure having come from the reverse side; the piece remains attached. Frames...

Oil on canvas, 25 1/2" by 18" (32 1/2 by 24 1/2" as framed), apparently unsigned, circa 1930 to 1950, and very probably European (French or perhaps Scandinavian, judging from the stretcher). The painting is something of a mystery, the mysterious hand and spectacles at lower left coming from outside the image area. Almost certainly this was created by a listed artist but without a signature I cannot go further on that front. On the reverse stretcher appear the words "Vendredi" (Friday, in Frenc...

Oil on canvas painting of a small structure surrounded by a beautiful autumnal forest, 16" by 31 1/2" (21" by 36 1/2" as framed), signed at lower right "C. Jonnevelt" (or Sonnevelt), suggestive of a Scandinavian, Dutch or Belgian artist. The painting, in the tradition of earlier works, was probably executed by a Northern European artist circa 1960 to 1970. Note the skilled handling of the reflections at left. The work has a few condition issues, as shown---a bit loose on the stretchers, a pre...

Unusual watercolor of what appears to be a wagon on the plains, piled high with rocks perhaps, and, even, the skull of a buffalo, signed at lower right "P. PARSONS '96". The watercolor is on paper and measures 8 1/2" by 18 3/4" (15 1/4" by 25 1/4" as framed). The work is in excellent condition with no foxing visible. I do not see an obvious listing for the artist. Found in San Diego area. Recently, on the east coast, I saw a watercolor coastal scene signed in the same manner.

Oil on board landscape, unsigned, the subject a panorama of red rock cliffs and distant butte, likely in Arizona, or possibly Utah, the scene framed by tree at right. The work has some age, a guess would place this circa 1955 to about 1965. Certainly it is good enough to have been painted by a listed artist. The condition is acceptably good. There is a little moisture warp (not stained, just a warp) from possible past storage perhaps in a garage setting, and the back of the board is rough fr...

Oil on canvas,unframed, 18" by 22", signed at lower right by listed French- Italian modern and contemporary artist NINO GIUFFRIDA (1924-), the subject a pair of harlequins, one dressed in blue, the other in red, in a dreamy landscape with houses, trees, and a small beach on the sea, a point of land and trees on the far horizon. Giuffrida painted a wide range of subject matter, often in a distinctive whimsical style; these subjects include portraits (in the 1950's he painted the likes of Gina Lo...

Watercolor with gouache highlights on paper painting 13 3/4" by 9 1/2" inside the mat, of a large and impressive castle on a hill, (possibly Windsor Castle near London), a pastoral landscape with figures in the foreground, signed in pencil at lower right "A WATT". There is a listing for an Arthur George Watt (1883-1935) but I doubt this be the same artist, as the techniques and style do not mesh and the dates are wrong; this drawing is earlier. The drawing is beautifully executed by a talented...

Pastel on paper laid on board drawing of trees and fields, a shed providing a human element, 7" by 9" (11" by 12 3/4" framed), signed at lower right "R. Nourse". This is a very fine little drawing with a touch of post-impressionist Van Gogh and other artists especially in the branches and trunks of the tall trees. The only listed artist with the name Nourse is Elizabeth Nourse. I see there is a Rebecca Nourse but the time period does not correspond to the drawing which likely dates to the mid...

A vintage oil on canvasboard painting of distant green gentle mountain ranges, a cluster of structures (a farm) and surrounding trees in the foreground, unsigned but written apparently by the Claremont, New Hampshire framer on the backing paper appears "Mark V. Miller/For Mother/1949/Lyme Rd., NH/Looking over into VT". Also, written in pencil on the canvasboard is "Mrs. Leon Miller/8B/pick up colors". So apparently this is a mid 1940's view from Western New Hampshire looking west over the Conn...

A pastel drawing of autumnal aspen, titled interestingly "Quakies" (after the distinctive way that aspen leaves turn in the wind) on small reverse label, 20" by 16" (22 1/2" by 18 1/2" framed), signed at lower left by noted Nevada woman artist LUVERNE LIGHTFOOT (born ca. 1943). A printed piece affixed to the backing provides a little biographical information but her website describes fully her talents as an artist, teacher, and author of instructional books in the pastel medium. Lightfoot also w...

In the style of masters like William Harnett, John F. Peto, Otto Kaye and others, this is a painting of an ink bottle, old style fountain pen, pipe and matches, stamped envelope and calendar, signed at lower right "Roy Fay". The letter, in the trompe l'oeil" (French for "fool the eye") tradition, is addressed to himself, in "Pasadena, Cal", and is interestingly postmarked in Kansas. The calendar is from the "Ohio Grocery", of Pasadena, and the calendar sheet reads November 1912. The painting...

Autumn landscape painting, oil on masonite panel, 9" by 12" (16 1/2" by 19" framed), signed at lower right, and on reverse bearing title "Fall on Geer Mtn." and the artist's then-address in South Kent, a small town in northwestern Connecticut. This is an early, 1966 palette knife work of contemporary Connecticut impressionist RICHARD STALTER (1934-). Stalter was born in Dayton, Ohio, exhibiting early talent. Work in advertising was not satisfying, leading the young artist to come at age 30 to...