A finely painting oil on canvas landscape of a windmill in moonlit landscape, a structure at left with a glowing window, the clouds luminous with the eerie light, and possibly some grazing animals at right, the work apparently UNSIGNED. The detailed meticulous handling suggests an early 19th century date---or possibly even earlier; the work has an Old Master feeling. Measurements are 18" by 24" (21 1/2" by 28" in traditional style old walnut frame with gold fillet)...

Impressionist oil on panel painting of a hardy desert shrub in the California desert, 20" by 10 1/4" (22 1/2" by 13" as framed), signed at lower right corner M. Gustafson. On the reverse is a rubber stamp of De Ru's Fine Art of Bellflower, CA, a well-known source for vintage California paintings...

Portrait of a Woman Wearing a Painted Miniature Brooch

Oil-on-canvas, unsigned

Mid 19th Century

Painting: 20 ¼” x 16 ½”
Frame: 24 ¼” x 201/4”

Three oil still life works on canvas by the same hand, each signed "G. Gillson", circa late 20th century, all painted in an earlier style. Measurements are 12" by 16" and 9" by 12", and frames 1 3/4" wide on a side. I do not see a listing for an artist by this name. These are nicely painted and will complement your traditional interior. The dark, wood frames have some scratches and you might want to replace them with gold, which would dramatically improve the overall presentation...

A pastel on paper drawing of an urban alleyway with whitewashed structure and tiled roof, possibly in Mexico or other Latin country, signed at lower right by American artist "Dave M....", or similar. The work measures 14 1/2" by 10 3/4" inside the mat and 21" by 16" as framed. The artist has taken an everyday kind of scene and transformed it into a work of art. The art is in excellent condition as are the frame and mat.

An unusual painting that could be described as an allegory of all that is southwestern: oil on canvas, 24" by 20", 30" by 26" in interesting wood frame, signed at lower right "Martin", and with further ink notation on stretcher "Navajo 1981". The artist appears to be Jean Martin, 1924-2011. Martin was born in Massachusetts and educated there in art...

A circa 1960's vintage oil on Masonite painting, 30" by 18" (36 1/2" by 24 1/2" as framed), unsigned, the subject a peaceful creek or marsh land area in late autumn, one tree in full autumnal colors. This is a very nicely painted work, which could benefit from a light cleaning, but you would not have to have that done. Condition is excellent, frame has a bit of wear consistent with age. The artist handled the light and reflections beautifully.

This is a truly antique work, an oil on canvas unframed painting, 24 1/2" by 30", relined in the mid 20th century, apparently unsigned, the subject elegant ladies in a formal, upper class interior setting, the piece likely English or Northern European, possibly but I think far less likely American...

A watercolor of a lighthouse on the Maine coast, 9" by 13" (15" by 19" in wood frame), signed at lower right by artist Donna Sabaka (1946-). On the reverse is written "The Nubble Light"/York/Cape Neddick, Me.". The artist signed again there and wrote "Kennebunkport, Me. 1986". The lighthouse is in the extreme southern portion of Maine, in the heavily visited coastal strip of that state---a large tourist draw in summer...

A vintage mid 20th century watercolor painting of a sun-washed Mediterranean village including white church, red roofed buildings and mule-drawn cart, signed at lower left by artist "Costi" (or similar). The work measures 13" by 9 3/4" (19 1/2" by 16 1/2" in attractive silvery frame). Watercolor and frame are in excellent condition.

NOT A PRINT, this is an original, hand-drawn sepia ink and watercolor on paper drawing, titled at lower center "Plumeria Tricolor". Further writing in a quaint nineteenth century hand reads "A tree 30 ft. high" and "Pint. Mono. (Montego Bay??) Jamaica x gardens of Peru x N.O. Apocyness"...

A well executed oil on wood panel still life of yellow roses, green grapes, goblets, glasses, decanter and candle stick on a table cloth, signed illegibly at lower right (appears as "Hans Meh...." or similar), circa 1890. The work measures 21 1/2" by 28" and the panel is 1/2" in thickness. The signature certainly appears to be European. I have tried and tried again to make it out but have not succeeded...

Oil on board painting of a sunny street scene in southern Italy, a central figure walking towards the viewer and others going about their business including washing clothes. The painting, signed at lower left "Pasini", measures 17 1/2" by 11 1/2" (21 1/2" by 15 1/2" in attractive old gold framing). The work likely dates to about 1900 or 1910. There is a light accumulated soiling and yellowed varnish that would make a cleaning well worth the investment...

A nicely painted oil on canvas still life of flowers in a Chinese vase or pot, balancing between trompe l'oeil realism and impressionism, signed at lower left by artist ELIZABETH CAMPBELL. This is a contemporary work, likely less than thirty years old, measuring 28" by 22" (33 1/2" by 27 1/2" framed). There is a listing by this name but I do not believe it to be the same artist. Condition is excellent save for a small scuff at upper left.

A late 20th century intricate painting of the Indo-Persian, Mughal School, sometimes referred to as Indian Persian, measuring 10" by 6" including margins (12" by 8" in the ornately patterned style of frame that often accompanies such works). The painting is in excellent condition, though old water intrusion at upper and lower left has left dampstains. A mat with curving, oval shape would hide this. Frame is delaminating at left edge and extreme top left corner shows some loss...

A contemporary watercolor painting "Mirror Lake/Yosemite National Park", signed at lower right by Southern California artist Marcia L. Litchfield. The 20" by 14" watercolor (30 1/2" by 25" framed) features a look into the famous valley in late spring, when snow patches remain on the mountainside. The work is nicely done. Oak frame has a small bit of wear, and the Plexiglas is rubbed/scratched so may have to be replaced. The artist's business card, from Acton, California, is affixed to the ba...

Oil on canvasboard painting of gulls flying above the waves, the stern of a boat at left, 12" by 16", (17" by 21 1/2" framed), signed in ink on reverse ("Painted by Edith Fite"/XXX Magee 1951"). The scene reminds of how hungry gulls loyally follow the back end of a fishing boat. I have not located information on the artist. The painting could well benefit from a cleaning after about 70 years.

Oil on wood panel painting of a Dutch city scene, painted in the 19th century style of artists such as Cornelius Springer, the work 16" by 20" (24" by 28" as nicely framed), signed at lower left "Shone". The work is contemporary though the artist was obviously familiar with the meticulous style of the earlier artists. Painting and frame are in excellent condition.

A large watercolor on paper on panel painting of a classical mountain landscape, dated in Chinese 1980 at upper left (and likely signed there, I cannot read calligraphy), the work measuring 32" by 22 1/2" (the entire panel 40 1/2" by 30 1/2" with metal frame, loose/no glass). The artist was obviously familiar with centuries of Chinese classical landscapes. There is light wear in several places but nothing serious. The work is loose within the frame and can be shipped with or without it.

A striking, traditional, antique, oil on old oak panel painting, with even an Old Master feel, the painting itself 13 1/4" by 15 3/4" (34.3 cm. by 41.3 cm), the scene a landscape dominated by a placid large white dray-type horse (painted with extraordinary sensitivity and skill), a goat at left foreground, and resting cattle in the distance, the remainder of the composition dominated by a sky filled with beautiful clouds, and classic willow trees at right. The painting is indistinctly signed at...

A floral still life painting on pebbled paper, 14 1/2" by 10 1/4" inside the mat, 19" by 15" as nicely framed (no glass). The work bears signature "Montezin" at lower left but I have researched the piece and it is not by the noted French artist. It is offered solely on its decorative qualities. There are light folds in the paper at top but they are not really a concern.

A very pretty contemporary oil on canvas landscape of trees, a cluster of pink flowers in the left foreground, signed at lower right by California Art Club associate member DULCIE ADAMS. Biographical information seems to be lacking on this obviously talented artist. The work measures 18" by 24" (26 1/2" by 32" nicely framed). Painting is in excellent condition; linen liner has a small stain that could probably be removed.

A most interesting circa 1960's work featuring a group of older, mostly one story buildings in a town, those buildings apparently of stone, judging from the earthy colors. A dark blue sky elegantly sets off the earth tones, making for an interesting play of light and color. Brush strokes are vigorous and sure. The painting is oil on canvasboard, measuring 9" by 13" (12 3/4" by 16 1/2" framed), signed with initials that could be "CB" at lower right. On the reverse is written "Bloom" but this ...

A typically colorful painting from Haiti, featuring female figures carrying loads of fruit on baskets balanced on their heads, against a mysterious deep green background landscape. The painting is signed at lower right "Xavier B./Haiti/2000". Measurements are 25" by 21" as framed in white wood. Canvas is slightly rippled, there are a few hairline crack marks in the legs of several figures, but nothing that is bothersome at normal viewing distance. Canvas is of an inexpensive type often used ...

An old watercolor on paper laid on board painting of old buildings, with a view to open water beyond the narrow lane. The work is signed with initials "MC" or "ME" at lower left but there is no other information. The watercolor measures 11 1/2" by 9" inside the mat and 18 1/2" by 16" as framed. There is old wood slat backing remaining. This might well be a scene of old England, perhaps Cornwall, but it is really hard to say more as to the locale portrayed. It is a picturesque and timeless s...

Oil on canvasboard painting of a dirt road through a pine woodland, signed at lower right by artist ADDIE SYLVESTER. On the reverse side it is titled "Deep in the Heart of Texas", signed again and dated 1950. I do not see information on the artist. Curiously there was a woman by that name who passed away in 1989 in Manhattan, Kansas area; on the backing paper, most of a label is missing, but the remaining letters of what would be the town in the address are "MAN...". There may or may not be ...

Oil on canvas painting of white and pink roses in a blue bowl, signed at lower right "Strachan". The work, measuring 18" by 24" and 23" by 28 1/2" in likely original frame, has tiny losses in background and lower left area. The frame also has light wear, and losses on back of left edge. Overall, a very shabby chic piece in feeling. There is an old Los Angeles framer's sticker on reverse backing.

Oil on canvas painting of a farmer by a water pump in an open field, two dray horses at center and left slaking their thirst. The work measures 11" by 12" and 15 1/2" by 16 1/2" in frame that may well be the original. The painting is signed faintly yet distinctly at lower left corner "S.S.C.", which is one of the known signatures of American artist SAMUEL SIMPSON CARR (1837-1908). Other known signatures include "S.S. CARR" and "S. CARR". Carr was born in England and for a time studied at the ...

A PAIR of watercolor paintings framed as one, in black and white, each signed lower corner "CC" or "LL", likely late 19th century or early 20th. Each measures 2 1/4" by 3 1/4" (12 1/2" by 9" as framed). There is no information inside on the identity of the talented artist. Silvery frame and hand drawn mat makes for a very elegant little piece.

A most unusual painting on wood panel, 24" by 30", unframed, featuring some gritty, tough-looking downtown Los Angeles men in a claustrophobic, vertiginous streetscape of old hotel buildings. The Hotel Rosslyn and annex were built in 1914 and 1923, respectively, and were fashionable places to stay, in their day, at Fifth and Main in old downtown. The medium used is likely casein or other non-oil, water-based paint. The painting takes from older Social Realist painting and murals of the early ...

An American oil on panel painting, unsigned, likely circa 1920, unframed, featuring a landscape including a lake, some distant low mountains, and yellowing foliage in foreground suggesting autumn as the season. The piece measures 14" by 22". Surface is dirty---could really use a cleaning/varnish---and there is paint chipping along left, top, and bottom edges, as well as a small loss at left center in the foliage. Needs some TLC but the essentials are all there. On reverse is written "(May?) ...

A beautifully executed watercolor painting of a proper Victorian lady in her fine parlor, her chair and small table sitting on a bear skin rug. The work is unfortunately unsigned. It measures 18 1/4" by 12 3/4" at the mat opening (25 1/2" by 19 1/2" as framed). This was acquired from a New Jersey dealer, in Florida. He claimed to have had a bit of paper with the name of the artist but has never been able to come up with it despite my requests. The work looks a bit like that of Jennie Browns...

Oil on canvas painting with great luminosity, the subject small craft pulled up on foreground beach, with a view to distant ships offshore a city, signed at lower left corner and dated 1876 by well listed Danish painter NORDAHL GROVE (1822-1885). The work measures 17 1/2" by 26" (23 1/2" by 32" framed). The luminous handling and colors reminds of works by northeastern American artists of the late 19th century. Grove, the son of a distinguished Danish naval officer, studied at the Royal Danish...

Early landscape painting of a likely imaginary, idealized, pyramidal mountain peak of California, (doesn't really resemble Mt. Shasta, but I suppose it could be), 20" by 16" on the stretchers, painted on canvas, 25 3/4" by 21 3/4" in a fine old gold 19th century frame, signed at lower right by artist "C. A. Simpson" and dated there 1886. The painting is firmly in the luminous tradition of some of the eastern Hudson River artists, with a pinkish glow suffusing the sky. Note the tipis at left lo...

A watercolor painting featuring a street scene in exotic Cusco, Peru, the imagery of a steep walkway in the high altitude mountain city, a lone figure in classic, native Andean dress descending the steps, an extensive view of tiled rooftops, whitewashed buildings and churches completing the middle distance, as serrated mountain ranges fill the horizon. The 10 7/8" by 7 1/2" painting (15 1/4" by 12 1/4" framed) is signed at lower left "ORE" and dated there 1980. Condition is excellent. The gra...

A charming oil on canvas painting of central Paris by the Seine, a number of tiny figures enjoying their walks along the river with its barges. The artist signed at lower right "L Florguin" and dated the work 1953. Very surprisingly I see only scant information under this name. However the artist was obviously very familiar with the French naive school painters who flourished in the immediate post-war years. Measurements are 18" by 13" on the stretchers and 23 1/2" by 18 1/2" in "distressed"...