Impressive engraving, aquatint, and etching on copper by Wendell H. Black (American, 1919-1972). First edition (posthumously printed by Berkley Chappell, and signed by Elaine Black). Cf. "The Lost Prints of Wendell H. Black" by Henry Sayre, figure 7. This work is in excellent unframed original condition. It measures 14 3/4" by 25". Titled and marked A/P l.l. also signed and dated l.r...

Original light etch on copper by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. 17 1/2 by 23 3/4 image alone. Titled and numbered 7/25 l.l. Signed "Wendell Black '50 by Elaine l.r. Plate 20 in "The Lost Prints of Wendell H. Black" by Henry Sayre

A rare opportunity to acquire a work by the important California artist AUGUST GAY (1890-1948): an etching on delicate thin tissue-like paper, apparently unsigned, the sheet 5 7/8" by 8 1/8" (9 3/4" by 10 3/4" in black strip frame). The subject is the historic old Stevenson House in old Monterey, a favorite subject of many artists...

Original drypoint engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. 12 1/2 by 23 1/2 image alone. Plate 2 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original deep etch by Wendell H. Black (USA, 1919-1972). Titled and numbered 7/25 l.l. Signed and dated "Wendell Black 61 by Elaine" l.r. 23 1/4 by 31 1/8 image alone. From the first edition, printed posthumously by Berkley Chappell, and signed by Black's widow Elaine. No lifetime edition exists. cf. The Lost Works of Wendell H. Black, plate 26.

A mezzotint printed in colors of a large Holderness cow, a type of Holstein Friesian. Printed on woven paper. The image is 18 by 24 inches, overall it is 24 ¾ by 30 inches and the mat is 26 by 31 ½ inches. The print, with dedication on the lower margin, depicts a large rectangular cow in front of a barnyard with a dog, cowherd and a well dressed man in the foreground. In the lower left below the image is printed, “painted by G. Gerrard.” In the center, “Pub. April 9th 1798 by G...

A rare copper plate etching artist proof by, Mayumi Oda (b.1941). A night scene with a goat in a garden under the moon. Printed in black ink on paper. Signed in pencil and titled "Yvonn's Night Goat".

Dimensions: Paper size: 10 1/4" high x 10 1/4" wide. Size of art including signature: 6" wide

Original carborundum etching on hand made paper by Pierre-Marie Brisson (French, born 1955). Signed in pencil l.r. and numbered 25/75. 35" by 25". In excellent condition.

By 18th century German etcher and engraver GEORG FRIEDRICH SCHMIDT (1712-1775), this is a fine and beautiful print, titled "Der Bartige Orientale" (The Bearded Oriental), signed in the plate at upper left "G F Schmidt fec" and dated there 1750. Engraved in the plate at lower left in French: "dedie a Monsieur le Comte Algarotti Chambellan de su Majeste Russienne par su tres humble et tres obeissant serviteur Schmidt" (dedicated to Mr...

Stephen Parrish, American, 1846-1938, "A Fishing Hamlet- Bay of Fundy, 1882," Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.

Scarce print, "Coal--Mahanoy City--The Main Street", so titled and pencil signed by the artist, Joseph Pennell, in the lower margin, with notation "Trial Proof" at lower left. This is a scene of a gritty small town in east-central Pennsylvania's anthracite coal belt, Mahanoy City, about 50 miles northwest of Reading. The total edition is said to have been 50 impressions...

"William Hogarth" A Harlot Progress suite 6 pieces The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Charles Mielatz, American, 1864-1919, Etching, "Whalers in the Harbor", image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

Original vintage expressionist etching print titled "Garden of no Tomorrows" numbered9/15 signed titled circa 1964 by Sylvia T Gavurin. Printed on quality wove paper archival matted and framed in a contemporary gold frame overall size 25ʺW × 1ʺD × 19ʺH Sylvia T Gavurin (1911 - 2002) was a Los Angeles based artist best known for her printmaking she showed in local exhibits her work is held in several private collections. In the 1940s Sylvia Gavurin was a court stenogrepher for the military...

Alméry Lobel-Riche, 1880–1950, French, etching, "Le Bar," plate measures 13 1/4 x 9 1/2 inches in a 21 1/2 x 17 1/2 inch gold frame. Plate signed in the lower right, with the publisher's blindstamp, le Cercle Moderne, in the lower left. C. 1912. Edition of 200, from the Paris series. Probably printed by the artist in black ink on cream wove paper with full margins, as issued. A fine impression with a rich drypoint burr.

Johan Barthold Jongkind, Dutch, 1819-1891, "Moulins en Hollande". This 1861 etching by Johan Barthold Jongkind measures 5 1/4 x 7 1/4 inches, plate signed, framed. D-14, early proof before letters, I/III.

Sir Francis Seymour Haden, British, 1818-1910, "Ye Compleat Angler". This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed...

Peter Moran, American, 1842-1914, "On the Road to Santa Fe," etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.