Utagawa Yoshitsuya, Japanese, 1822-1866, "Senjubo Aiming at Harunaga-Ko". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts...

An interesting and unique illustration of a comic scene lithograph from the nineteenth century measuring 6x8” more info coming soon

Etching, 6 1/2" by 8 3/4" (12 1/2" by 15" in modern frame), pencil signed by the artist at lower right, titled at lower left "Sunset--Gowanus Bay", the subject a ship in dry dock, other shipping visible in the distance beyond the muddy shore. Farrer (1844-1903) was a talented artist who is best known for his watercolors and etchings. The London-born younger brother of Thomas Charles Farrer, he created landscapes, marines, New York City area views, coastals and drawings of animals...

Original 19th Century albumen photograph by Jean-Pascal Sebah (1872-1947) of the New Hotel in Cairo. Circa 1888-1895. Titled l.l. Signed in the plate l.r. Jean-Pascal was the son of Pascal Sebah (1823-1886) and took over the family studio in Constantinople in 1888. The studio specialized in scenes of Egypt and the Middle East.

Japanese Woodblock Print Nineteenth Century Emperors Stallion 17x21 inches. Call or email. We have a rare and fine selection of Japanese art dating to 1860

A fine example of the etcher's art---an original etching titled in lower margin "The Smoker", signed in plate at lower left "Meissonier" (and date that looks like 1818), signed again at extreme lower right corner by Paul Adolphe Rajon (1843-1888). This is after a circa 1850's original painting by the important 19th century French painter JEAN-LOUIS-ERNEST-MEISSONIER (1815-1891). Rajon created the etching after the painting, in the 1870's...

PAIR of chromolithograph prints of California's famous Big Trees, published in 1873 by Louis Prang. Each print measures 14" by 7 1/4" (17 1/2" by 10 1/2" framed). The title of one is "Big Trees, Calaveras Grove" and the other "Redwood Trees, Santa Cruz Mountains", both after original paintings by listed nineteenth century American artist John R. Key...

Large fine English antique mid 19th century print of mounted riders in traditional red coats, and their trained hounds, in an extensive landscape, the title "John Josselyn Esq. and the Suffolk Hounds", engraved by Charles Mottram (1807-1876) after the painting by Edward Robert Smythe (1810-1899). The print, mounted long ago to a board, was published circa 1865 by Henry Graves & Co. of Pall Mall...

Pair of original antique botanical Fern lithographs prints circa 1867. Edward J. Lowe’s Ferns: British and Exotic. this print was published in London by Groombridge & Sons in 1867. This work was one of the earliest works to concentrate solely on the subject of the fern. Lowe used his botanical expertise and money to produce this work. He hired A. F. Lydon as the artist for the work and Benjamin Fawcett created the lithograph plates. Presented archival matted and framed...

A circa 1868 albumen photo on thin paper, 9 3/4" by 7 1/2" inside the mat and 19" by 15 1/4" framed, with the blind stamp at lower left of noted early Italian photographer GIACOMO BROGI (1822-1881). The subject is identified at bottom edge in the image, as "Gerusalemme" (Jerusalem) and is assigned reference number 4019 there. This is a view of the so-called "Golden Gate", the oldest of the gates in the walls surrounding Old Jerusalem...

Edmond Francois Aman-Jean 1858-1936 French This is a fine pencil signed lithograph by French impressionist Edmond Francois Aman-Jean. This image measures 13 3/8X14 5/8 inches. Very fine condition, printed on a wove type paper. The subject is Mile Moreno who played in the Comedie Francaise show this image was created and printed in 1898

Japanese Artist Tsukioka Kogyo (1866-1919 “Klyotsune” Colored woodblock 15x11”

THREE hand colored French 19th century prints featuring early-day Japanese soldiers, each 9 1/4" by 6 3/8" inside the faded old violet mats, to which each is simply taped at top edge. The prints are unframed. Two have a dark foxing mark, and all are of sufficient age to have acquired the signs of age---paper toning, slight handling creases and so forth. Fresh mats and frames will display them properly and preserve them for another 150 or so years...

Japanese Geisha Woodblock Print circa 1880 measuring 16x13 inches Call or email. We have a rare and fine selection of Japanese art dating to 1860

One of a number of Whistler lithographs I am offering: "Firelight: Joseph Pennell No. 1", 1896, sheet approximately measuring 11 3/4" by 8 1/4", currently in a mat, lightly taped at top edge to backing, not laid down, unframed. Generally clean, with some imperfections along edges (particularly a half-moon shaped area missing from right side, about 1 1/2" by 3/8" wide on average, see images). Stamped on reverse is "Library of London/De-Accessioned"...

Francois Eugene Augustin Bridoux, French, 1813-1892, engraving, "Madonna dei Candelabri", Prov. Gray: 539, Blind Stamp,., see Passavant II, p.168, engraved 1841, Proof, before letters; Image size 12 1/2 x 12 1/2 inches; plate size 181/8 x 15 1/2 inches; paper size 30 1/4 x 23 7/8/ inches; blind stamp Rittner & Goupil, Paris l.l.

A hand colored lithograph of the interior of a Damascus house showing a cistern below a very high ceiled room surrounded by arches and a relatively small doorway to the outside on the opposite side of the point of view. Men in both robes and trousers fez and keffiyeh in various attitudes occupy the foreground and a servant (?) enters near the outside door...

A hand-colored engraving after William Henry Bartlett (1809-1854), titled "Eastport and Passamaquoddy Bay", 1839, engraved by C. Cousen, printed by George Virtue of London, England. Tiny foreground figures relax on a bluff overlooking the panorama, framed by a feathery tree at right and close-in island. William Bartlett was a well-known artist at the time, his topographical scenes very sought after. They proved popular works for transfer to engravings which could be widely distributed. This ...