"William Hogarth" The Times of the Day suite of 4 graphics. The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Capt Cook Terreeoboo Gifts and The Death of capt Cook c 1788 the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 9.5 x 15.5 inches. Sheet:

"William Hogarth" An Election Entertainment ,Canvassing for Votes , The Polling and Chairing the Members. The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A handsome poster featuring the work "Ocean Park #111" of 1978, that work appearing in an exhibition of 1989 at the Smithsonian Institution's Hirshhorn Museum, publicized in this poster. Measurements as framed behind Plexi, in black metal frame, are 40" by 33 1/2". The artist needs little introduction, as one of the more important American artists of the second half of the 20th century, his works bringing to the $15 million area at auction...

Albert Abramovitz, Latvian/American, 1879-1963, "Worker's Head". Albert Abramovitz $595.00 1879-1963, Latvian/American Worker's Head This is a beautiful, intimate portrait of a Depression-era worker by Albert Abramovitz. Linocut, image size 7 x 4 1/2 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia...

PAIR of fine engraved prints, 9 1/4" by 13" inside the innermost mat, and 20 1/2" by 26" as framed in attractive quality burl wood, one titled "Windsor and Eaton", the other "Carfax and Abingdon", created by the well-known late 18th century topographical artist and diarist JOSEPH FARINGTON (1747-1821). These are quality prints ready for display in any traditional interior, with fine detail and subtle coloring complemented by the rich brown burl and fine matting...

By 18th century German etcher and engraver GEORG FRIEDRICH SCHMIDT (1712-1775), this is a fine and beautiful print, titled "Der Bartige Orientale" (The Bearded Oriental), signed in the plate at upper left "G F Schmidt fec" and dated there 1750. Engraved in the plate at lower left in French: "dedie a Monsieur le Comte Algarotti Chambellan de su Majeste Russienne par su tres humble et tres obeissant serviteur Schmidt" (dedicated to Mr...

Original vintage expressionist etching print titled "Garden of no Tomorrows" numbered9/15 signed titled circa 1964 by Sylvia T Gavurin. Printed on quality wove paper archival matted and framed in a contemporary gold frame overall size 25ʺW × 1ʺD × 19ʺH Sylvia T Gavurin (1911 - 2002) was a Los Angeles based artist best known for her printmaking she showed in local exhibits her work is held in several private collections. In the 1940s Sylvia Gavurin was a court stenogrepher for the military...

Original carborundum etching on hand made paper by Pierre-Marie Brisson (French, born 1955). Signed in pencil l.r. and numbered 25/75. 35" by 25". In excellent condition.

For the Andrew Wyeth collector, a color collotype print "Arthur Cleveland", circa 1965, from a limited edition of only 100, **with INK SIGNED-by-the-artist label** affixed to the backing. The print measures 26" by 18 3/4" and frame is 1 1/2" wide on a side. This was acquired in Connecticut; the seller stated that it had been acquired from a Boston gallery in the 1960's by her parents, who had unfortunately trimmed off the margins to make it fit the frame...

Large original mid-century woodcut by Davira Fisher (USA, Cincinnati, 1918-1986). This work is signed in pencil by the artist L.R. Dated 1960, titled "Lonely Trees", and numbered 18/100. Framed. Davira Fisher is a well listed African American artist from Cincinnati aptly known for her woodblock prints, often depicting the Mount Adams neighborhood of her city.

Charles Mielatz, American, 1864-1919, Etching, "Whalers in the Harbor", image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

"Veduta della Piazza della SS. Nunziata, Statua Equestre di Ferdinando Primo, Fonti, e Loggie Laterali" Lively view of Nunziata square with the statue of Ferdinand I in Florence after Giuseppe Zocchi (1711or 1717 - 1767) and engraved by B.Sgrilli. From "Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze". The 24 plates in this work show views in Florence. The scenes are enlivened by human activity...

James Gillroy ('Bristol-cheese, made, and sold, by Percival & Co') Sitter William Lort Mansel (1753-1820), Bishop of Bristol and college head. by James Gillray (1756-1815) hand-coloured etching, 1809? 9 7/8 in. x 7 1/2 in. A hand colored copy of this image is in the English National portrait gallery we have included an image of the colored version mat size 14" by 18"

This color aquatint by Luigi Kasimir measures 17 3/4 x 15 inches, pencil signed, plated dated 1925, cat: Lorenz-5. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene.

Lithograph on paper, the title "Nuit Blanche" ("White Night"), 17 1/4" by 12" inside the innermost of two mats (20 1/2" by 15 3/4" as framed), signed in pencil within the image at lower right by the well-known Belgian-born modern artist PIERRE ALECHINSKY (1927-), and numbered at lower left 222/300. This a modern image was published in 1969. The artist is a major figure in late 20th century art's CoBrA movement, counted as one of the founders of it in 1949...

Jacques Callot, French, 1592-1635, Engraving, "Scenes From the New Testament", image size: 2 5/8 x 3 7/16 inches, 1635, inscribed: "Jesus adductam ad se mulierem adulteram absoluit."

Stephen Parrish, American, 1846-1938, etching, "Mills at Mispek, N.B.", image size: 8 3/4 x 11 3/4 inches, 1884, seconds state, cat. Schneider-104, pencil signed lower right.