This is a block print on an unusual paper, the subject a mounted Native American banging his drum while on a white horse, signed in the block by the important "dean of Arizona artists", LON MEGARGEE (1883-1960). The striking image might be after a painting by the artist, who, the story goes, was passed one day in the desert by a warrior in a dreamy trance-like reverie state, working his drum in this manner, barely noticing the white man watching him pass...
Japanese woodblock print by the artist Kazuhiko Sanmonji entitled "Zen Garden of Ryoanji". Printed in gray, brown and yellow ink on paper. Signed and titled in pencil. Dated 1999. Artist proof.
Dimensions: Size of paper: 4 3/4" high x 13 1/2" long. Size of art including signature: 3" high x 12 1/2" long
Japanese limited edition woodblock print by Morihiro Sato (b. 1943) depicting white bellflowers. A student of Joichi Hoshi who was influenced by Hoshi's use of metallic pigments, the artist set the flowers and partial moon (or sun) against a metallic background. Depending upon the lighting conditions (see image taken with flash) the background appears either golden or silver. The print is pencil-titled in kanji "Autumn (Bellflowers)" and numbered 3/55 at the lower left...
Poem 69-13 is an old embossed print. Created in 1969, it is in excellent condition. It measures 11 1/8in W x 15in H and is number 61 of an edition of 82.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with artists’s seal on L.L., fan-shaped publisher’s seal, very good impression and color, small soil mark on upper left corner, wrinkle from the printing across upper right corner, corner creased, light soiling, large red collector’s seal on verso.
Oban tate-e: 10 x 14 ¾ in.
Ca. 1950s
Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.
Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.
Ca. 1950s
Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.
Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, fine impression and color, very light wear
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with artists’s seal on L.R., fan-shaped publisher’s seal, excellent impression and color, gilt metallic printing on robe, some very minor creasing and very light soiling to corners, otherwise good condition, large red collector’s seal on verso.
Oban tate-e: 10 x 14 ¾ in.
Ca. 1950s
Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.
Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.
Still life Woodblock print of Vase by Tomimoto Kenkichi (1886-1963.) Artist's Seal: "Tomi." Date: 1955. Publisher: Adachi Hanga. Medium: Woodblock Print. Impression: Very good, printed on long-fiber Japanese paper. Size: W. 32.5cm( 12.75") x H.42cm (16.5").
Tomimoto Kenkichi was best known as one of the most influential Japanese ceramic artists of the 20th Century...
An Extra Large/Rare Kappa-ban by Yoshitoshi Mori(1898-1992):
Japan, 27” x 19 3/4” or 68.5cm x 50.2cm...
A print by the Japanese print maker Haku Maki, 1924-2000. He began in a career as a kamikaze pilot during world war 2. The surrender by Japan saved his life. He became a teacher and learned print making. His prints are unusual as they start with a woodblock which is carved then pressed with cement. When the cement is dried, it is carved further. A wet paper is placed on the woodblock and left to dry. The resulting image has a wonderful texture and unique embossed finish...
A Very/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976):
Japan, First Editon, 23 3/4” x 18” incl. margins,
Title; a Pair of pigeons beneath hydrangeas in middle of Summer,
Date; ca 1930s,
Signature; impressed seal “Rakuzan Kyo” and Red seal “A”,
Pubisher; Self-printed,
Water mark; Rakuzan Kacho Gafu on the lower margin,
Conditon; It is in very fine condition but a mat bed marks on the margins only.
*** Reference: Please see www.Rackuzan.net website
A Very Rare Korean Young Lady Woodblock Print by Sul-Chon-Korean/Japanese: Korea, Korean calender dated 4287 (1954), Oban, tate-e, 37.5cm x 28cm. Title: series #4: a Portrai of Choson’s young lady.
Artist: Sul-Chon. Signature: Sul-Chon in black seal and incense burner shapped real seal. Printed and publushed: 1954
Condition: an excellent condition with bright color, full margins and cleans without
any stains, crease or any damages at all...
A Fine/Large Serigraph Print by Tetsuro Sawada (1935-1999):
Japan, 70cm x 55cm all margins included, 50cm x 40 cm image only
Dated 1991, Title; Glow wave (II),
Signed Sawada and Title and Edition # 89/100 and dated 1991 in pencil by the artist
Medium; Serigraph,
Condition; it is in very good, very brilliant color and full margins.
Please note; I highly recommend keeping this frame with its print since it was
custom crafted to enhance the print’s detail...
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, very good impression and color, very minor wear, large red collector’s seal
Oban tate-e: 10 x 14 ¾ in.
A Very Fine/Large Woodblock Print by Tsuchiya Rakuzan (1896-1976):
Japan, First Edition, 22” x 16 3/4” incl...
