A hand colored lithograph showing in the distance the fortress of Kalat-i-Ghilzaiin Afghanistan. In the foreground to the left are a group of women seated on the ground and to the right a group with two camels, one with a rider, a goat and a man with a rifle. The lithograph is after a drawing by Lt. James Rattray who helped relieve the besieged garrison of Kalat-i-Ghilzaiin in 1842...

A hand colored lithograph by Currier and Ives titled, “The Narrows, New York Bay/ from Staten Island.” The scene depicts a nearly rural Staten Island in the foreground with part of the harbor in the middle and the narrows, now home to the Verrazano Bridge in the distance. Currier and Ives in the lower left below the image and their Nassau Street address in the lower right. Kennedy Galleries label taken from the earlier back board, now on the new backing...

Hand colored lithograph titled, “THE BATTERY, NEW YORK/BY MOONLIGHT.” N. Currier lower left, address lower right. Promenade under the leafy trees with the full moon lighting the harbor with sailing vessels. Kennedy Galleries label taken from the earlier back board, now on the new backing. Sight size 9 x 12 ½ inches, over all with frame, 16 1/8 x 19 1/8 inches.

Condition: Minor tears in the margins and some slight discoloration, but otherwise good condition.

Hand coloured aquatint on thick paper showing LARGE PANORAMIC VIEW OF CONSTANTINOPLE 56x30 cm From Luigi Mayer:Views of the Ottoman Dominions. Engraved by Robert Bowyer. London 1809 Trimmed to plate mark. Trace of centre fold as usual. Collector's label on reverse. CAN BE VIEWED IN CENTRAL LONDON BY ARRANGEMENT AND SHIPPED WORLDWIDE

A hand colored aquatint titled at the bottom, “A VIEW OUSCOTTAH, FROM AN EADGAH.” Underneath the title is, “Sold & Published June 4. 1804, Edw.d Orme, His Majesty’s Printseller, 59. New Bond Street, London.” In the lower left, “lieu.t James Hunter Delin.” and in the lower right, “Harraden Aquatinta.” This plate, numbered 26 in the upper right corner, is from “Picturesque Scenery in the Kingdom of Mysore,” by James Hunter...

A large etching titled, “Veduta della Gran Curia Innocenziana,” (View of the Palazzo di Monetcitorio) part of Giovanni Battista Piranesi’s folio of Views of Rome, first published in 1752. The etchings were often reproduced, but this one has both the correct heavy laid paper with appropriate watermark and the center crease where it was folded into the original folio. It has good margins beyond the plate mark. Sheet size 21 ¼ x 29 ¾ inches (54 x 75.4 cm)...

An interesting color printed engraving of George Washington published in London in 1798 by Robert Cribb, Holborn, engraved by William Nutter after a painting by Gilbert Stuart purported to belong to J.S. DeFranca of Devonshire Place. Devonshire Place is a part of London, but a quick search did not turn up a J.S. DeFranca and it is possible that this print is a copy of another print of Washington, based on the Lansdowne portrait by Gilbert Stuart...

An antique original etching of a standing cow in profile, a village seen at left distance, by Dutch Old Master artist MARCUS DE BIE (sometimes DE BYE), with birth death dates of approximately 1639-1688. The print is heavily trimmed, apparently (3 3/4" by 5 1/4", unframed). Extreme left corners are either dog-eared or missing, and there is a light horizontal crease that likely would not be noticeable at normal viewing distance when framed. De Bye was a pupil of Jacob van de Does...

Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in...