iebmann, Alexander (Berlin 1871) Dutch landscape, signed Alexander Liebmann in pencil bottom right, combined graphic technique/paper, glass, frame

John Taylor Arms, American, 1887-1953, "Gerona". An excellent example of the artistry of the American printmaker, John Taylor Arms. This image measures 12 1/4 x 7 3/4 inches, pencil signed and dated 1925, from his Spanish Church Series #5, printed by Frederick Reynolds in an edition of 152, cat: Fletcher 164...

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

Jean Emile Laboureur, French, 1887-1943, "La Grande Bergère," etching, plate measures 9 1/2 x 6 1/4 inches on 15 x 9 5/8 inch watermarked wove type paper. Collector's stamp on back. This print has very fine engraved lines and a very whimsical style. Laboureur studied at the Academie Julian under Auguste Lepere before traveling extensively throu Print 61 in an edition of 75. Signed in the lower left, editioned in the lower right. Plate initialed and dated "1926" in the lower right. Second state...

Etching on paper of the New York City elevated train line known popularly as "The L", as in "elevated line", and so titled ("The L - 23rd St. N.Y.") in a separate window in the mat, the primary image area 12 3/4" by 9 1/2", 21 1/2" by 17 1/4" as framed, signed at lower right in pencil, bearing the inscription "For Mr. Paul G. Sprunk from H. Van Notti--1923", and numbered "6" at lower left margin. The scene depicted is familiar urban scenery to any New Yorker or New York visitor...

An early (circa 1920's) woodcut print titled at lower left margin "Pikes Peak", numbered there 8/100, and pencil signed at lower right by early, historical Colorado artist HAIM DAVID SPIVAK (1893-1932). The work measures 4" by 5 7/8" inside the mat and 9 1/2" by 11 1/2" in black strip frame. This sharply printed piece shows the famous Colorado mountain near Colorado Springs, a farm or homestead in the foreground. Spivak's works are rare, as he died at age 39 of a brain tumor...

Tavik F. Simon, Czech, 1877-1942, "Notre Dame de Paris in the Morning", colored etching, plate measures 12 5/8 x 15 inches on 18 1/2 x 19 1/2 inch wove type paper. C. 1928. Catalog: Novak 483, Baker 266. Edition of 350. Published by the Societe de Graveurs Modernes, Paris. Pencil editioned in the lower left, signed in the lower right. Plate monogrammed in the bottom center. Numbered 227. An atmospheric print with lovely, muted colors. T. F. Simon was born in Bohemia, now the Czech Republic...

A Japanese woodblock print of a Geisha standing, proper chop mark signature measuring 14x9 inches

Arthur J.T. Briscoe 1873-1943 British This is a fine original etching by British marine artist Arthur Briscoe. The title is: The Main Brace, created and printed in 1929. The image measures 13 11/16X9 15/16 inches, printed on an antique wove type sheet. It is hand signed with pen and ink and also numbered 39/75. " This view of men hauling in on the brace while at the same time keeping their balance in the heeling ship as a spray sweeps over the weather rail."

A beautiful multi-plate color etching by master printmaker LUIGI KASIMIR (1881-1962), dated lower right 1922, and pencil signed there in the margin by the artist. The subject could be mistaken for Paris, what with the advertising kiosk, but this is in fact the Vienna Opera House in Austria. Kasimir was born in present-day Slovenia into a family of poets and artists...

Jean Emile Laboureur 1887-1943 French This is an original engraving by French artist Jean Emile Laboureur. This engraving was created and printed in 1920. One of 6 pencil signed impressions prior to publication in L'Architectures in an edition of 500 unsigned impressions. The image measures 11 5/8X8 1/8 inches. Hand signed in pencil lower left. Very nicely framed with a linen matting. This is one of his largest images done in his distinctly cubist style.

A woodblock print on hand-made paper, the subject a female nude, as originally published in 1921 in the French language literary and art magazine Les Cahiers d'Aujourd'hui. According to information affixed to the backing, this is "original work done on hand laid paper", which was "string-tied" into the hand-bound booklet. CARL HOFER (1878-1955) is today considered a German Expressionist; his finest paintings have exceeded $500,000 at auctions...

Jean Emile Laboureur 1887-1943 French This is an original engraving by French artist Jean Emile Laboureur. The title of this work is: La Blanchisseuse (The Laundress) This image was created and printed in 1922. It is pencil signed by the artist and numbered as 40/72 in the lower right border. The image measures 9 7/8X7 1/8 inches. Nicely Framed. Very good condition. Laboureur was well known for his distinctly Cubist style of expression.

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

Arthur J...

John Taylor Arms, American, 1887-1953, Etching, "St. Paul Alpes Maritimes", 1927, ed.250, 7 1/2" x 11 5/8", pencil signed

Rare early original lithograph by Adolph Dehn (American, 1895-1968), circa 1930. Offered framed under glass. Pencil signed, dated, titled, and numbered 17/30. In very good condition (light paper toning, no foxing or other notable issues). Adolph Dehn was one of the most important American lithographers of the 20th century. (the white streaks on the photos are reflections on the glass.)

Edmund Blampied, British, 1886-1966, "Farm Fire," etching, plate measures 6 7/8 x 9 on 9 x 12 1/4 inch watermarked David Strang paper. C. 1927. Catalog: Appleby 121. Edition of 100. Illustrated: Fine Prints of the Year, 1927. Numbered 63 out of 100 in the lower left in pencil, pencil signed in the lower right. Plate signed and dated in the lower right. A rich impression with drypoint burr.