James Gillroy ('Bristol-cheese, made, and sold, by Percival & Co') Sitter William Lort Mansel (1753-1820), Bishop of Bristol and college head. by James Gillray (1756-1815) hand-coloured etching, 1809? 9 7/8 in. x 7 1/2 in. A hand colored copy of this image is in the English National portrait gallery we have included an image of the colored version mat size 14" by 18"

"William Hogarth" "Distant View of Mr. Ranby's House at Chiswick," "Hymen and Cupid" and "A Country Inn Yard" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

"William Hogarth" "Receipt for the Election Prints" and "Columbus Breaking the Egg" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

Gerard Audran, European, 1640-1703, engraving, "The Martyrdom of St. Agnes", image size: 26 1/2 x 15 1/4 inches, prov. J.W. Randall collection #. 4022. A 17th Century impression.

A hand water colored image of a man walking down a hillside in low vegetation with a shotgun in his hands, preparing to shoot, following two dogs walking towards right; another man standing at a wooden fence in middle ground, holding a shotgun; trees, fields and houses in background. 1798 Etching, Dimensions page trimmed Height: Height: 7.75" Width: Width:9.75" water damage on upper edge but far from plate lines.

An English antique line engraving by Taylor, published by Alexander Hogg in "The Antiquities of England and Wales", 1795, the subject given as "View of Lambeth Palace in Surrey". The print measures 7 1/4" by 9 1/4" (and 13 1/2" by 15 1/2" framed). The print looks decidedly antique, the paper with old crinkles, and it is simply laid against a pinkish board. It appears to have been possibly trimmed at bottom. The decorative print is hand colored...

A beautifu Eighteenth Century, hand colored Etching exotic monkey 10 x 8“ Frame size 16 x 14 l

Very large 18th century stipple engraving of a fashionable crowd under the trees in the park with Buckingham house (later altered to become Buckingham Palace) in the background. Titled, “The Promenade in St. James Park,” it was engraved by F. D. Soiron, designed by Edward Dayes in 1790 and published by T. Gaugain in London in 1793. This image is the original print with hand coloring. Sight size 18 by 26 inches, frame 27 ¼ by 35 ¼ inches.

Condition: some discoloration and minor foxing...

A scarce botanical mezzotint engraving of the plant species "Caryophyllus gramineus humilis" (carnation), plate No. 330, from Phytanthoza Iconographia, 1737-1745, considered the first important botanical work to use color engraving prints. The work is known for the accuracy and beauty of the prints, which can now bring impressive sums at Sotheby's and Christie's auctions in London...

A circa 18th century engraving of stone arch bridge over a river, more than likely in Italy, 10 3/8" by 15 7/8" inside the ornately drawn mat and 16 1/2" by 22 1/2" in a contemporary distressed style complementary silvery-colored frame. The work is not visibly signed. A google reverse image search did not turn up a matching image...

French artist Honoré Daumier “Salees des Elections” lithograph 10x12” Honoré-Victorin Daumier (French: [ɔnɔʁe domje]; February 26, 1808 – February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870...

"Veduta della Piazza della SS. Nunziata, Statua Equestre di Ferdinando Primo, Fonti, e Loggie Laterali" Lively view of Nunziata square with the statue of Ferdinand I in Florence after Giuseppe Zocchi (1711or 1717 - 1767) and engraved by B.Sgrilli. From "Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze". The 24 plates in this work show views in Florence. The scenes are enlivened by human activity...

Jacob Gole 1660-1737 Dutch This is an original mezzotint engraving by Dutch artist Jacob Gole (1660-1737) This image, The Drawing Lesson was created after the painting by Godfrey Schalcken. This image identified in the lower border has an image size of 9 3/4X7 7/8 inches. Printed on an early laid type paper, some foxing but overall very fine condition. It has a collectors seal in the lower border, "H de t stat".

18th c Mrs Ogee Engraving "Pub Aug. 1 1775 by MDarly, Strand"a woman with a bonnet wig and ogee-shaped profile, in an oval. 1 August 1775. Rare print nice condition matted 14" by 18" A copy of this print is in the British Museum

Capt Cook "Landing Of Capt Cook at Tanna New Hebrides" 1790, the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 8.5 x 14.25 inches. Sheet: 9.5 x 15.25 inches Description: Landscape engraved by S. Middiman, figures engraved by J. Hall. Drawing by John Webber

A typical example of the work of Dutch 18th century printmaker JACOBUS HOUBRAKEN (1698-1780), titled "Abraham van der Hulst/Vice-Admiraal van Holland en West-Vriesland". The small engraving measures 6 1/2" by 4 3/8" inside the mat opening and 9 1/2" by 7 1/2" framed. Houbraken was born in Dordrecht. He learned the art of engraving from his artist father Arnold Houbraken...

WILLIAM HOGARTH ENGRAVINGS 1751 4 Stages of Cruelty one of Hogarth's most sought after sets of engravings , this set is a life time printing in good condition for the age there is some light foxing and paper loss please see pictures for condition , please email if you need more images. We do have a Heath set as well in great condition for $950.00 (Largest) H 15.25" x W 20.5"

Sold together as a group, three early copper engravings on heavy paper, one titled "Deuil D'une Personne Qui Vient de Mourir" (20" by 24" framed), another "Mort. Le Passage de Caron, Le Fleuve du Styx, et les tourmens de L'enfer" (20" by 24" framed) and finally a smaller print, "Sepulcre ou Mausolee" (18" by 12 1/2" framed). The engraver was PIETRO SANTI BARTOLI (1635-1700), a noted Italian engraver, draftsman and painter...