Charles Daubigny, French, 1817-1878, "Le Berger et la Bergère ( The Shepherd and the Shepherdess)," etching, 10 x 7 3/4 inches on 16 1/4 x 12 1/8 inch watermarked laid type paper. State V/VIII. One of his six final plates, later chosen for publication in the review "L'Art" in 1904, volume LXIII. Catalog: Melot 122. Circa 1877. Printed in the lower right: "Ch. Daubigny. del. et. sc", in the lower right: "F. Lienard. Imp. Paris."

A Hand Colored Botanical Print Portraying Gladiolas. The Artist is the Victorian Jane Webb Loudon (1807-1858), and the Print is from the book “The Ladies Flower Garden of Ornamental Bulbous Plants” (plate 12), published in 1841 by Day and Haghe London, Lithographer to Queen Victoria. The print is triple matted and elegantly framed. Dimensions; 19.5" x 18". Excellent condition. See also item number 601985 (1542B).

James Abbott McNeill Whistler This is an original etching by American artist James McNeill Whistler. The title is: The Adam and Eve Tavern, Old Chelsea. This etching is plate signed with the butterfly monogram in the upper left sky. The image measures 7X11 15/16 inches. Printed on a medium weight laid type paper. This etching was created in 1878. It is the third state of 3. A rich impression of this scarce composition.

Augustus John 1878-1961 Welsh This is a very scarce etching by Welsh artist Augustus John. The subject is a Portrait of Benjamin Evans, Benjamin Evans is thought to have been etched during Augustus John’s stay in Liverpool, where he taught at the University from 1901-1902. This image is pencil signed by the artist and has a platemark measuring 5X4 inches. Very richly printed some very light but even toning to the sheet...

This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.

This is an original hand-colored, 19th century lithograph print by the iconic American ornithologist and naturalist artist JOHN J. AUDUBON (1785-1851), from the nineteenth century series in the small octavo size. Inside the present mat, dimensions are 9 1/4" by 6" inside the innermost mat (16 1/2" by 13" as framed). The title is "Cliff Swallow" and this is Plate number 47 in a long series of bird prints in the small octavo size...

Sir Frank Brangwyn, British, 1867-1956, "Scaffolding, No. 1 (L`Échafaudage)," etching, plate measures 19 x 20 3/4 inches on 24 1/2 x 29 1/2 inch wove type paper. A richly inked drypoint from 1919. Catalog reference: Gaunt 245. Edition of 54. Pencil signed in the lower right. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.

An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life...

Harold Kerr Eby 1889-1946 American This is an original drypoint etching by American artist Kerr Eby. The title is: Burns Brothers, Sutton Place New York, it was created and printed in 1922 in an edition of only 50. The image measures 12 1/4X8 3/4 inches...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, fine impression and color, very light wear

Oban tate-e: 10 x 14 ¾ in.

Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwa matis]; 31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship...

"William Hogarth" "Paul before Felix The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Measuring at 11.5 x 21,” this piece is one of a limited set of lithographs from Ukrainian-Russian artist Konstantin Bogaevsky. This series masterfully explores the landscape of ancient Armenia. Untitled stone lithographs by Konstantin Fedorovich Bogaevsky, circa 1900. Original satin wood frame. 31” x 21.5”. Retail price $2,500. We have several of these, each depicting a different scene...

Charles Wheeler Locke, American, 1899-1953, Lithograph, "Waterfront", AAA, image size: 8 7/8 x 12 1/8", p/s,D

A set of SIX framed engravings, each 14" by 9" and 16 1/2" by 12 1/2" identically framed, featuring architectural facades and urns, by the very well known eighteenth century Flemish architect and engraver JEAN FRANCOIS DE NEUFFORGE (1714-1791). Neufforge is known for his "Recueil Elementaire d'Architecture", a landmark publication of its time, late editions containing 900 engravings of all aspects of 18th century architecture...

Mayumi Oda 2-Panel Japanese folding screen titled Sea Goddess, charmingly rendered with sea maidens cavorting amidst waves and clouds. With light blue and blue colors and vermilion and black printed on white paper attached to backing of textile border with Japanese indigo fabric. Circa 1972. Signed by artist.

Print Size: 28"H x 21"W

Engraving with hand coloring, 4 3/4" by 8 3/4" inside the mat, 9 3/4" by 12 3/4" in interesting old framing, the work trimmed on all sides, including the title "The Beverley Shore", after the important nineteenth century American artist JOHN FREDERICK KENSETT (1816-1872). Kensett is famed for his luminist technique and the almost spiritual stillness of some of his coastal landscape paintings, which have exceeded one million dollars at major auctions...

An example of the 1969 lithograph print, titled variously as "Volcan Fosforescente", ("Phosphorescent Volcano"), numbered in lower left margin 73/250 and pencil signed at lower right, by the famous Mexican 20th century muralist artist DAVID ALFARO SIQUEIROS (1896-1974). This lithograph was printed by Mourlot in Paris. Siqueiros is considered one of the three giants of Mexican twentieth century art, alongside Diego Rivera and Jose Clemente Orozco...