Hermine David, French, 1886-1971, Drypoint etching, "Le Zoo de Vincennes", image size 8 7/8 x 6 1/2 inches, 1946, pencil signed and numbered 51/110, published by the Société des Peintres-Graveurs Français.

Hand colored botanical print, 8 3/8" by 4 3/8" inside the mat (the actual print as trimmed just a bit larger), 16" by 11 3/4" as framed, the words "Pub. by Wm. Curtis St. Geo: Crescent Aug. 1. 1798. S. Edwards del. ESansom sculp" below and "No. 417" at upper right corner. This is a decorative work with fresh colors, in the tradition of 18th century botanical engravings and etchings, by a noted artist...

Ingatz Marcel Gaugengigl, American, 1855-1932, Etching, "Bellisima", image size: 7x7, pencil signed

Charles Mielatz, American, 1864-1919, Etching, "Whalers in the Harbor", image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

Adolphe M.T. Beaufrere 1876-1960 This is an original drypoint etching by French artist Adolphe Beaufrere (1876-1960) The title of this etching is "Cottages by the Stream", it was created and printed circa 1930. It is editioned as 19/60. The image measures 8 1/2X8 3/4 inches. Hand signed in pencil in the lower margin.

Original etching by Maurice de Vlaminck (France, 1876-1958). Circa 1937. From the Paris 1937 portfolio which included works by Matisse, Gromaire, Vlaminck, Derain, Dufy, Laurencin, Bonnard, Kisling, Dunoyer de Segonzac, etc. Signed in the plate. Currently framed in a mid-century period frame. Good condition.

Lawrence Nelson Wilbur, American, 1897-1988, "Peck's Slip- N.Y.C." Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.

William Lee Hankey, European, 1869-1952, etching, "Trincket Box", image size: 4 5/8 6 3/8 inches, pencil signed, blind stamp.

Original unframed etching on paper, 8 1/8" by 12 3/8" inside the mat (the sheet 10" by 14"), signed in the plate and dated there 42, and pencil signed in the nearby lower right margin by the noted American printmaker LUIGI LUCIONI (1900-1988). **ONE OF SEVERAL PRINTS BY THE ARTIST IN MY SHOP**, this is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery, barns and farms of that rural state...

An antique colorized engraving (after Jean Honore Fragonard) by Jacques Couche. Housed in an ornate a gold gilt period frame.Height including bonnet 22-1/4" x 13-3/4".

Biography Samuel Arlent Edwards was born in 1862 in Somerset, England. He studied art and architecture at the Kensington Museum Art School from 1877 to 1881, and then continued studies in engraving with Appleton, Josey & Alais in London. He achieved early success in making mezzotint reproductions of well-known paintings, a path he was to follow all his life...

“MAKING THE World Safe for Democracy “ Soft ground etching Early life and education Aaron Sopher, the tenth of the thirteen children of Samuel A. Sopher and Jennie Saperstein, was born in East Baltimore, Maryland, on December 16, 1905.[1] His father owned a small cigar factory and tobacco shop near the Baltimore harbor...

Stephen Parrish, American, 1846-1938, etching, "Sunset, Gloucester Harbor", image size: 4 7/8 x 8 3/4 inches, 1880, cat. Schneider 40, SP number 40, first state of two, pencil signed. A beautiful, rich impression, Parrish makes excellent use of plate tone to imbue the scene with atmosphere. The second state, which has much less ink in the sky and sea, was later published in American Etchings.

THREE pencil signed etchings, all of orientalist subject matter including possible temples, mosques and bazaars, all unframed, by the Dutch artist MARIUS BAUER (1867-1932). Bauer was born in The Hague and died in Amsterdam but in his lifetime strayed far from the confines of the Netherlands, visiting the Middle East, India, Russia, North Africa and the Dutch East Indies. A precocious talent, he received art training at an early age...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture...

Stephen Parrish, American, 1846-1938, "Fishery on the Dee". A very fine original etching by American artist Stephen Parrish, this image is one of three images Parrish created of Chester, a small walled town near Liverpool, England. The image size is 9 1/4 x 7 3/8 inches, 1884, state I/II, before the remarque in the lower margin, cat: Schneider- 107, pencil signed.

Francis Hopkinson Smith, American, 1838-1915, "Bath Abbey". This rare, early 20th C. etching by Francis Hopkinson Smith measures 9 7/8 x 7 1/2 inches, pencil signed and titled. Smith was an author, artist and engineer, writing many books but also known for his atmospheric watercolors and oils. In his early years he is credited with building the foundation for the Statue of Liberty. At the age of 50 he gave up his engineering career and devoted the rest of his life to writing and painting.

The Frugal Repas by Pablo Picasso from the edition of 1913 on arches paper trimmed with .5 inch margins a fine impression of this most famous of prints. Plate size 18 1/4 x 14 7/8 in. (46.4 x 37.8 cm) . A fine addition to any collection framed and archival matted in a fine gallery presentation frame.

Original intaglio by Wendell H. Black (American, 1919-1972), in excellent original unframed condition. This work is titled l.l. and marked A/P, also signed by the artist's widow and dated l.r. It was posthumously printed by Berkley Chappell, who produced the first edition of the lost prints of Wendell Black. Cf. "The Lost Prints of Wendell H. Black" by Henry Sayre. This work measures 14" by 17 1/2". One of a number of works by this artist currently offered. Please inquire.

Etching, 8 3/4" by 7" inside the mat, 14 1/4" by 12 3/4" framed, pencil signed at lower right margin, by the famous French artist, JEAN-FRANCOIS RAFFAELLI (1850-1924). This image of a building along a road, with small figures, is an example of the poetic impressionist style of his later period. Raffaelli found the common, the poor, the working class, and the underprivileged people of Paris and its industrial suburbs to be his favorite subjects, leading some to call him the "Millet of Paris"...

A view of the "Kolk" in Rotterdam, Holland, titled "Rotterdam Kolk" at lower left, plate signed with conjoined initials (tiny) and pencil signed "Marius Janssen" at lower right margin, 12 1/4" by 18 1/2" as framed. The Kolk is a familiar part of the center of this historic city, which suffered severe damage in World War II...

Beautiful Photogravure by J.L. GEROME, published by GOUPIL &Son prayer in the desert, 12x16, frame size 20x24

PAIR of etchings of dogs, one a Fox Terrier, the other a Scottish Terrier, each signed at lower right in pencil by the renowned twentieth century German dog and cat and other animal artist, KURT MEYER-EBERHARDT (1895-1977). The artist was born in Leipzig and died in Munich. In the late 1920's he was studying with Thedor Hagen and Lyonel Feininger, and could have ascended to the highest levels of the art world. He however chose to pursue his love of depicting domestic and other animals...

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1618 in Florence, powerful violent biblical scene represented in a European city setting. Lieure catalog number 278, second state of two, excellent impression of this important print. In excellent condition, framed and glazed, not examined outside of frame. Plate size 13,5 x 107 mm (5 3/8 x 4 3/16 inches), frame size 11 x 9 inches.

Paul Cesar Helleu 1859-1927 French This is a fine Belle Epoque portrait in drypoint by French artist Paul Cesar Helleu. The subject is: Madeleine Chéruit. This image measures 15 1/2X11 1/2 inches, hand signed in pencil by the artist in the lower right border. This drypoint is housed in a Foster Brothers period gilt frame....

George Elbert Burr 1859-1939 American This is a rare etching by American artist of the Southwest, George Elbert Burr. The title is: Whirlwinds, Mojave Desert, California no. 2. It was created and printed circa 1930. This pencil signed and titled etching measures 8X10 inches. This appears in the Burr catalog as image number 281.

"William Hogarth" A Harlot Progress suite 6 pieces The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5...

Alphonse Legros 1837-1911 French This is a fine large etching by French artist Alphonse Legros. The title is; Le Retour du Bois (Return from the Woods), Created circa 1880's. This was part of his series known as Death and the Wood cutter. This pencil signed impression measures 9 1/4X14 inches. Legros was a well known founder of the etching revival in France. This is one of his largest compositions. This image is in the collections of many museums through out the world. The catalog list...

Leon Louis Dolice, American, 1892-1960, Etching with Aquatint, "New York Monument at Night", 1924, image size 10 3/8 x 7 1/4 inches, pencil signed and dedicated

A rare etching of one of New York area's bridges, depicted in an interesting phase of its construction, pencil signed by American etcher artist RALPH PEARSON (1883-1958). The work measures 10 3/4" by 15 1/4" inside the mat and 17 1/2" by 21" as framed. The artist titled it at lower left "#69 Hell Gate Bridge" and inscribed it in pencil at lower margin "To Harold Swartz--Artist". (Harold Swartz appears to refer to the Los Angeles/New Mexico sculptor, born 1887, died 1948). The print is signed...

Douglas Warner Gorsline 1913-1985 American This is a fine original etching by American artist Douglas W. Gorsline. The title is: Brooklyn Local. THis etching was created and printed in 1945, published by Associated American Artists in New York in an edition of 250. Hand signed in pencil beautiful condition, printed on a medium weight wove type paper. 20th Century American Etchings

Nicolas Mignard, French, 1606-1668, "Athena Advises Odysseus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 11 3/4 x 13 5/8 inches, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Louis C. Rosenberg 1890-1983 American This is an original etching and drypoint by American artist Louis Rosenberg. The title is: The Grand Canal, Venice, it is printed on a medium weight laid type paper. This etching was created and printed in 1927. The image measures 8 7/8X13 7/8 inches. Hand signed in pencil lower right border, very fine condition, nice use of plate tone in the sky and water. A very rare image, Rosenberg at his best!!!...

Sir Frank Brangwyn, British, 1867-1956, "Scaffolding, No. 1 (L`Échafaudage)," etching, plate measures 19 x 20 3/4 inches on 24 1/2 x 29 1/2 inch wove type paper. A richly inked drypoint from 1919. Catalog reference: Gaunt 245. Edition of 54. Pencil signed in the lower right. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.

Louis Auguste Mathieu Legrand, French, 1863-1951, etching, "La Femme au Parapluie" (Lady with Umbrella), image size 14 1/4 x 6 inches, signed and dedicated in pen "A Mon Ami Mil..." (To My Friend Mil...), framed.

Thomas Hovenden, American, 1840-1895, "The Old Shaver". This 1887 etching by the Irish American artist, Thomas Hovenden, measures 19 1/2 x 13 3/4 inches, pencil signed, remarque on l.l. of shaving mug with brush, copyright info on l.c. Thomas Hovenden was born in Cork, Ireland, studying at the Cork School of Design before emigrating to the US at age 23, enrolling at the National Academy of Design in NYC and working as an illustrator for Harper's magazine. He went on to study in Paris at the Ecol...

Joseph Pennell 1857-1926 American This is a fairly scarce etching by American artist Joseph Pennell. The title is: Chelsea, No. II, it was created and printed in 1886, in an edition of only 20. Hand signed in pencil by the artist. The image measures 6 1/2X9 1/2 inches. This imag appears in the Wuerth catalog as image number 114. Printed on a medium weight wove type sheet. Chelsea Bridge is a bridge over the River Thames in west London.

An unusual and difficult to photograph trio: two heavy copper etching plates and one tin or zinc lithograph plate, the latter signed clearly Emil Kosa Jr., and one of the copper plates signed with reverse-etched conjoined initials that spell out EK and probably also "Jr". All were acquired by me at the same time, so, I believe it likely that all three are by the hand of the noted California artist EMIL KOSA, JR. (1903-1968). The lithograph plate shows an image of an indian chief or perhaps A...

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

Luigi Kasimir 1881-1962 Austrian This is a fine original color etching by Austrian artist Luigi Kasimir. The subject is the Fulton Market, in New York City, circa 1930. The image measures 16 12X11 1/2 inches. Printed in an edition of 100 signed impressions. "Kasimir was a pioneer in the coloured etching technique. He started with a sketch, usually in pastel, and then transferred the design on as many as four to six plates. He printed one after the other and applied the colour on the plate...

Jean Louis Forain, 1852-1931, French, etching, "La Lecture Du Dossierr", image size: 10 3/4 x 8 1/2 inches, 1909, cat. Guerin-53, inscribed 1st etat, pencil signed lower right

This is a small etching (6 1/2" by 4 1/2", 12 1/4" by 10 1/4" in metal frame with black mat) by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left "Flower Stand" and pencil signed at lower right by the artist. Roudebush was born in Portland, Oregon and moved to Sacramento as a youth. Art education in the Bay Area followed, in the late 1920's, and by 1932 she was producing etchings, generally of familiar Bay Area scenes. She worked until at least the 1970's. Thes...

Ludovic Lepic, French, 1839-1889, "Bords de Riviere Ombreux avec Deux Moulins et Cloche a Droite," Etching, image size 4 x 10/4 inches, 1870, plate signed u.r. "Lepic" and pencil signed l.l. "Lepic", from "Croquis Hollandais et Autres" plate 14. A view of fisherman along the banks of the Ombreux River with two watermills and a church in the background.

Arthur William Heintzelman, American, 1891-1965, "Ma Petite Voisine", drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right

Joseph Pennell, American, 1857-1926, "Waterloo Bridge and Somerset House". A beautiful architectural cityscape by master printmaker, Joseph Pennell. Measuring 8 x 11 inches, it is pencil signed with publishers label on the backing. Created in 1905 in an edition of probably 75, cat: Wuerth #379. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimenta...

Aloys Wachelmayr, Austrian, 1892-1940, "The Guitar Player," etching, pencil signed, image size is 6 x 7 3/8 inches on 9 3/4 x 14 3/4 inches wove-type paper. Circa 1917.

Charles Adams Platt, American, 1861-1933, "Canal Boats and Tugs", etching, image size 4 1/4 x 6 7/8 inches, 1887, cat: Rice-85, plate signed and dated. A rich impression in sepia ink.

Original etching on paper watermarked "France" (probably Arches paper), 9 3/4" by 7 7/8" (image only), and the sheet with at least 1 1/8" margins (up to nearly 2" at right), pencil signed at lower right by the noted American printmaker LUIGI LUCIONI (1900-1988). This is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery of that state. This example is in good condition if you are seeking a pleasing print to frame, but it is not in pristine con...

Etching of an old style bridge spanning a small body of water, signed in pencil at lower right and signed in the plate there and dated 1962 by well listed Hungarian artist ISTVAN BALDIZSAR (1897-1984). The print, measuring 5 1/2" by 10" inside the mat, 14 1/4" by 19" simply framed, has a 19th century feel (or, earlier, actually). The artist has sensitively portrayed a familiar scene of his homeland. Baldizsar was born at the end of the 19th century and by 1918 was studying at the Academy of F...

A beautiful multi-plate color etching by master printmaker LUIGI KASIMIR (1881-1962), dated lower right 1922, and pencil signed there in the margin by the artist. The subject could be mistaken for Paris, what with the advertising kiosk, but this is in fact the Vienna Opera House in Austria. Kasimir was born in present-day Slovenia into a family of poets and artists. He attended the Vienna Academy of Art, studying under William Unger, who introduced him to color etching; previous to the perfec...

Print of the palace entrance in the Mayan city of Uxmal in Yucatan, Mexico.
Designed by Jean Arnould Leveil (1806-1866) after the drawing (sepia ink and wash on wove paper) of Frederic Catherwood (1799-1854) from 1843, entitled: Archway, Casa del Gobernador, Uxmal, Yucatan.
Engraved by Jean Baptiste Marie Bury.
The print was edited as fourth of twelve depictions of the ruins of Uxmal in the appendix of volume 4 in: Jules Gailhabaud. Monuments anciens et modernes: Collection ...

Original etching by Raphael Soyer, USA, born in Russia, 1899-1987). This work is signed by the artist lower right, numbered from an edition of 85, and is titled "Pedestrians". It could be described as a self portrait of the artist in a crowd of New York pedestrians. Framed.

William Lee Hankey, British, 1869-1952, "Evening," etching, image size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching, 7 3/8" by 5 1/4" inside the mat, 15" by 11 3/4" as simply framed, by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Carmel cypress trees" and pencil signed at lower right by the artist. The imagery features stately, classic Monterey Cypress trees on the famous foggy coastline. Roudebush was born in Portland, Oregon and moved to Sacramento as a youth. Art education in the Bay Area foll...

Mary II (30 April 1662 – 28 December 1694) was Queen of England, Scotland, and Ireland, co-reigning with her husband, William III & II, from 1689 until her death in 1694.

Fine etching, of desirable subject matter, titled at lower left margin "Marble Game", signed at lower right margin and numbered there 15/40 by the noted American artist WILLIAM WOLFSON (1894-1966). This is a wonderful image of boys playing their very basic game in the middle of a gritty urban street, by an artist who is generally grouped with the Ashcan School of social realism of the early part of the 20th century. Wolfson was born in Pittsburgh, Pennsylvania and studied at the Carnegie Insti...

Etching on paper, 5 1/4" by 6 3/4" (10 1/4" by 14 3/8" as framed), the subject the old downtown of Sawbridgeworth, Hertfordshire, England, including a church and medieval buildings, by the important American printmaker JOHN TAYLOR ARMS JR. (1887-1953). Arms was one of the best known and most highly respected American printmakers of the first half of the twentieth century. Born in Washington D.C., he studied architecture at Princeton and MIT and decided to become an architect, but by his early ...

Joseph Simpson, British, 1879-1939, etching, "Betty," image size 12 x 9 7/8 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

A small etching 18th Century Rustic Figures title possibly from a book

Sir Francis Seymour Haden, British, 1818-1910, "Ye Compleat Angler". This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along w...